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New York Classical Review

New York Classical Review. South Florida Classical Review. From a shower to a sweatshop, MATA Festival opens with a dizzying range of music. When the MATA Festival is at its best, as it has …. Polished and pastoral Victoria delivered from Stile Antico. Even to the practiced ear, the great composers of polyphonic Renaissance …. Worlds collide with rewards at American Composers Orchestra concert. Jazz and classical music have been in an awkward dance nearly …. Top Ten Performances of 2017. The main trend i...

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New York Classical Review. South Florida Classical Review. From a shower to a sweatshop, MATA Festival opens with a dizzying range of music. When the MATA Festival is at its best, as it has …. Polished and pastoral Victoria delivered from Stile Antico. Even to the practiced ear, the great composers of polyphonic Renaissance …. Worlds collide with rewards at American Composers Orchestra concert. Jazz and classical music have been in an awkward dance nearly …. Top Ten Performances of 2017. The main trend i...
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New York Classical Review | newyorkclassicalreview.com Reviews

https://newyorkclassicalreview.com

New York Classical Review. South Florida Classical Review. From a shower to a sweatshop, MATA Festival opens with a dizzying range of music. When the MATA Festival is at its best, as it has …. Polished and pastoral Victoria delivered from Stile Antico. Even to the practiced ear, the great composers of polyphonic Renaissance …. Worlds collide with rewards at American Composers Orchestra concert. Jazz and classical music have been in an awkward dance nearly …. Top Ten Performances of 2017. The main trend i...

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New York Classical Review » Blog Archive » Gardiner and a strong cast bring Monteverdi’s “L’Orfeo” to life

http://newyorkclassicalreview.com/2015/05/gardiner-and-a-strong-cast-bring-monteverdis-lorfeo-to-life

South Florida Classical Review. Gardiner and a strong cast bring Monteverdi’s “L’Orfeo” to life. May 02, 2015 at 2:18 pm. By Eric C. Simpson. John Eliot Gardiner led a performance of Monteverdi’s “L’Orfeo” Friday night at Carnegie Hall. Not many early music concerts are sell-out attractions as with programs of Romantic standards. But for a big-ticket item to crown the Before Bach series, Carnegie Hall could hardly have done better than Friday night’s offering. Monteverdi’s. The supporting cast was no les...

2

New York Classical Review » Blog Archive » Graf’s intelligent versatility bolsters new piano series

http://newyorkclassicalreview.com/2015/06/grafs-intelligent-versatility-bolsters-new-piano-series

South Florida Classical Review. Graf’s intelligent versatility bolsters new piano series. June 21, 2015 at 1:48 pm. By Eric C. Simpson. Enrique Graf performed Saturday night at the DiMenna Center. Photo: Steve J. Sherman. The first of those two staples, Beethoven’s Appassionata sonata, would be enough to anchor a program on its own. Graf’s performance of this touchstone work was intelligent and well-planned, bringing clarity to the music even in the stormy passages that can so easily devolve into gen...

3

New York Classical Review » Blog Archive » Chelsea Opera makes a worthy case for Mollicone double bill

http://newyorkclassicalreview.com/2014/11/chelsea-opera-makes-a-worthy-case-for-mollicone-double-bill

South Florida Classical Review. Chelsea Opera makes a worthy case for Mollicone double bill. November 08, 2014 at 1:30 pm. Molly Mustonen and Benjamin Robinson in Henry Mollicone’s “The Face on the Barroom Floor.” Photo: Robert J. Saferstein. The Face on the Barroom Floor. The two operas are some of his earliest works in the form:. Is his first mature opera, written in 1978, and. And piano, violin and cello for. John S. Bowman, who was also in attendance, wrote the librettos for each. The opera tells the...

4

New York Classical Review » Blog Archive » Met’s new verismo double bill offers a static “Cav” and memorable “Pag”

http://newyorkclassicalreview.com/2015/04/mets-new-verismo-double-bill-offers-a-static-cav-and-memorable-pag

South Florida Classical Review. Met’s new verismo double bill offers a static “Cav” and memorable “Pag”. April 15, 2015 at 5:14 pm. By Eric C. Simpson. Marcelo Alvarez and Patricia Racette in the Metropolitan Opera’s new production of Leoncavallo’s “Pagliacci.” Photo: Cory Weaver. Tuesday night’s opener of the classic Cav and Pag double-bill felt impossibly lopsided, even compared to this season’s earlier, uneven pairing of Iolanta. And Ruggero Leoncavallo’s Pagliacci. Sparkles, but his Cavalleria. A dis...

