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History of Music

Essays on European music from the Renaissance period onwards

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History of Music | musichistory-essays.blogspot.com Reviews
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Essays on European music from the Renaissance period onwards
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1 history of music
2 ballets de cour
3 to sophisticated
4 tragédies lyriques
5 alceste
6 recitatives
7 atys
8 armide
9 tragédie lyrique
10 amadis
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history of music,ballets de cour,to sophisticated,tragédies lyriques,alceste,recitatives,atys,armide,tragédie lyrique,amadis,was the,recitative,aria,classical drama,and the,court ballet,cadmus,the libretto of,lully’s,opéra ballet,references,isherwood,from
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History of Music | musichistory-essays.blogspot.com Reviews

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Essays on European music from the Renaissance period onwards

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1

History of Music: The Academie de poesie et de musique & Claude le Jeune

http://musichistory-essays.blogspot.com/2007/11/academie-de-poesie-et-de-musique-claude.html

Essays on European music from the Renaissance period onwards. Friday, 23 November 2007. The Academie de poesie et de musique and Claude le Jeune. In 1570 Jean-Antonine de Baif, a member of the Pleiade, and Thibault de Courville, an otherwise obscure French composer, founded in Paris an Academie de Poesie et de Musique. The chief aim of which was the position and performance of. Musique mesuree a l’antique. Vers mesures a l’antique. Vers and musique mesures a l’antique. Professionals, who performed the.

2

History of Music: François Couperin and the French aesthetic sensibilities reflected by their musical language

http://musichistory-essays.blogspot.com/2007/11/franois-couperin-and-french-aesthetic.html

Essays on European music from the Renaissance period onwards. Thursday, 29 November 2007. François Couperin and the French aesthetic sensibilities reflected by their musical language. Couperin wrote 234 harpsichord pieces, all of which are contained in his four books and his. L’Art de toucher le Clavecin. In place of the word. Couperin described the twenty-seven groupings of his harpsichord works as ‘. In C major/minor, is there a piece out of the prevailing tonality –. L’Art de toucher de clavecin.

3

History of Music: November 2007

http://musichistory-essays.blogspot.com/2007_11_01_archive.html

Essays on European music from the Renaissance period onwards. Thursday, 29 November 2007. François Couperin and the French aesthetic sensibilities reflected by their musical language. Couperin wrote 234 harpsichord pieces, all of which are contained in his four books and his. L’Art de toucher le Clavecin. In place of the word. Couperin described the twenty-seven groupings of his harpsichord works as ‘. In C major/minor, is there a piece out of the prevailing tonality –. L’Art de toucher de clavecin.

4

History of Music: Caccini’s madrigals – an examination

http://musichistory-essays.blogspot.com/2007/11/caccinis-madrigals-examination.html

Essays on European music from the Renaissance period onwards. Saturday, 24 November 2007. Caccini’s madrigals – an examination. Giulio Caccini in the preface of his. He therefore introduces a kind of music in which one could almost speak in tones, employing in it “a certain noble negligence of song [. In his preface to. Although Caccini’s name is inextricably linked to the creation of the first Florentine operas and although his setting of. Divisions, diminutions) – into his monody but limited them...

5

History of Music: Quintessential French attributes of the Lullian opera

http://musichistory-essays.blogspot.com/2007/12/quintessential-french-attributes-of.html

Essays on European music from the Renaissance period onwards. Sunday, 9 December 2007. Quintessential French attributes of the Lullian opera. Throughout his lengthy reign (1661-1715) Louis XIV systematically exploited cultural events as a means of focussing attention on the French court. The musical entertainment in the French court ranged from relatively unpretentious. And aimed for the order, simplicity and coherence of the classical theatre. Even the ballets and spectacles were smoothly woven into...

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Essays on European music from the Renaissance period onwards. Sunday, 9 December 2007. Quintessential French attributes of the Lullian opera. Throughout his lengthy reign (1661-1715) Louis XIV systematically exploited cultural events as a means of focussing attention on the French court. The musical entertainment in the French court ranged from relatively unpretentious. And aimed for the order, simplicity and coherence of the classical theatre. Even the ballets and spectacles were smoothly woven into...

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