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Performing Premodernity | Cutting-edge research on 18th century opera

Stockholm-based Performing Premodernity does cutting-edge academic and artistic research on opera 1760-1815. Join our mailing list. Read our online journal.

http://www.performingpremodernity.com/

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Performing Premodernity | Cutting-edge research on 18th century opera | performingpremodernity.com Reviews

https://performingpremodernity.com

Stockholm-based Performing Premodernity does cutting-edge academic and artistic research on opera 1760-1815. Join our mailing list. Read our online journal.

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Rousseau conference | Performing Premodernity

https://performingpremodernity.com/rousseau-conference

Rousseau and the Theatre: Political-Aesthetic Ideals and Practices. How are Rousseau’s activities as a philosopher, as a theatre and opera critic, and as a playwright related to each other? How are his theories on language, music and bodily movement connected to his ideas on theatrical practice? How were Rousseau’s plays and operas (meant to be) performed originally, in regard to acting, scenery, music and theatrical space? Lettre à d’Alembert sur les Spectacles. Was intended as a general rejection of th...

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Performing Premodernity Online | Performing Premodernity

https://performingpremodernity.com/journal

Performing Premodernity Online is a web journal launched in January 2015. It is an occasional, open access publication, which will contain papers given at Performing Premodernity conferences as well as reports from workshops etc. Anyone who signs up on the mailing list will receive notification that a new volume is published. The first volume includes papers from the conference on Cavalli’s opera. Gli amori d’Apollo e di Dafne. Which was held in Copenhagen in February 2014. Stockholm, 106 91 Sweden.

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News | Performing Premodernity

https://performingpremodernity.com/news

Comala and Nina: Operatic Performance in the Age of Sensibility. This scholarly symposium, which takes place in Vadstena on 6 August, is organised by the research group Performing Premodernity on the occasion of the Vadstena Academy’s double-bill production. Of two little known Italian operas: Pietro Morandi’s. 1780) and the one-act version of Giovanni Paisiello’s. Nina o sia La pazza per amore. How do the dramaturgical innovations affect performance practice? 9:45 Lucio Tufano: Tears for. 11:00 Carola B...

4

Partners | Performing Premodernity

https://performingpremodernity.com/partners

Performing Premodernity has developed an extensive network of partners:. Drottningholms Slottsteater was built in 1766 at the behest of Queen Lovisa Ulrika. The theatre is constructed of simple materials and the auditorium is decorated using paint, stucco, and. The wooden stage machinery is operated by hand. It includes wind, thunder and cloud machines, as well as traps and moving waves. About 30 original stage sets have been preserved. Český Krumlov Castle Theatre. Český Krumlov Castle Theatre website.

5

Rousseau’s Lyric Scene Pygmalion | Performing Premodernity

https://performingpremodernity.com/rousseau's-lyric-scene-pygmalion

Rousseau’s Lyric Scene Pygmalion. Performing Premodernity has been invited to present. At Český Krumlov Castle theatre on 15 June 2015. The performance will be the result of a unique collaboration between artists specialised in 18th-century scenic and musical practices and academic specialists associated with Performing Premodernity. More information will be available shortly. Pygmalion de M. J.J. Rousseau, Mise en vers par M. Berquin. New book: Rousseau Centre Stage: Spectator, Playwright, Theorist.

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The Venue | IFTR

https://www.iftr.org/conference/the-venue

Conference 2017: Unstable Geographies: Multiple Theatricalities. São Paulo 10-14 July 2017. Presenting the Theatrical Past. STOCKHOLM UNIVERSITY, 13-17 JUNE 2016. IFTR 2016 will be held on the Stockholm University Campus of Frescati, located just north of Stockholm city, in the middle of the world’s first National City Park. Campus Map (2.12mb). Department of Culture and Aesthetics. Performing Premodernity, research project. Venues for farewell reception and party. Regional and domestic train. Meike Wagn...

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Performing Premodernity | Cutting-edge research on 18th century opera

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