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musicyoudontknow – music you never knew you always needed

Words are sound, and so is music, so this blog is just some sound about sound. I'm a composer of contemporary art music. I write about music I love, work I'm doing, and thoughts I have about music and composition. chriswilliamscomposer.com    

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musicyoudontknow – music you never knew you always needed | musicyoudontknow.com Reviews

https://musicyoudontknow.com

Words are sound, and so is music, so this blog is just some sound about sound. I'm a composer of contemporary art music. I write about music I love, work I'm doing, and thoughts I have about music and composition. chriswilliamscomposer.com    

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1

Music Blog – musicyoudontknow

https://musicyoudontknow.com/category/music-blog

Music you never knew you always needed. National Library Creative Fellowship. September 30, 2016. September 30, 2016. Tomorrow marks the last of the ‘Three Horizons’ concerts (see here. For background). In preparation I thought I’d collate some trivia about Margaret Sutherland, Miriam Hyde, and Raymond Hanson, some of the featured Australian Composers, for a bit of background reading. Continue reading “Three Horizons”. A piece half a lifetime in the making. June 9, 2016. Look what I found! May 9, 2016.

2

National Library Creative Fellowship – musicyoudontknow

https://musicyoudontknow.com/category/national-library-creative-fellowship

Music you never knew you always needed. National Library Creative Fellowship. National Library Creative Fellowship. February 25, 2015. February 27, 2015. I’ve been keeping this secret for a while now, but am thrilled to announce that I am to be the inaugural Creative Arts Fellow at the National Library of Australia. Create a free website or blog at WordPress.com.

3

Extended Writing – musicyoudontknow

https://musicyoudontknow.com/category/extended-writing

Music you never knew you always needed. National Library Creative Fellowship. Some Notes about ‘Women of Note’ (book by Rosalind Appleby, Fremantle Press, 2012). February 26, 2015. February 26, 2015. Darkness, where I find my sight, intones the soprano, hardly daring to move from her opening note. So begins Margaret Sutherland’s Six Songs. Some Notes about ‘Women of Note’ (book by Rosalind Appleby, Fremantle Press, 2012). Analogue Landscapes and Digital Ecologies. February 26, 2015. February 27, 2015.

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November | 2016 | Talking Musicology

https://talkingmusicology.wordpress.com/2016/11

A bimonthly musicology podcast. In this episode of. We discuss Ben Piekut’s ‘Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: Experimental Music in London, 1965-75’, in which Piekut writes about overlapping avant-garde musics in Britain and elsewhere through the lens of Music Now, a non-profit music organisation run by Victor Schonfeld. Episode available via iTunes and others podcast providers. You can also download it from here. And stream it here. Blog at WordPress.com.

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Who We Are | Talking Musicology

https://talkingmusicology.wordpress.com/us

A bimonthly musicology podcast. Apparently I have now become a medical doctor. Stephen Graham is Lecturer in Music in the Department of Music at Goldsmiths, University of London, where his teaching ranges across 20th and 21st century music. His book. Sounds of the Underground. Developed from his 2008-2012 PhD at Goldsmiths, was published by University of Michigan Press April 2016. Stephen recently competed a chapter on Popular Modernism for Ashgate, and an article on X Factor for. My Academia.edu page.

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Episode 3 | Talking Musicology

https://talkingmusicology.wordpress.com/2016/07/01/episode-3

A bimonthly musicology podcast. In this episode of Talking Musicology we discuss articles by Mark Greif on Radiohead and the philosophy of pop and by Jennifer Walshe et al on a new movement in composition, the New Discipline. You can listen to the episode below; to download click the arrow on the right. Mark Greif, ‘Radiohead, or the Philosophy of Pop,’ in n 1, Issue 3 (Fall 2005). Article online: https:/ nplusonemag.com/issue-3/essays/radiohead-or-philosophy-pop/. Middot; October 13. Middot; October 22.

