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Mari Velonaki, Media Installation ArtMari Velonaki is a media artist who has worked in the field of interactive installation art since 1995.
http://www.mvstudio.org/
Mari Velonaki is a media artist who has worked in the field of interactive installation art since 1995.
http://www.mvstudio.org/
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Mari Velonaki, Media Installation Art | mvstudio.org Reviews
https://mvstudio.org
Mari Velonaki is a media artist who has worked in the field of interactive installation art since 1995.
mvstudio.org
Circle E: Fragile Balances | Mari Velonaki
http://mvstudio.org/work/circle-e-fragile-balances
Circle E: Fragile Balances. A wooden table-like object is placed opposite the Circle D: Fragile Balances work in the exhibition space. The object is made of has the same finish as the base from. Circle D: Fragile Balances. Circle D: Fragile Balances. In my mind this work closes the loop by allowing the audience to become participants by writing love letters intended either for their loved ones or for the Fish and Bird characters. David Rye: Mechatronic Systems Design. Steve Scheding: Software Architecture.
Circle D: Fragile Balances | Mari Velonaki
http://mvstudio.org/work/fragile-balances
Circle D: Fragile Balances. Circle D: Fragile Balances (2008). Artist/Interface Design: Mari Velonaki. Mechatronics Design: David Rye. Systems Architecture: Steve Scheding. Centre for Social Robotics/Australian Centre for Field Robotics, USYD. Current State of Affairs. Circle E: Fragile Balances. Circle D: Fragile Balances. Fish-Bird Circle B Movement B.
News | Mari Velonaki
http://mvstudio.org/mari-velonaki/about-below/news
ISEA 2011 Istanbul – Panel discussion. SIGNS OF LIFE: HUMAN-ROBOT INTERSUBJECTIVITIES. Dates: Sunday, 18 September, 2011 – 13:00 – 14:30. Presenters: Anne-Marie Duguet, Mari Velonaki, John Tonkin, Kirsty Boyle. Mari Velonaki. ‘Art and Robotics Creation and Interaction’ Keynote address to Workshop ‘Robots and Art – Frontiers in Human-Centred Robotics as Seen by the Arts,’ IEEE 2011 International Conference on Robotics and Automation. 13 May 2011, Shanghai, China. Current State of Affairs’.
Current State of Affairs | Mari Velonaki
http://mvstudio.org/work/current-state-of-affairs
Current State of Affairs. A work about a symbiotic relationship between heterogeneous elements, which is a recurrent theme in my work. Copper structure with integrated mirror, incandescent light globes, hydrophones, electronics and computer for real-time sound manipulation, water and electricity. Dimensions 220 cm x 120 cm x 36 cm. David Rye: Mechatronic design. Mark Calleja: Electronics design and construction. Bruce Crundwell: Structure fabrication and machining. Current State of Affairs.
Exhibitions | Mari Velonaki
http://mvstudio.org/mari-velonaki/about-above/exhibitions
September October: Taksim Cumhuriyet Sanat Galerisi. Istanbul, Turkey. ‘Diamandini’, robotic installation. In. Istanbul, L. Aceti and K. Cleland (curators). July September: National Art Museum of China. Beijing, China. ‘The Fish-Bird Series’, interactive installation with two robots and multi-sensor perception system, two autonomous interactive objects and kinetic object. In. TransLife: Media Art China 2011. September December: Gyeonggi Museum of Modern Art,. September October: Cockatoo Island,. May July...
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CUSP.. designing into the next decade - How We Create
http://ace.howwecreate.org/stories/manufacturing/cusp-exhibition
47; CUSP. designing into the next decade. CUSP designing into the next decade. Over the last number of years Object: Australian Design Centre has explored many notions of design. From Freestyle: new Australian design for living in 2006 to HYPERCLAY: Contemporary Ceramics in 2011, Object has presented some of the most exciting current emerging and established practitioners working today. With a forward-looking bent,. CUSP: Designing into the Next Decade. Has been imagined and developed as a three-year cre...
Strange Attractors - Ivanova Creative Leaders
http://www.annieivanova.com/strange-attractors.html
Zendai Museum of Modern Art and Novamedia. The Zendai MOMA is proactively introducing audiences in Shanghai to diverse range of contemporary ideas and new cultural experiences from around the world. In 2006 Ivanova initiated and presented the first comprehensive survey of Australian art and science collaborations in China, showcasing leading creative and scientific teams from around the country. Annie Ivanova, Curator. Mari Velonaki, Embracement. Drew Berry, bodycode, scientific animation still. Australi...
The Team | Australia - Japan Media Art Meeting 豪日メディアアートミーティング
http://www.aujpmediaart.com/team.html
The Team Australia - Japan Media Art Meeting 豪日メディアアートミーティング. Speech 1995、touch 1997、breath 1998、electrostatic charge 2000、vision system 2000、light2003、robotics 2003-10、ほか。 Http:/ www.cas.edu.au/content.php/232.html? Http:/ www.csr.acfr.usyd.edu.au/people/MariVelonaki.htm. Http:/ www.iconica.org/main.htm. Http:/ www.artdes.monash.edu.au/multimedia/staff/tinnocent.html. ロイヤルメルボルン工科大学 RMIT Architecture Designのシニア講師で、空間情報建築研究室 SIAL の運営にあたっている。 Http:/ www.sial.rmit.edu.au/People/gmore.php. 共編著 変貌する美術館 昭和堂 他。
Sarah Neville
http://www.sarahneville.com/collaborators
Jo and Paea / - co-works. Sarah Neville 2016. Site by Studio Robot.
Mari Velonaki | Scanlines
http://www.scanlines.net/node/1682
Media Art in Australia Since the 1960s. Fairlight CVI (Computer Video Instrument), 1984. Mari Velonaki is a media artist and researcher who is working in the field of interactive installation art since 1995. Her practice engages the spectator/participant with digital and robotic characters in interplays stimulated by sensory triggered interfaces. Her innovative human-machine interfaces promote intimate and immersive relationships between participants and interactive artworks. ANAT - Synapse Database.
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Mari Velonaki, Media Installation Art
Current State of Affairs. Circle E: Fragile Balances. Circle D: Fragile Balances. Fish-Bird Circle B Movement B.
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