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Threshold To Trajectories

Tuesday, 13 January 2015. It is how flood victims divided themselves into various categories at Gupkar Road’s helipad, as they exist in our reservation system, and how I was trying to look at our lives as how it must have been like before the eyes of the Almighty. Crowd at Helipad, and I too a part of it. A Clipping of a Newspaper of Rajasthan). Sunday, 11 January 2015. A bird eye view of water from third floor). It was how people were bringing 'Red' into light. Helicopter rescuing people from Hotel.

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Threshold To Trajectories | nishaggarwal.blogspot.com Reviews
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Tuesday, 13 January 2015. It is how flood victims divided themselves into various categories at Gupkar Road’s helipad, as they exist in our reservation system, and how I was trying to look at our lives as how it must have been like before the eyes of the Almighty. Crowd at Helipad, and I too a part of it. A Clipping of a Newspaper of Rajasthan). Sunday, 11 January 2015. A bird eye view of water from third floor). It was how people were bringing 'Red' into light. Helicopter rescuing people from Hotel.
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Threshold To Trajectories | nishaggarwal.blogspot.com Reviews

https://nishaggarwal.blogspot.com

Tuesday, 13 January 2015. It is how flood victims divided themselves into various categories at Gupkar Road’s helipad, as they exist in our reservation system, and how I was trying to look at our lives as how it must have been like before the eyes of the Almighty. Crowd at Helipad, and I too a part of it. A Clipping of a Newspaper of Rajasthan). Sunday, 11 January 2015. A bird eye view of water from third floor). It was how people were bringing 'Red' into light. Helicopter rescuing people from Hotel.

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nishaggarwal.blogspot.com nishaggarwal.blogspot.com
1

Threshold To Trajectories: September 2013

https://nishaggarwal.blogspot.com/2013_09_01_archive.html

Sunday, 29 September 2013. The Personified Images into Leman’s Mirror. The Sculptural Work 'Ancient Scientist'). The Sculptural Work 'Chair'). Photo Courtesy: The Artist. Subscribe to: Posts (Atom). The Personified Images into Leman’s Mirror. I am a Delhi based Artist/Writer. View my complete profile. Simple template. Powered by Blogger.

2

Threshold To Trajectories: Srinagar Flood: Part-I

https://nishaggarwal.blogspot.com/2015/01/srinagar-flood-part-i.html

Tuesday, 6 January 2015. Images, Words and Questions… Didn’t wanted to make alive the inert memories of a murky chapter of 2014, but the images and words still persist in some corner of mind to come out as I couldn’t write and share them at that time. And some stood as questions to etiquette. It was September 2014, I was still new to the place, Srinagar, Kashmir, the paradise! Indra Nagar (Srinagar) through my window. In the evening of 6th September 2014. Indra Nagar (Srinagar) through my window. When su...

3

Threshold To Trajectories: March 2014

https://nishaggarwal.blogspot.com/2014_03_01_archive.html

Tuesday, 25 March 2014. A Utopia Not So Far. Inquiring into the historical salt march of 1930 and the near extinct Azrakh traditions, artist and textile designer. Weaves a fabric using socio-economic and cultural threads of Gandhian philosophies in her installation works, reviews. Art Works from the Show 'Salt: The Great March'. Installation by Shelly Jyoti. Originally Published in Art&Deal Magazine, Issue:65/Vol.9, No.34/November 2013. The world around us is generally discernible by the placation of two...

4

Threshold To Trajectories: October 2014

https://nishaggarwal.blogspot.com/2014_10_01_archive.html

Monday, 6 October 2014. The Difference between Planting and Constructing. School Magazine Cover Page by Me. Collage and mixed media on paper). Subscribe to: Posts (Atom). The Difference between Planting and Constructing. I am a Delhi based Artist/Writer. View my complete profile. Simple template. Powered by Blogger.

5

Threshold To Trajectories: July 2013

https://nishaggarwal.blogspot.com/2013_07_01_archive.html

Wednesday, 31 July 2013. Let not control our ‘Real’ lives by the ‘Reeled’ ones. Why the Complexion Causes the Complex? So, what are the parameters for acclaiming someone ‘beautiful’? Indian Aesthetics says that beauty lies in the eyes of beholder. But what if beholder’s eyes are wrapped with the binary established by the old aged society? The binary of colour White and Black are no less than the binaries suggested by feminist scholar Helene. Few Stills from the Performance. Subscribe to: Posts (Atom).

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Threshold To Trajectories

Tuesday, 13 January 2015. It is how flood victims divided themselves into various categories at Gupkar Road’s helipad, as they exist in our reservation system, and how I was trying to look at our lives as how it must have been like before the eyes of the Almighty. Crowd at Helipad, and I too a part of it. A Clipping of a Newspaper of Rajasthan). Sunday, 11 January 2015. A bird eye view of water from third floor). It was how people were bringing 'Red' into light. Helicopter rescuing people from Hotel.

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