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About the podcast | Talking Musicology

https://talkingmusicology.wordpress.com/about

A bimonthly musicology podcast. Talking Musicology is a bimonthly podcast hosted by Stephen Graham and Liam Cagney discussing recent research in the field of musicology. We tend to focus on theoretical publications related to modern music (in all its forms), but this focus is far from exclusive. In each episode we talk about two articles, before finishing with ‘research in the round’, a regular feature where we round-up recent musicology publications. Is proud to be part of the Hold Fast Network.

talkingmusicology.wordpress.com talkingmusicology.wordpress.com

July | 2016 | Talking Musicology

https://talkingmusicology.wordpress.com/2016/07

A bimonthly musicology podcast. In this episode of Talking Musicology we discuss articles by Mark Greif on Radiohead and the philosophy of pop and by Jennifer Walshe et al on a new movement in composition, the New Discipline. You can listen to the episode below; to download click the arrow on the right. Mark Greif, ‘Radiohead, or the Philosophy of Pop,’ in n 1, Issue 3 (Fall 2005). Article online: https:/ nplusonemag.com/issue-3/essays/radiohead-or-philosophy-pop/.

talkingmusicology.wordpress.com talkingmusicology.wordpress.com

Episode 1 | Talking Musicology

https://talkingmusicology.wordpress.com/2016/02/19/episode-1

A bimonthly musicology podcast. February 19, 2016. In the first episode of Talking Musicology we discuss two articles: Georgina Born and Kyle Devine on music, gender and class in UK higher education, and Robert Hasegawa on the harmonic techniques of Georg Friedrich Haas. You can listen to the episode below. To download click the arrow on the right. Georgina Born and Kyle Devine, ‘Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain,’ in. Leave a Reply Cancel reply.

talkingmusicology.wordpress.com talkingmusicology.wordpress.com

Episode 5 | Talking Musicology

https://talkingmusicology.wordpress.com/2016/11/15/episode-5

A bimonthly musicology podcast. In this episode of. We discuss Ben Piekut’s ‘Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: Experimental Music in London, 1965-75’, in which Piekut writes about overlapping avant-garde musics in Britain and elsewhere through the lens of Music Now, a non-profit music organisation run by Victor Schonfeld. Episode available via iTunes and others podcast providers. You can also download it from here. And stream it here. Leave a Reply Cancel reply.

talkingmusicology.wordpress.com talkingmusicology.wordpress.com

Episode 3 | Talking Musicology

https://talkingmusicology.wordpress.com/2016/07/01/episode-3/comment-page-1

A bimonthly musicology podcast. In this episode of Talking Musicology we discuss articles by Mark Greif on Radiohead and the philosophy of pop and by Jennifer Walshe et al on a new movement in composition, the New Discipline. You can listen to the episode below; to download click the arrow on the right. Mark Greif, ‘Radiohead, or the Philosophy of Pop,’ in n 1, Issue 3 (Fall 2005). Article online: https:/ nplusonemag.com/issue-3/essays/radiohead-or-philosophy-pop/. Middot; October 13. Middot; October 22.

talkingmusicology.wordpress.com talkingmusicology.wordpress.com

Episode 2 | Talking Musicology

https://talkingmusicology.wordpress.com/2016/04/29/episode-2

A bimonthly musicology podcast. In this episode of Talking Musicology we discuss articles by Lydia Goehr on the art of preparation and preluding and Scott Gleason on phenomenological analysis and the music of Otomo Yoshihide. You can listen to the episode below; to download click the arrow on the right. Lydia Goehr, ‘Does it Matter Where We Begin? Or, On the Art of Preparation and Preluding,’ in MTO: a Journal of the Society for Music Theory, Volume 21, Number 3, September 2015. Leave a Reply Cancel reply.

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musicyoudontknow – music you never knew you always needed

Music you never knew you always needed. National Library Creative Fellowship. Words are sound, and so is music, so this blog is just some sound about sound. I’m a composer of contemporary art music. I write about music I love, work I’m doing, and thoughts I have about music and composition. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.

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