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Oliver Gilmour

Mozart was never as Divine. The Nation, Bangkok. A conductor of immense talent and musicality. He is a splendid musician and conducts with a wonderfully sensitive ear and touch - his understanding of Italian opera is second to none. TVasko Vassiliev (Royal Opera House, Covent Garden). His opening attack on the Haffner Symphony took my breath away his are readings of character. The New York Times. Gilmour’s conducting had grace. Straits Times, Singapore. Sound nerves and quick reactions. La Traviata, 2015.

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Oliver Gilmour | olivergilmore.com Reviews
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Mozart was never as Divine. The Nation, Bangkok. A conductor of immense talent and musicality. He is a splendid musician and conducts with a wonderfully sensitive ear and touch - his understanding of Italian opera is second to none. TVasko Vassiliev (Royal Opera House, Covent Garden). His opening attack on the Haffner Symphony took my breath away his are readings of character. The New York Times. Gilmour’s conducting had grace. Straits Times, Singapore. Sound nerves and quick reactions. La Traviata, 2015.
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Oliver Gilmour | olivergilmore.com Reviews

https://olivergilmore.com

Mozart was never as Divine. The Nation, Bangkok. A conductor of immense talent and musicality. He is a splendid musician and conducts with a wonderfully sensitive ear and touch - his understanding of Italian opera is second to none. TVasko Vassiliev (Royal Opera House, Covent Garden). His opening attack on the Haffner Symphony took my breath away his are readings of character. The New York Times. Gilmour’s conducting had grace. Straits Times, Singapore. Sound nerves and quick reactions. La Traviata, 2015.

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Mozart was never as Divine. The Nation, Bangkok. A conductor of immense talent and musicality. He is a splendid musician and conducts with a wonderfully sensitive ear and touch - his understanding of Italian opera is second to none. TVasko Vassiliev (Royal Opera House, Covent Garden). His opening attack on the Haffner Symphony took my breath away his are readings of character. The New York Times. Gilmour’s conducting had grace. Straits Times, Singapore. Sound nerves and quick reactions. La Traviata, 2015.

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Mozart was never as Divine. The Nation, Bangkok. A conductor of immense talent and musicality. He is a splendid musician and conducts with a wonderfully sensitive ear and touch - his understanding of Italian opera is second to none. TVasko Vassiliev (Royal Opera House, Covent Garden). His opening attack on the Haffner Symphony took my breath away his are readings of character. The New York Times. Gilmour’s conducting had grace. Straits Times, Singapore. Sound nerves and quick reactions. La Traviata, 2015.

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