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Open File

Open File is a curatorial project that programs events around the UK. Events generate publications and feature works which can be found in our archive. All content can be found here on the homepage; refine your selection above, or browse below. Each work leads to another, leads to another, leads to another. Dallas Simpson / Matt Westbrook – Site/Non-Site OR How Many Quarters Does Birmingham Have? Dallas Simpson / Matt Westbrook – Site/Non-Site OR How Many Quarters Does Birmingham Have? Illegal string off...

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Open File | openfile.org.uk Reviews

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Open File is a curatorial project that programs events around the UK. Events generate publications and feature works which can be found in our archive. All content can be found here on the homepage; refine your selection above, or browse below. Each work leads to another, leads to another, leads to another. Dallas Simpson / Matt Westbrook – Site/Non-Site OR How Many Quarters Does Birmingham Have? Dallas Simpson / Matt Westbrook – Site/Non-Site OR How Many Quarters Does Birmingham Have? Illegal string off...

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Open File | openfile.org.uk Reviews

https://openfile.org.uk

Open File is a curatorial project that programs events around the UK. Events generate publications and feature works which can be found in our archive. All content can be found here on the homepage; refine your selection above, or browse below. Each work leads to another, leads to another, leads to another. Dallas Simpson / Matt Westbrook – Site/Non-Site OR How Many Quarters Does Birmingham Have? Dallas Simpson / Matt Westbrook – Site/Non-Site OR How Many Quarters Does Birmingham Have? Illegal string off...

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openfile.org.uk

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Open File | Tom Badley – Transcendental Etude No.5

http://openfile.org.uk/archive/tom-badley

Tom Badley —. Transcendental Etude No.5. File under — video. Transcendental Etude No.5. Scans through numerous Youtube clips searching for a specific aural quality. Irrespective of the video footage the clips are then played at quickening speed collaging their sound to create a rendition of Franz List’s fifth etude,. Was shown at ‘ Virtual Space/Digital Trace. Rsquo;, Grand Union, Birmingham. Alongside work by David Raymond Conroy. This work addresses music. Mark Essen – Mobile Mixtape.

2

Open File | Hashfail

http://openfile.org.uk/events/open-file-3/hashfail

Grand Union, Birmingham. Joey Holder and Clifford Sage. Pil and Galia Kollectiv. Alongside a text by Gil Leung. Was the first in a series of three nationwide events investigating the distribution and production of art via virtual and digital platforms through sound, performance and digital media. A project by or-bits.com. Illustrious Lawns and Terraces. Joey Holder and Clifford Sage. Gleaning the Fifth Screen, Minority Report (screen test). Pil and Galia Kollectiv. If if if if if if.

3

Open File | Information

http://openfile.org.uk/information

Open File is a curatorial project by Jack Brindley. Begining as a blog. In Feburary 2011, Open File explores ideas of curation across three platforms: live events, printed publications, and an online archive. 2011 Open File 1:. Grand Union, Birmingham, UK. Grand Union, Birmingham, UK. Site/Non-Site Or How Many Quarters Does Birmingham Have? Grand Union, Birmingham, UK. Virtual Space/Digital Trace,. Grand Union, Birmingham, UK. 2012 Open File 2:. Temporary Sites (A Proposal). MK Gallery, Milton Keynes, UK.

4

Open File | George Barber – Gibberish

http://openfile.org.uk/archive/george-barber-gibberish

George Barber —. File under — video. Was shown at MK Gallery, Milton Keynes. As part of ‘ Admitting The Flats. Rsquo;. Including work by Alia Pathan. Zac Gvi – John Cage, Lecture On Nothing, 1961. Dori Deng and Metka Drcar – Rhythm Series, Work No.2. Ivan Argote – Untitled (New York). Head Gallery – Better a Dead Collector Than a Paralyzed One.

