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No More Stumbling, Anaïs PERICAT © | nomorestumbling.wordpress.com Reviews

https://nomorestumbling.wordpress.com

(par Anaïs)

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1

No More Stumbling, Anaïs PERICAT © | Page 2

https://nomorestumbling.wordpress.com/page/2

No More Stumbling, Anaïs PERICAT. Aller au contenu principal. Rencontre avec William FRIEDKIN. Borgman, d’Alex VAN WARMERDAM. Carnage, de Roman POLANSKI. Erwin BLUMENFELD, lucide dans l’atrocité. Le testament d’Orphée, de Jean COCTEAU. Félix VALLOTTON, entre cuisine et vigilances. Georges BRAQUE, guitariste cubiste. La potion magique « Clark KENT ». Cosmopolis, de David CRONENBERG. La mécanique des dandys. Rencontre avec Michel PICCOLI. Souscription au Blog par Email.

2

Like Someone in Love, d’Abbas KIAROSTAMI. | No More Stumbling, Anaïs PERICAT ©

https://nomorestumbling.wordpress.com/2014/02/18/like-someone-in-love-dabbas-kiarostami

No More Stumbling, Anaïs PERICAT. Aller au contenu principal. Like Someone in Love, d’Abbas KIAROSTAMI. Évoque son premier voyage au Japon, il y a bientôt 19 ans, il raconte:. A Tokyo, un vieil homme érudit (Tadashi OKUNO. Une jeune fille, étudiante diurne et call-girl nocturne (Rin TAKANASHI. Ainsi que son présumé fiancé, rongé par le syndrome de jalousie et de possession (Ryo KASE. Se rencontrent et voient leurs destins respectifs s’entrecroiser singulièrement. Lorsqu’Akiko hurle de désespoir pou...

3

Dries VAN NOTEN, quand sonne l’heure du thé et de la géométrie. | No More Stumbling, Anaïs PERICAT ©

https://nomorestumbling.wordpress.com/2014/03/17/dries-van-noten-quand-sonne-lheure-du-the-et-de-la-geometrie

No More Stumbling, Anaïs PERICAT. Aller au contenu principal. Dries VAN NOTEN, quand sonne l’heure du thé et de la géométrie. Jetant un regard rétrospectif sur son travail, Dries VAN NOTEN. De chenille, Dries VAN NOTEN. Devient papillon. Diplômé à l’Académie royale des beaux-arts d’Anvers en 1981, lauréat du prix du meilleur créateur de l’année du. Council of Fashion Designers of America). En révélant son processus créatif, impulse un bricolage de l’esprit au lyrisme époustouflant. A pu être l’heur...

4

Martial RAYSSE, jongleur protéiforme. | No More Stumbling, Anaïs PERICAT ©

https://nomorestumbling.wordpress.com/2014/09/23/martial-raysse-jongleur-proteiforme

No More Stumbling, Anaïs PERICAT. Aller au contenu principal. Martial RAYSSE, jongleur protéiforme. Laquo; J’ai voulu un monde neuf, aseptisé, pur et au niveau des techniques utilisées, de plain-pied avec le monde moderne. ». En prédateur assoiffé d’une. Laquo; hygiène visuelle ». Fruit du néodadaïsme et du pop art, Martial RAYSSE. Gomme le registre du lisse, lui préférant celui de la stratification. Volubile, Martial RAYSSE. Le trivial devient conceptuel. Martial RAYSSE. Chef de file des. 1967 Peinture ...

5

La planète aquatique de Bill VIOLA. | No More Stumbling, Anaïs PERICAT ©

https://nomorestumbling.wordpress.com/2014/06/19/la-planete-aquatique-de-bill-viola

No More Stumbling, Anaïs PERICAT. Aller au contenu principal. La planète aquatique de Bill VIOLA. Compte indéniablement parmi les plus fantaisistes l’état-civil de Bill VIOLA. Ce dernier ayant pu dire: «. I was born at the same time as video » ( » Je suis né en même temps que la vidéo « ). Enfant candide du haut de ses 6 ans, frôle la noyade. Tandis que l’oxygène s’enfuit de ses cellules grises, Bill VIOLA. Vidéo couleur haute définition sur écran plasma fixé au mur (. Durée de 9 minutes 6 secondes), 3 f...

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La planète aquatique de Bill VIOLA. | Imbus De Souffle.

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Art attracts us only by what it reveals of our most secret self. Jean-Luc Godard. La planète aquatique de Bill VIOLA. Cet été, le Grand Palais a accueilli Bill Viola entre ses murs. Retour sur un artiste hors du commun avec No More Stumbling. No More Stumbling, Anaïs PERICAT. Compte indéniablement parmi les plus fantaisistes l’état-civil de Bill VIOLA. Ce dernier ayant pu dire:. I was born at the same time as video ( Je suis né en même temps que la vidéo ). Djerbahood : L’inauguration. You are commenting...

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No More Stumbling, Anaïs PERICAT ©

No More Stumbling, Anaïs PERICAT. Aller au contenu principal. Martial RAYSSE, jongleur protéiforme. La planète aquatique de Bill VIOLA. MAPPLETHORPE, jouisseur esthète. Henri CARTIER-BRESSON, le feu aux poudres. Dries VAN NOTEN, quand sonne l’heure du thé et de la géométrie. The Grand Budapest Hotel, de Wes ANDERSON. Un chapeau de paille d’Italie, d’Eugène LABICHE et Marc MICHEL (collaborateur). Robert ADAMS, amoureux du Pacifique. Like Someone in Love, d’Abbas KIAROSTAMI. Souscription au Blog par Email.

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