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PARTICIPATORY ARTS LAB | participation, collaboration, co-creation, communityparticipation, collaboration, co-creation, community
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participation, collaboration, co-creation, community
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PARTICIPATORY ARTS LAB | participation, collaboration, co-creation, community | participatoryartslab.com Reviews
https://participatoryartslab.com
participation, collaboration, co-creation, community
participatoryartslab.com
Boundaries, Limits and Tacit Knowledge | PARTICIPATORY ARTS LAB
http://participatoryartslab.com/2014/10/27/tacit-knowledge
Participation, collaboration, co-creation, community. Boundaries, Limits and Tacit Knowledge. October 27, 2014. This week we started with a session run by Saioa Olmo. The Line: Limits, Boundaries and Identities. Reactions to the idea of limit. Reactions to being part of a ‘constructed’ group. Reactions to binary ways of organising ourselves. Intro and Warm up. Participants, were not aware about the roles played by the others and, although some of their performance was marked, most of it was left to impro...
About | PARTICIPATORY ARTS LAB
http://participatoryartslab.com/about
Participation, collaboration, co-creation, community. Participatory Arts Lab is a community of practitioners, researchers, curators and artists currently based at Goldsmiths in London. In the absence of spaces where the debate around participatory practice can happen, we will be sharing our work, running projects, organising events. You are invited to join us. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).
Meanwhile in Osaka | PARTICIPATORY ARTS LAB
http://participatoryartslab.com/2014/11/13/meanwhile-in-osaka
Participation, collaboration, co-creation, community. November 13, 2014. Yesterday we visited the houses we are working on for our community project. Compulsory hard hat territory as they have already started to knock some of them down. Full of rich memories for those who once lived there we are looking at ways in which something might. As many of the buildings are already being destroyed we’ll be using objects and materials we save from them. Ishibadi Buildings – Osaka ». Leave a Reply Cancel reply.
cultural identity | PARTICIPATORY ARTS LAB
http://participatoryartslab.com/tag/cultural-identity
Participation, collaboration, co-creation, community. This tag is associated with 1 post. October 1, 2014. PARTICIPATORY ARTS LAB: ONE The academy is not paradise. But learning is a place where paradise can be created. The classroom with all its limitations remains a location of possibility. In that field of possibility we have the opportunity to labour for freedom, to demand of ourselves and our comrades, an openness of mind and … Continue reading →. Blog at WordPress.com.
Ishibadi Buildings – Osaka | PARTICIPATORY ARTS LAB
http://participatoryartslab.com/2014/11/15/ishibadi-buildings-osakathe-ishibadi-buildings-built-with-all-the-post-war-hopes-and-optimism-for-the-reconstruction-of-society-have-become-a-symbol-for-what-community-might-mean-we-have-been
Participation, collaboration, co-creation, community. Ishibadi Buildings – Osaka. November 15, 2014. We (artists, members of the community, members of the university) have been thinking about what home means to us. Reclaiming our own childhood memories, reconstructing and re-visiting the spaces they took place in. Trying to decide whether we were just being nostalgic for other times or whether, in a time when things felt tough again, there were any answers to be found in how we lived then. You are commen...
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Entrevista colectiva a las participantes del encuentro “¿A qué estamos jugando?”, Valencia 2012 | Transarte
https://transarte.wordpress.com/interviews-elkarrizketak-entrevistas/la-comunidad-imposible
Hauser and Wirth Gallery of London. Follow Transarte on WordPress.com. Research on Participatory/Collaborative Art and Social Behaviour. Research / Ikerketa / Investigación. Phase1 1.Zatia Fase1. Phase2 2.Zatia Fase2. Interviews / Elkarrizketak / Entrevistas. Ania Bas and Simone Mair. Articles / Artikuluak / Artículos. La clave “TRANS-“. Hucha de los deseos. El arte de souvenizar. Presentations / Aurkezpenak / Presentaciones. Notes / Oharrak / Apuntes. 8221;, Valencia 2012. Apoyarnos en la caída inestabi...