5

Open File | Long Live The New Flesh

http://openfile.org.uk/long-live-the-new-flesh

Long Live The New Flesh. Dori Deng and Meta Drcar. Long Live The New Flesh. Was the second in a series of three nation-wide events investigating the distribution and production of art via virtual and digital platforms through sound, performance and digital media. What does this increased blurring of the boundaries between our body and the technology we depend upon entail? And, at what point does interface with technology become augmentation? Long Live The New Flesh. Grow Finish Unit (near Elkhart, Kansas).

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openfileblog.blogspot.com

Open File: Jean-Luc Nancy - Elliptical Sense

http://openfileblog.blogspot.com/2013/09/jean-luc-nancy-elliptical-sense.html

Sunday, 1 September 2013. Jean-Luc Nancy - Elliptical Sense. Jean-Luc Nancy - Elliptical Sense, Research in Phenomenology. As a chapter in his journal Research in Phenomenology. By Jean-Luc Nancy addresses the work of Jacques Derrida. Aware of their similarities and proximity in writing, Nancy uses this text to explore subtleties of difference between themselves, and consequently the particularity of sense making and definition. Read the full text here. Posted by Jack Brindley. Stuart Croft - Century City.

openfileblog.blogspot.com

Open File: Christian Marclay - The Clock

http://openfileblog.blogspot.com/2013/10/christian-marclay-clock.html

Friday, 4 October 2013. Christian Marclay - The Clock. Christian Marclay The Clock. Experimental musician and appropriation filmmaker Christian Marclay's masterpiece The Clock. The clips cycle through rapidly, eliciting a cascade of recognitions and associations in the viewer. The film becomes a meditation on time, cinema and the images that form the collective conscious. Building on previous works such as Telephones. 1995) and Video Quartet. Christian Marclay The Clock. 2010 (excerpt filmed in gallery).

openfileblog.blogspot.com

Open File: Gilles Deleuze - Difference and Repetition

http://openfileblog.blogspot.com/2014/03/gilles-deleuze-difference-and-repetition.html

Saturday, 1 March 2014. Gilles Deleuze - Difference and Repetition. Gilles Deleuze - Difference and Repetition. 1968, trans. 1994. After a string of books on other philosophers - Hume, Nietzsche, Bergson and Spinoza - Difference and repetition marked Gilles Deleuze's first attempt to 'do philosophy' for himself. Deleuze develops the concepts of '. Repetition for itself' in order to. There discusses the image of thought - the 'implicit, tacit or presupposed' image which 'determines our goals when we try t...

openfileblog.blogspot.com

Open File: Jacques Derrida - Differance

http://openfileblog.blogspot.com/2013/10/jacques-derrida-differance.html

Thursday, 31 October 2013. Jacques Derrida - Differance. 1968, published in Margins of Philosophy. The text linked below is a transcript of a lecture delivered to the Société of The Sorbonne in 1968 in which Derrida talks us through his thinking around this term. The essay draws on the double meaning of the french word diff. In English translated as either to differ. Of language, there are only differences". Derrida places 'differance' here - neither a concept nor a word, but the possibility of conce...

openfileblog.blogspot.com

Open File: I DID, DID I - Curated by Kes Richardson and Darren O'Brien

http://openfileblog.blogspot.com/2013/11/i-did-did-i-curated-by-kes-richardson.html

Tuesday, 26 November 2013. I DID, DID I - Curated by Kes Richardson and Darren O'Brien. I DID, DID I. Installation view featuring work by Dominic Kennedy, Kes Richardson and Catherine Parsonage. ASC Gallery, London, 2013. I DID, DID. Was an exhibition curated by Kes Richardson and Darren O'Brien,. Staged at ASC Gallery, London, between September 21st and October 26th 2013. The exhibition featured pairs of paintings by Howard Dyke, Kate Groobey, Dominic Kennedy, Catherine Parsonage and Kes Richardson.

