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Nina Torp: Works

Website of installation artist Nina Torp. Her current practice examines the western hegemony of vision, how it is manifested both in art history and in our daily dealings with images and motifs. She presents projects consisting of prints on fibre-board, film, antique objects, photographic series and wallpaper.

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Website of installation artist Nina Torp. Her current practice examines the western hegemony of vision, how it is manifested both in art history and in our daily dealings with images and motifs. She presents projects consisting of prints on fibre-board, film, antique objects, photographic series and wallpaper.
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Nina Torp: Works | ninatorp.com Reviews

https://ninatorp.com

Website of installation artist Nina Torp. Her current practice examines the western hegemony of vision, how it is manifested both in art history and in our daily dealings with images and motifs. She presents projects consisting of prints on fibre-board, film, antique objects, photographic series and wallpaper.

INTERNAL PAGES

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1

Nina Torp: TAKK FOR REAL

http://www.ninatorp.com/takkforreal.html

SITUASJONER Det arkeologiske rommet(1). SITUASJONER Det arkeologiske rommet(2). For we are where we are not, version I. For we are where we are not, version II. Norwegian Sculpture Biennial 2013. Outside everything is immeasurable, part II. Outside everything is immeasurable, part I. The Morning Piece / The Evening Piece. Memoirs of A Tourist. An Agreeable Kind of Horror. Different types of wood, aluminium tape and sunlight, 300x200x250 cm. TAKK FOR REAL, group show, SIM, Korpúlfsstaðir, Iceland 2010.

2

Nina Torp: Outside everything is immeasurable, part II

http://www.ninatorp.com/sculpturebiennial.html

SITUASJONER Det arkeologiske rommet(1). SITUASJONER Det arkeologiske rommet(2). For we are where we are not, version I. For we are where we are not, version II. Norwegian Sculpture Biennial 2013. Outside everything is immeasurable, part II. Outside everything is immeasurable, part I. The Morning Piece / The Evening Piece. Memoirs of A Tourist. An Agreeable Kind of Horror. Norwegian Sculpture Biennial 2013 - Over bekken etter vann. Outside everything is immeasurable, part II.

3

Nina Torp: For we are where we are not - version I

http://www.ninatorp.com/forweare_pt1.html

SITUASJONER Det arkeologiske rommet(1). SITUASJONER Det arkeologiske rommet(2). For we are where we are not, version I. For we are where we are not, version II. Norwegian Sculpture Biennial 2013. Outside everything is immeasurable, part II. Outside everything is immeasurable, part I. The Morning Piece / The Evening Piece. Memoirs of A Tourist. An Agreeable Kind of Horror. For we are where we are not, version I. Review [no] kunstkritikk.no. Photograph 1&2: For we are where we are not.

4

Nina Torp: Dissolving Paintings

http://www.ninatorp.com/dissolving.html

SITUASJONER Det arkeologiske rommet(1). SITUASJONER Det arkeologiske rommet(2). For we are where we are not, version I. For we are where we are not, version II. Norwegian Sculpture Biennial 2013. Outside everything is immeasurable, part II. Outside everything is immeasurable, part I. The Morning Piece / The Evening Piece. Memoirs of A Tourist. An Agreeable Kind of Horror. Handmade black glass lens 52 cm diameter, photographs/lightjet prints on aluminium 40x50 cm up to 125x185 cm,.

5

Nina Torp: Memoirs of A Tourist

http://www.ninatorp.com/memoirs.html

SITUASJONER Det arkeologiske rommet(1). SITUASJONER Det arkeologiske rommet(2). For we are where we are not, version I. For we are where we are not, version II. Norwegian Sculpture Biennial 2013. Outside everything is immeasurable, part II. Outside everything is immeasurable, part I. The Morning Piece / The Evening Piece. Memoirs of A Tourist. An Agreeable Kind of Horror. Memoirs of A Tourist. Collage video, HD videos in loop 1hr, prints on wood 222x240 cm and handmade black glass lens 52 cm.

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LINKS TO THIS WEBSITE

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Clients – Stephie Becker

http://stephiebecker.com/referenzen

Bauhaus-Archiv / Museum für Gestaltung. Centro Metropolitano de Diseño. Erla Haraldsdottir & Academy of Fine Arts Umeå University. Expo-Event. Live Communication Verband Schweiz.

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INNHOLD

http://tidsskriftet-flettverk.no/INNHOLD.html

FLETTVERK # 2 / SCENE. The past has gone; we can now only tell its stories. This is a Contemporary Archaeology; an archaeology of the present or very recent past; an archaeology that seeks to find new forms of practice. This is an archaeology that starts now, and follows material and narratives into the future. Daniel Lee og Antonia Thomas i FLETTVERK # 2 / SCENE. Ola Sendstad, arkitekt. Daniel Lee og Antonia Thomas, arkeologer. Gro Lauvland, arkitekt. Hilde Elisabeth Bjørk, teaterkritiker. Torberg Foss,...

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Links | agnes poitevin-navarre

http://www.agnespnavarre.com/links

Twelve Degrees of Integration. 8211; Iniva – Institute of International Visual Arts. 8211; Royal Geographical Society (with IBG). Http:/ www.varsity.co.uk. 8211; Nina Torp. 8211; Susan Stockwell.

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Outside everything is immeasurable / For we are where we are not – Stephie Becker

http://stephiebecker.com/outside-everything-is-immeasurable-for-we-are-where-we-are-not

Outside everything is immeasurable / For we are where we are not. Kataloggestaltung mit und für Ariane Spanier Design. Gestaltung zwei zusammenpassender Kataloge für die norwegische Künstlerin Nina Torp mit verschiedenen Formaten und Papieren.

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links

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Lisa Charlotte Baudouin Lie.

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Nina Torp: Works

SITUASJONER Det arkeologiske rommet(1). SITUASJONER Det arkeologiske rommet(2). For we are where we are not, version I. For we are where we are not, version II. Norwegian Sculpture Biennial 2013. Outside everything is immeasurable, part II. Outside everything is immeasurable, part I. The Morning Piece / The Evening Piece. Memoirs of A Tourist. An Agreeable Kind of Horror. Please click on each photograph to see more work.

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