Interviews / Elkarrizketak / Entrevistas | Transarte
https://transarte.wordpress.com/interviews-elkarrizketak-entrevistas
Hauser and Wirth Gallery of London. Follow Transarte on WordPress.com. Research on Participatory/Collaborative Art and Social Behaviour. Research / Ikerketa / Investigación. Phase1 1.Zatia Fase1. Phase2 2.Zatia Fase2. Interviews / Elkarrizketak / Entrevistas. Ania Bas and Simone Mair. Articles / Artikuluak / Artículos. La clave “TRANS-“. Hucha de los deseos. El arte de souvenizar. Presentations / Aurkezpenak / Presentaciones. Notes / Oharrak / Apuntes. Interviews / Elkarrizketak / Entrevistas.
Saioa Olmo | Transarte
https://transarte.wordpress.com/author/saioa
Hauser and Wirth Gallery of London. Follow Transarte on WordPress.com. Research on Participatory/Collaborative Art and Social Behaviour. Research / Ikerketa / Investigación. Phase1 1.Zatia Fase1. Phase2 2.Zatia Fase2. Interviews / Elkarrizketak / Entrevistas. Ania Bas and Simone Mair. Articles / Artikuluak / Artículos. La clave “TRANS-“. Hucha de los deseos. El arte de souvenizar. Presentations / Aurkezpenak / Presentaciones. Notes / Oharrak / Apuntes. Author Archives: Saioa Olmo. 4 de May de 2016. Artis...
Research / Ikerketa / Investigación | Transarte
https://transarte.wordpress.com/acerca-de
Hauser and Wirth Gallery of London. Follow Transarte on WordPress.com. Research on Participatory/Collaborative Art and Social Behaviour. Research / Ikerketa / Investigación. Phase1 1.Zatia Fase1. Phase2 2.Zatia Fase2. Interviews / Elkarrizketak / Entrevistas. Ania Bas and Simone Mair. Articles / Artikuluak / Artículos. La clave “TRANS-“. Hucha de los deseos. El arte de souvenizar. Presentations / Aurkezpenak / Presentaciones. Notes / Oharrak / Apuntes. Research / Ikerketa / Investigación. This research i...
Interview with Ania Bas & Simone Mair | Transarte
https://transarte.wordpress.com/interviews-elkarrizketak-entrevistas/interview-with-ania-bas-simone-mair
Hauser and Wirth Gallery of London. Follow Transarte on WordPress.com. Research on Participatory/Collaborative Art and Social Behaviour. Research / Ikerketa / Investigación. Phase1 1.Zatia Fase1. Phase2 2.Zatia Fase2. Interviews / Elkarrizketak / Entrevistas. Ania Bas and Simone Mair. Articles / Artikuluak / Artículos. La clave “TRANS-“. Hucha de los deseos. El arte de souvenizar. Presentations / Aurkezpenak / Presentaciones. Notes / Oharrak / Apuntes. Interview with Ania Bas and Simone Mair. Ania Bas (b...
Phase1_Fase1_1.Zatia | Transarte
https://transarte.wordpress.com/acerca-de/1-fase-2012
Hauser and Wirth Gallery of London. Follow Transarte on WordPress.com. Research on Participatory/Collaborative Art and Social Behaviour. Research / Ikerketa / Investigación. Phase1 1.Zatia Fase1. Phase2 2.Zatia Fase2. Interviews / Elkarrizketak / Entrevistas. Ania Bas and Simone Mair. Articles / Artikuluak / Artículos. La clave “TRANS-“. Hucha de los deseos. El arte de souvenizar. Presentations / Aurkezpenak / Presentaciones. Notes / Oharrak / Apuntes. Phase1 Fase1 1.Zatia. In the roots of the participat...