openfileblog.blogspot.com

Open File: Nikolaus Gansterer - 'Bureau of Found Appropriations'

http://openfileblog.blogspot.com/2013/05/nikolaus-gansterer-bureau-of-found.html

Monday, 6 May 2013. Nikolaus Gansterer - 'Bureau of Found Appropriations'. Bureau of Found Appropriations,. Living in China for three months in 2008. Gansterer explored the Dafen district in the Southern provinces. Here, approximately 10,000 painters live and work. Specializing in specific styles of painting from the old masters to contemporary aesthetics the artists work to produce more than five million copied paintings annually. Making of Mona Lisa, China, 2008. Posted by Jack Brindley.

openfileblog.blogspot.com

Open File: Ben Grosser - Interactive Robotic Painting Machine

http://openfileblog.blogspot.com/2013/07/ben-grosser-interactive-robotic.html

Friday, 12 July 2013. Ben Grosser - Interactive Robotic Painting Machine. Ben Grosser, Interactive Robotic Painting Machine. As a fully automated autonomous device, Grosser's Interactive Robotic Painting Machine. Many of the paintings made by the machine are made with the audio input of Grosser critiquing the robot as it paints. Commenting on how he understands and views the marks as they are being made. Interactive Robotic Painting Machine (2011). Posted by Jack Brindley. Iain Forsyth and Jane Pollard.

openfileblog.blogspot.com

Open File: Juneau Projects - The Čapexagon Series

http://openfileblog.blogspot.com/2013/06/juneau-projects-capexagon-series.html

Tuesday, 18 June 2013. Juneau Projects - The Čapexagon Series. Juneau Projects - Čapexagon 03 (Lickey Hills). Saw the artists trying to paint landscapes en plein air. Using robotic arms. The arms are controlled by a laptop, limiting the time they can spend painting to the battery life of their computers. The set up also allows them to negotiate the dynamics of working together to produce paintings as a duo:. Works, this process is physically manifested in the robotic arm. Posted by Tim Dixon. The Open Fi...

openfileblog.blogspot.com

Open File: Pierre Huyghe & Philippe Parreno - No Ghost Just a Shall

http://openfileblog.blogspot.com/2013/08/pierre-huyghe-philippe-parreno-no-ghost.html

Sunday, 18 August 2013. Pierre Huyghe and Philippe Parreno - No Ghost Just a Shall. Pierre Huyghe and Philippe Parreno - No Ghost Just a Shell. No Ghost Just a Shell. Marcia Tanner, 2003. Posted by Jack Brindley. The Open File blog is an ongoing curatorial conversation between artist Jack Brindley and curator Tim Dixon. Sean Edwards - Portrait (for a screenplay) of Beth. Pierre Huyghe and Philippe Parreno - No Ghost Just a. Félix Guattari - Machinic Heterogenesis. Catherine Parsonage and Kes Richardson.

openfileblog.blogspot.com

Open File: Félix Gonzáles-Torres - Untitled (Perfect Lovers)

http://openfileblog.blogspot.com/2013/10/felix-gonzales-torres-untitled-perfect.html

Thursday, 17 October 2013. Félix Gonzáles-Torres - Untitled (Perfect Lovers). Félix Gonzáles-Torres - Untitled (Perfect Lovers). Made in 1991 by Félix Gonzáles-Torres, Untitled (Perfect Lovers). Uses two identical, shop bought clocks. Displayed adjacent to, and barely touching one another, the two battery-powered clocks were initially set to the same time, but as time passes they inevitably fall further and further out of sync with each one another. Posted by Jack Brindley. Jacques Derrida - Differance.

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Open File is a curatorial project that programs events around the UK. Events generate publications and feature works which can be found in our archive. All content can be found here on the homepage; refine your selection above, or browse below. Each work leads to another, leads to another, leads to another. Dallas Simpson / Matt Westbrook – Site/Non-Site OR How Many Quarters Does Birmingham Have? Dallas Simpson / Matt Westbrook – Site/Non-Site OR How Many Quarters Does Birmingham Have? Illegal string off...

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