5

New York Classical Review » Blog Archive » Philharmonic Biennial program serves up a wide range of composers

http://newyorkclassicalreview.com/2014/06/philharmonic-biennial-program-serves-up-a-wide-range-of-composers

South Florida Classical Review. Philharmonic Biennial program serves up a wide range of composers. June 07, 2014 at 1:39 pm. Andrew McManus’s “Strobe” had its world premiere at the New York Philharmonic’s Biennial concert Friday night. Addressing the audience at Avery Fisher Hall on Friday night, in between the world premiere of. The most ambitious part of Friday’s concert came from the circumstances surrounding its first work, McManus’s. Were chosen to receive premieres during the Biennial. McManus, who...

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South Florida Classical Review » » The Top 10 Performances of 2011

http://southfloridaclassicalreview.com/2011/12/the-top-10-performances-of-2011

South Florida Classical Review. New York Classical Review. The Top 10 Performances of 2011. By David Fleshler and Lawrence Budmen. 1 Michael Tilson Thomas and the New World Symphony in Mahler’s Symphony No. 6. 2 Ken Noda and friends. Photo: Gaston de Cardenas. 3 Florida Grand Opera’s. Photo: Gaston de Cardenas. 4 Florida Grand Opera’s. The soprano Elizabeth Futral performed the feat of taking on all four female roles in Florida Grand Opera’s production of Offenbach’s. 5 Violinist Ray Chen. Bach’s s...

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Chicago Classical Review » » Akiho’s mesmerizing work the highlight of MusicNOW program

http://chicagoclassicalreview.com/2013/12/akihos-mesmerizing-work-the-highlight-of-musicnow-program

New York Classical Review. South Florida Classical Review. Akiho’s mesmerizing work the highlight of MusicNOW program. Tue Dec 17, 2013 at 2:29 pm. By Lawrence A. Johnson. Andy Akiho’s “Vick(i/y)” was performed at the CSO’s MusicNOW program Monday night at the Harris Theater. The second MusicNOW program of the season served up one of the most compelling solo performances of the year, amid three other works that included a Mason Bates premiere. Monday night’s concert at the Harris Theater opened with.

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Chicago Classical Review » » Collaborative Arts Festival leads off with intimate Schumann evening

http://chicagoclassicalreview.com/2014/09/collaborative-arts-festival-leads-off-with-intimate-schumann-evening

New York Classical Review. South Florida Classical Review. Collaborative Arts Festival leads off with intimate Schumann evening. Fri Sep 12, 2014 at 12:24 pm. Susanna Phillips performed in the opening concert of the Collaborative Arts Festival Thursday night at the Poetry Foundation. Rather than settling for a survey of Schumann’s greatest hits, the 90-minute program explored less familiar territory in selections from three of Schumann’s song collections:. Tragodie, Gedichte aus ‘Liebesfruhling’. Phan an...

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South Florida Classical Review » » Fabio Martino displays remarkable artistry at Miami Piano Festival

http://southfloridaclassicalreview.com/2012/05/fabio-martino-shows-remarkable-artistry-at-miami-piano-festival

South Florida Classical Review. New York Classical Review. Fabio Martino displays remarkable artistry at Miami Piano Festival. Fabio Martino performed music of Beethoven, Ravel and Scriabin Saturday night at the Miami International Piano Festival. Beethoven suits Martino, who followed the Fantasia with the monumental. His Andante held the same richness, characterized by careful releases, immaculate pedaling and impeccable voicing, especially in the suspensions of the first variation. A wonderfully fl...

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Chicago Classical Review » » Kissin’s distinctive mastery brings illumination on a rainy afternoon

http://chicagoclassicalreview.com/2015/04/kissins-distinctive-mastery-brings-illumination-on-a-rainy-afternoon

New York Classical Review. South Florida Classical Review. Kissin’s distinctive mastery brings illumination on a rainy afternoon. Mon Apr 20, 2015 at 5:05 pm. By Lawrence A. Johnson. Evgeny Kissin performed a recital Sunday afternoon at Symphony Center. Photo: Todd Rosenberg. Clearly, his many local fans felt the same way, with the crowd overflowing to significant onstage seating for a program that offered a virtual manifest of Kissin’s favored composers: Beethoven, Prokofiev, Liszt and Chopin. The hymn-...