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participatoryactionresearch.net
SAS2 Dialogue | Participatory Action Research
Skip to main content. Participatory Action Research, Planning and Evaluation. Participatory Action Research,. SAS2 Dialogue Home Page. Learning across boundaries to effectively engage people and mobilize evidence in a complex world. PAR, Planning and Evaluation Workshop in London (UK) April 22-24, 2015 Details here. We provide on-line and on-site coaching, training and consultancy. Scaled to your needs and timeframe. Nepali researchers provide training in SAS2 Dialogue methods for community engagement.
Participatory Adventure
A Study in Development and Myself. Friday, November 2, 2012. Sometimes helping just.helps? The event I am about to describe centres around the issues of sustainability, need and privilege. Am I trying to find a way to justify my actions that makes me feel better? Maybe Do I need to justify them to make me feel better? Probably not. But, the process of analyzing and the explaining why I did what I did allows me to explain my thought process. Links to this post. Location: Masaka, Uganda. Links to this post.
participatoryadvertising.blogspot.com
Participatory Advertising
I write this blog for my advertising students at Loyola University Maryland. Tuesday, January 17, 2012. This Old Spice commercial featuring Terry Crews, a professional athlete who we might consider hypermasculine, features the tagline "Smell is Power." If that is the case power in a masculine or in this case hypermasculine world is rather ephemeral. After all, linguistically, how can smell equal power? So, what is this commercial saying to its target audience? Tuesday, November 16, 2010. Ads of the World.
Institute for Participatory Advising
Skip to primary content. Skip to secondary content. The Institute for Intensive Participatory Advising utilizes a unique and proven model for supporting. Community based organizations and emergent leaders. This model utilizes rigorous research and evaluation to create a feedback loop to offer the best possible support to help groups and individuals to attain their goals. The Institute for Participatory Advising is a member of the Innovative Solutions Collective.
participatoryalphabet.wordpress.com
participatory arts alphabet
1 ENGAGING WITH THE DEBATE. 2 REVIEWING THE EVIDENCE. A – Z. G uide to the A-Z. Kindness, kinship, knowledge. L adder of participation. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.
PARTICIPATORY ARTS LAB | participation, collaboration, co-creation, community
Participation, collaboration, co-creation, community. Creative and Cultural Learning. January 28, 2015. Today we re-looked at Creative and Cultural Learning. We started by examining some of the popular definitions including ‘All Our Futures’ – imaginative, purposeful, original, of value. Looked at how ideas of creativity developed historically Ancient Greece (Nature), Renaissance Europe (the Polymath, science, technology, art) Romanticism (Kant and The Genius), 20th/21st century (Jung and Psycho-analysis).
participatoryartslearning.wordpress.com
Excellence in Arts Practice | A core competency framework for participatory arts
Excellence in Arts Practice. A core competency framework for participatory arts. How to use the Framework. Case Study – Your Prescap. Case Study – TiPP. What is a competency framework? Overview of the framework structure. Generic Roles within an organisational structure. Level 5 – Creative Director. Level 4/5: Business Development Manager. Level 4: Organisational Development Manager. Level 3: Project Manager. Level 3: Lead Arts Worker. Level 3: Lead Arts Worker/Project Manager. Level 3: Arts Administrator.
participatorybrand.com is registered with pair Domains
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participatorybrandmodel.com is registered with pairNIC.com
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participatorybudget.ethelodecisions.com
Participatory Budget
participatorybudgeting.blogs.com
participatorybudgeting.org
A resource and forum on participatory budgeting and other forms of participatory democracy. PB in Porto Alegre. PB Links and Resources. Suggest a Link / Feedback. Delegates and Councillors evaluate PB in Porto Alegre. The financial crisis and PB. Update from Porto Alegre. Brazilian Participatory Budgeting Network. Participatory Budgeting on Facebook. National PB Conference in UK. Porto Alegre’s Participatory Budgeting at a Crossroads. UK releases draft national participatory budgeting strategy. Could PB ...
