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Nicholas Marts: Film, Comics and Theory

Nicholas Marts: Film, Comics and Theory. Tuesday, March 27, 2012. Goodfellas: The Charisma of Crime. Scorsese planned to have “lots of movement and I wanted it to be throughout the whole picture, and I wanted the style to kind of break down by the end, so that by his last day as a wiseguy, it’s as if the whole picture would be out of control, [and] give the impression he’s just going to spin off the edge and fly out. Print via Web. http:/ books.google.com/books? Saturday, February 5, 2011. It asks, what ...

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Nicholas Marts: Film, Comics and Theory | nmarts1.blogspot.com Reviews

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Nicholas Marts: Film, Comics and Theory. Tuesday, March 27, 2012. Goodfellas: The Charisma of Crime. Scorsese planned to have “lots of movement and I wanted it to be throughout the whole picture, and I wanted the style to kind of break down by the end, so that by his last day as a wiseguy, it’s as if the whole picture would be out of control, [and] give the impression he’s just going to spin off the edge and fly out. Print via Web. http:/ books.google.com/books? Saturday, February 5, 2011. It asks, what ...

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Nicholas Marts: Film, Comics and Theory | nmarts1.blogspot.com Reviews

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Nicholas Marts: Film, Comics and Theory. Tuesday, March 27, 2012. Goodfellas: The Charisma of Crime. Scorsese planned to have “lots of movement and I wanted it to be throughout the whole picture, and I wanted the style to kind of break down by the end, so that by his last day as a wiseguy, it’s as if the whole picture would be out of control, [and] give the impression he’s just going to spin off the edge and fly out. Print via Web. http:/ books.google.com/books? Saturday, February 5, 2011. It asks, what ...

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Nicholas Marts: Film, Comics and Theory: February 2011

http://nmarts1.blogspot.com/2011_02_01_archive.html

Nicholas Marts: Film, Comics and Theory. Saturday, February 5, 2011. Do Replicants Dream of Being Human? Blade Runner and the Problem of Identity. 8220;Quite an experience to live in fear, isn’t it? That’s what it is to be a slave.”. This question is posed to Rick Deckard (Harrison Ford) late in the 1982 sci-fi film Blade Runner. Based on the Philip K. Dick novel Do Androids Dream of. Throughout the film, the nature of identity, memory, and what it means to be human are explored. The NEXUS 6 Replicants w...

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Nicholas Marts: Film, Comics and Theory: Little Apartment of Horrors: Little Otik and Freud’s theory of the Uncanny

http://nmarts1.blogspot.com/2009/12/little-apartment-of-horrors-little-otik.html

Nicholas Marts: Film, Comics and Theory. Friday, December 18, 2009. Little Apartment of Horrors: Little Otik and Freud’s theory of the Uncanny. This is a quick copy-and-paste of my extra credit essay from the final. Read Freud's theory here: http:/ www-rohan.sdsu.edu/ amtower/uncanny.html. The uncanny is the vague mysterious or supernatural entity that inspires fear. Sigmund Freud, that pre-eminent psychoanalyst and cocaine addict, had trouble defining the uncanny. In a possible homage, their OBGYN looks...

3

Nicholas Marts: Film, Comics and Theory: October 2009

http://nmarts1.blogspot.com/2009_10_01_archive.html

Nicholas Marts: Film, Comics and Theory. Monday, October 26, 2009. Hitchcock and Sigmund, strange bedfellows. Rather than spending a good deal of time observing and studying children (even his own - he had six) he preferred to create his ideas alone with his cigar and cocaine addictions. If people's problems are attributable to sexual mis-development, did Freud believe his own children were perfect? Or, if they had psychological issues, were they instead abused, either by him or without his knowledge?

4

Nicholas Marts: Film, Comics and Theory: Do Replicants Dream of Being Human? - Blade Runner and the Problem of Identity

http://nmarts1.blogspot.com/2011/02/do-replicants-dream-of-being-human.html

Nicholas Marts: Film, Comics and Theory. Saturday, February 5, 2011. Do Replicants Dream of Being Human? Blade Runner and the Problem of Identity. 8220;Quite an experience to live in fear, isn’t it? That’s what it is to be a slave.”. This question is posed to Rick Deckard (Harrison Ford) late in the 1982 sci-fi film Blade Runner. Based on the Philip K. Dick novel Do Androids Dream of. Throughout the film, the nature of identity, memory, and what it means to be human are explored. The NEXUS 6 Replicants w...

5

Nicholas Marts: Film, Comics and Theory: November 2009

http://nmarts1.blogspot.com/2009_11_01_archive.html

Nicholas Marts: Film, Comics and Theory. Monday, November 23, 2009. My Life in Pink, Blue, Frilly Dresses and Fantasy Scenes. Alain Berliner's 1997 film Ma Vie En Rose. Describes Ludo as "an aggressively narrative resisting protagonist. Effeminate, cross-dressing, boy-loving, girl-identified, pre-pubescent male.". Ludo is supposed to be seven, but actor Georges Du Fresne was 12 when the movie was shot. With his bobbed hair and frilly dresses, Georges is distinctly Natalie Portman-esque. Fellow children&#...

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Nicholas Marts: Film, Comics and Theory

Nicholas Marts: Film, Comics and Theory. Tuesday, March 27, 2012. Goodfellas: The Charisma of Crime. Scorsese planned to have “lots of movement and I wanted it to be throughout the whole picture, and I wanted the style to kind of break down by the end, so that by his last day as a wiseguy, it’s as if the whole picture would be out of control, [and] give the impression he’s just going to spin off the edge and fly out. Print via Web. http:/ books.google.com/books? Saturday, February 5, 2011. It asks, what ...

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