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Chicago Classical Review » » Chicago Jazz Philharmonic engagingly bridges the genres in “Third Stream” homage

http://chicagoclassicalreview.com/2015/02/chicago-jazz-philharmonic-engagingly-bridges-the-genres-in-third-stream-homage

New York Classical Review. South Florida Classical Review. Chicago Jazz Philharmonic engagingly bridges the genres in “Third Stream” homage. Sat Feb 07, 2015 at 10:56 am. Orbert Davis led the Chicago Jazz Philharmonic in a “Third Stream” program Friday night at Symphony Center. Of course, purists of both disciplines were appalled. But six decades later, the idea of a jazz and classical fusion is hardly troubling to fans and practitioners of either music. The Chicago River,. Was represented with an excerp...

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South Florida Classical Review » » Cleveland Orchestra unleashed in Stravinsky’s “Rite of Spring”

http://southfloridaclassicalreview.com/2014/02/cleveland-orchestra-unleashed-in-stravinskys-le-sacre

South Florida Classical Review. New York Classical Review. Cleveland Orchestra unleashed in Stravinsky’s “Rite of Spring”. Franz Welser-Möst led the Cleveland Orchestra in music of Strauss, Debussy and Stravinsky Friday night at the Arsht Center. File photo: Carl Juste. Simon Keenlyside. Photo: Uwe Arens. Keenlyside is an intelligent artist with a voluminous, powerful baritone voice. Although there was no announcement made regarding Keenlyside being indisposed, he was clearly not at his best. Debussy ext...

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Samuel Barber

http://www.samuelbarber.fr/english.html

WELCOME to the only website dedicated to the American composer Samuel Barber (1910-1981). All the Barber concerts in the world this summer and the exclusive trailer of H. Paul Moon's SAMUEL BARBER, ABSOLUTE BEAUTY, the first documentary ever about the composer of the. Premiere : Sound Track Cologne Festival, August 27th 2016). On Samuel Barber : Books and Reviews (1943-2012). Samuel Barber: un nostalgique entre deux mondes. Paris, Éditions Hermann, 2012. G Schirmer, 1954. Rochester University Press, 2010.

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Boston Classical Review » Blog Archive » Young singers spark Boston Opera Collaborative’s vivid “Rinaldo”

http://bostonclassicalreview.com/2015/03/young-singers-spark-boston-opera-collaboratives-vivid-rinaldo

New York Classical Review. South Florida Classical Review. Young singers spark Boston Opera Collaborative’s vivid “Rinaldo”. March 27, 2015 at 5:11 pm. Sophie Michaux sings the title role in Handel’s “Rinaldo” at Boston Opera Collaborative. Photo: Dan Busler. Boston Opera Collaborative’s production of Handel’s. Handel’s source for. The BOC’s cast consisted of several up-and-coming singers; in fact, the BOC mission statement is to provide a venue for young singers seeking performance experience....Sophie ...

washingtonclassicalreview.com washingtonclassicalreview.com

Washington Classical Review » Blog Archive » Top Ten Performances of 2016

http://washingtonclassicalreview.com/2016/12/20/top-ten-performances-of-2016

New York Classical Review. South Florida Classical Review. Top Ten Performances of 2016. Tue Dec 20, 2016 at 5:45 pm. By Charles T. Downey. Catherine Foster as Brunnhilde in Washington National Opera’s “Die Walküre.” Photo: Scott Suchman. 1 Washington National Opera: Wagner’s Ring. 2 Jordi Savall, Phillips Collection. 3 Christian Gerhaher and Gerold Hubert, Vocal Arts DC. Donald Runnicles. Photo: Simon Pauly. 4 National Symphony Orchestra and Donald Runnicles: Duruflé’s Requiem. The French soprano made h...

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New York Classical Review. South Florida Classical Review. From a shower to a sweatshop, MATA Festival opens with a dizzying range of music. When the MATA Festival is at its best, as it has …. Polished and pastoral Victoria delivered from Stile Antico. Even to the practiced ear, the great composers of polyphonic Renaissance …. Worlds collide with rewards at American Composers Orchestra concert. Jazz and classical music have been in an awkward dance nearly …. Top Ten Performances of 2017. The main trend i...

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