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:: Paul Strong ::

Los Angeles (since 1978). 1977, Sydney College (Urban Planning and Land Engineering). 1988 Otis Parsons (fresco painting). 1981-1985 West Coast Sculptors Foundry. 1981-1982 Santa Monica College (printmaking). In 1985-6 received commissions for decorative painting that have continued to today. Commissions have included private and commercial projects, both large and small, international and domestic. Project procedures usually include sketches, samples and scale models that lead to the final result.

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Paul Strong

3137 S●●●●●●rd Ave

Marin●●●●●l rey , California, 90292

United States

(310)●●●●●-5006
pl●●●●●●●●●●@gmail.com

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Paul Strong

3137 S●●●●●●rd Ave

Marin●●●●●l rey , California, 90292

United States

(310)●●●●●-5006
pl●●●●●●●●●●@gmail.com

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Paul Strong

3137 S●●●●●●rd Ave

Marin●●●●●l rey , California, 90292

United States

(310)●●●●●-5006
pl●●●●●●●●●●@gmail.com

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:: Paul Strong :: | paulstrongarts.com Reviews
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Los Angeles (since 1978). 1977, Sydney College (Urban Planning and Land Engineering). 1988 Otis Parsons (fresco painting). 1981-1985 West Coast Sculptors Foundry. 1981-1982 Santa Monica College (printmaking). In 1985-6 received commissions for decorative painting that have continued to today. Commissions have included private and commercial projects, both large and small, international and domestic. Project procedures usually include sketches, samples and scale models that lead to the final result.
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:: Paul Strong :: | paulstrongarts.com Reviews

https://paulstrongarts.com

Los Angeles (since 1978). 1977, Sydney College (Urban Planning and Land Engineering). 1988 Otis Parsons (fresco painting). 1981-1985 West Coast Sculptors Foundry. 1981-1982 Santa Monica College (printmaking). In 1985-6 received commissions for decorative painting that have continued to today. Commissions have included private and commercial projects, both large and small, international and domestic. Project procedures usually include sketches, samples and scale models that lead to the final result.

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:: Paul Strong ::

http://www.paulstrongarts.com/paper.php

Head in a Cloud", pencil on tracing paper on acrylic on paper, 11"x14", 2008. Landscape and Figure", pencil on tracing paper on acrylic on paper, 11"x15", 2008. Firmament", mixed media on paper, 22"x30", 2008. Thronos", mixed media on tracing paper on paper, 19"x14", 2008. Corduroy Queen",pencil on tracing paper on acrylic on paper, 22"x16", 2008. Pact", pencil on tracing paper on acrylic on paper, 16"x22", 2008. La Chasse", pencil, acrylic on paper on canvas, 21"x18", 2008.

2

:: Paul Strong ::

http://www.paulstrongarts.com/fineart.php

That painting can constantly reinvent itself, provides me with the compulsion to experiment with material and imagery. Using simple formal devices of scale and composition together with painterly devices of flatness, atmospheric perspective and gesture, I manipulate these elements in the search for new meanings.". Facade #3, Mixed media on paper on canvas, 72"x36", 2009. Rainbow Gloves, Mixed media on paper on canvas, 78"x78", 2009. Progression, Mixed media on paper on canvas, 40"x60", 2008. Untitled, oi...

3

:: Paul Strong ::

http://www.paulstrongarts.com/decorative.php

Detail, faux bois relief, acrylic on panel. Blossom, acrylic on collaged paper, 2009. Deco, gold, silver, copperleaf on prepared wall, 2009. Detail, trompel'oeil niche of still life, acrylic on canvas. Detail, frieze, faux marble on precast fiberglass, 1992. Faux marble inlay, acrylic on panel, 300sq', 2004. Faux marble columns and stylized marble walls, 2005. Details, Pompeiian styled walls and ceiling, acrylic on canvas, 2005-6. Details, Pompeiian styled walls and ceiling, acrylic on canvas, 2005-6.

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Frenchie's Universe: February 2012

http://frenchiesuniverse.blogspot.com/2012_02_01_archive.html

Artistic take on experiences/life in San Diego. Monday, February 20, 2012. The underpainting (flat) of my mural. 169;2012 Studio Deeba. It's raining fast and hard now, the sound is loud and steady. A mosquito buzzes near the window panes as I close the window. My cankles are so swollen and scarred from these bothersome little buggers. I am a feast for them.It doesn't matter how much Vitamin B I take, they still want to suck my blood. ugh. Mock-up drawing of a sheep for mural. This is my mural - in process.

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:: Paul Strong ::

Los Angeles (since 1978). 1977, Sydney College (Urban Planning and Land Engineering). 1988 Otis Parsons (fresco painting). 1981-1985 West Coast Sculptors Foundry. 1981-1982 Santa Monica College (printmaking). In 1985-6 received commissions for decorative painting that have continued to today. Commissions have included private and commercial projects, both large and small, international and domestic. Project procedures usually include sketches, samples and scale models that lead to the final result.

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