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Electronic music composition research blog
March | 2014 | Nino Auricchio
https://ninoauricchio.wordpress.com/2014/03
Electronic music composition research blog. Monthly Archives: March 2014. Kendall. Gary, S. 2010. Meaning in Electroacoustic Music and the Everyday Mind. 15 (1), pp. 63-74. This entry was posted in Composition practice. March 24, 2014. Godman, Rob. 2002. Ambient Sound and Resonating Spaces. This entry was posted in Composition practice. March 24, 2014. Basanta, Adam. 2010. Syntax as Sign: The use of ecological models within a semiotic approach to electroacoustic composition. 15 (2), pp.125-132. This entr...
About | Nino Auricchio
https://ninoauricchio.wordpress.com/about
Electronic music composition research blog. I am a musician and academic working at the University of West London. My subject specialism is electronic music, its composition, production and developmental history. This blog is an informal place where I will discuss issues relating to my research. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.
Pannese, Alessia. 2012. A gray matter of taste: Sound perception, music cognition, and Baumgarten’s aesthetics. | Nino Auricchio
https://ninoauricchio.wordpress.com/2014/03/24/pannese-alessia-2012-a-gray-matter-of-taste-sound-perception-music-cognition-and-baumgartens-aesthetics
Electronic music composition research blog. Pannese, Alessia. 2012. A gray matter of taste: Sound perception, music cognition, and Baumgarten’s aesthetics. Studies in History and Philosophy of Biological and Biomedical Sciences. 42, pp. 594-601. This entry was posted in Music perception. March 24, 2014. Madsen. C. F. 1997. Emotional Response to Music. Basanta, Adam. 2010. Syntax as Sign: The use of ecological models within a semiotic approach to electroacoustic composition. →. Leave a Reply Cancel reply.
Madsen. C. F. 1997. Emotional Response to Music. | Nino Auricchio
https://ninoauricchio.wordpress.com/2014/03/24/madsen-c-f-1997-emotional-response-to-music
Electronic music composition research blog. Madsen. C. F. 1997. Emotional Response to Music. American Psychological Association. 16, pp. 59-67. This entry was posted in Music perception. And tagged music cognition. March 24, 2014. Guhn, M., Hamm, A., Zentner, M. 2007. Physiological and Musico-Acoustic Correlates in the Chill Response. Pannese, Alessia. 2012. A gray matter of taste: Sound perception, music cognition, and Baumgarten’s aesthetics. →. Leave a Reply Cancel reply. Enter your comment here.
Belardinell. M. O., Bianchini. L., Lupone. M., Padova. A. 2003. Influence of Specific Spectral Variations of Musical Timbre on Emotions in the Listeners. | Nino Auricchio
https://ninoauricchio.wordpress.com/2014/03/24/belardinell-m-o-bianchini-l-lupone-m-padova-a-2003-influence-of-specific-spectral-variations-of-musical-timbre-on-emotions-in-the-listeners
Electronic music composition research blog. Belardinell. M. O., Bianchini. L., Lupone. M., Padova. A. 2003. Influence of Specific Spectral Variations of Musical Timbre on Emotions in the Listeners. In: Hanover University of Music and Drama. 5. Hanover, Germany, September 8-13. Rome: Centro Ricerche Musicali, Italy. This entry was posted in Music perception. And tagged music cognition. March 24, 2014. Leave a Reply Cancel reply. Enter your comment here. Address never made public). Madsen. C. F....Creat...
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Mixing By Numbers (Part 2) | MT-Base
https://mtbase.wordpress.com/2011/03/31/mixing-by-numbers-part-2
A Music Technology blog with multiple contributors. Mixing By Numbers (Part 2). Yesterday I ranted about the dumbing down of mixing. Today I hope to provide a more balanced view on the new One Knob series from Waves. Whilst writing my post yesterday I had the idea to do a One Knob mix to see how versatile these plug ins can be. The One Knob mix took about 35 minutes to do. Here’s a quick outline of what was used where and roughly how much the dial was turned to in brackets. 8211; Pressure (3). Is much be...
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Nino Auricchio | Electronic music composition research blog
Electronic music composition research blog. Kendall. Gary, S. 2010. Meaning in Electroacoustic Music and the Everyday Mind. 15 (1), pp. 63-74. This entry was posted in Composition practice. March 24, 2014. Godman, Rob. 2002. Ambient Sound and Resonating Spaces. This entry was posted in Composition practice. March 24, 2014. Basanta, Adam. 2010. Syntax as Sign: The use of ecological models within a semiotic approach to electroacoustic composition. 15 (2), pp.125-132. March 24, 2014. 42, pp. 594-601. This e...
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Nino Avanti, Agent of Change. Futurist, Cyberneticist, Motivator and Prosletyzer for Change. The supermarket wants Nino to deliver — but why hold the bag? So, perhaps it’s through kismet that I received a message this week from an individual who says she represents the Loblaw organization, and hark! What consultants are supposed to do and say in these situations, when the HR emissaries show up pleading. You’re intended to ink the pact, pocket the mazuma, make tracks to the off-site, spin the yarns ra...
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Pensieri,ricordi,emozioni,riflessioni e divagazioni. Domenica 21 gennaio 2018. E’ una maledizione? E quando mai i treni ti restituiscono qualcosa se lo perdi? Sabato 22 ottobre 2016. AH, LE DONNE. Resta dubbio, dopo tanto discorrere, se le donne preferiscano essere prese, comprese o sorprese." Gesualdo Bufalino. Mercoledì 19 ottobre 2016. CONSAPEVOLEZZA, PADRONANZA,ARMONIA. Mercoledì 16 marzo 2016. Domenica 14 febbraio 2016. Martedì 9 febbraio 2016. Martedì 15 settembre 2015. Martedì 17 febbraio 2015.