disclosuresproject.wordpress.com
Thanks | Disclosures
https://disclosuresproject.wordpress.com/disclosures-iv/thanks
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Our thanks go to. John Barlow Gone Offshore. And to all the people who gave us some of their time during our research. Thanks to the funders: Esmee Fairbairn Foundation, Arts Council England, Charles Wallace India Trust, Henry Moore Foundation, Austrian Cultural Forum in London; and to the partner NODE.London. Disclosures II: The Middle Ages. Thanks to Nottingham Contemporary for producing and funding the project. Thanks to the Whitechapel Ga...
disclosuresproject.wordpress.com
/ / Petra Bauer | Disclosures
https://disclosuresproject.wordpress.com/disclosures-i/petra-bauer
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Deleted Swedish Stories, Part 1. Presented at Gasworks on Friday 11 April 2008. Some of the examples that I’m going to talk about here tonight may be excluded in the final lecture whereas others will stay to be developed and changed. So I think that your response and critical reflections afterwards will be very valuable. All of the following examples I want to talk about this evening are extracted from a Swedish context and history. 8211; No,...
disclosuresproject.wordpress.com
Home | Disclosures
https://disclosuresproject.wordpress.com/disclosures-iv/thanks/home
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Started in March 2008 by Anna Colin (Exhibitions Curator, Gasworks, London) and Mia Jankowicz (independent curator),. 8216; projects aim to open up, and draw parallels between, non-dominant histories and cultural practices on the one hand, and contemporary cultural production and political structures on the other hand. This takes place through exhibitions, seminars, commissioning, and events programming clustered round a single focus. An onli...
disclosuresproject.wordpress.com
/ / Amy Balkin | Disclosures
https://disclosuresproject.wordpress.com/disclosures-iv/amy-balkin
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Free Seas, Free Skies. The sea and sky are both spatial regimes that can be considered as ‘offshore’, extra-state, ‘exceptional’ spaces; difficult to inhabit, and for states to exert police power upon; gray areas for the exercise of extraction, often defined by maps and legal frameworks. Both are major components of the Earth’s biological system, together comprising the same hydrologic cycle, where water cycles between liquid and gas. The cre...
disclosuresproject.wordpress.com
/ / Disclosures Interview | Disclosures
https://disclosuresproject.wordpress.com/disclosures-i/disclosures-interview
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Made by undo.net in May 2008. Undonet: Since 29th March 2008 you have been presenting at Gasworks (London) Disclosures, a project that looks at the manifestations of Open Source methodologies outside of the Internet. Why do you think that the Open Source world can be related to art? Undonet: In what way have Open Source practices changed the present cultural production? Hydrarchy: Power and Resistance at Sea. Nottingham Open Field Guide.
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/ / Nottingham Open Field Guide | Disclosures
https://disclosuresproject.wordpress.com/disclosures-ii-the-middle-ages/nottigham-open-field-guide
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Nottingham Open Field Guide. Nottingham Open Field Guide. Presented on a bus tour, on the way to Laxton on 5 September 2008. In the twenty-first century our everyday lives are influenced by medieval farming. It happens without us thinking about it. In order to understand the built environment of any city we must look first at the landscape. And in Nottingham’s case we must look at the former open fields and common lands. Please look at image 4.
disclosuresproject.wordpress.com
Disclosures
https://disclosuresproject.wordpress.com/2009/03/10/hello-world
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Started in March 2008 by Anna Colin (Associate Director, Bétonsalon, Paris) and Mia Jankowicz (Artistic Director, CIC, Cairo),. 8216; projects aim to open up and draw parallels between non-dominant histories and cultural practices on the one hand, and contemporary cultural production and political structures on the other. This takes place through seminars, commissioning, exhibitions and events programming clustered round a single focus. Has a...
disclosuresproject.wordpress.com
/ / Cinenova | Disclosures
https://disclosuresproject.wordpress.com/women-and-the-archive-a-partial-disclosure/cinenova
Women and the Archive. Hydrarchy: Power and Resistance at Sea. I Don’t See A History That Goes Back From Before I Came In. Melissa Castagnetto and Marina Vishmidt. Performed at The Women’s Library on Saturday 14 March 2009. We will also be playing an audio clip description of Syntagma by Valie Export, we were thinking that this would enact an important gap between presence and absence, lags in time and visibility, that is key to the whole presentation and how we’re approaching Cinenova in it. Feeling unw...
disclosuresproject.wordpress.com
/ / Marysia Lewandowska | Disclosures
https://disclosuresproject.wordpress.com/women-and-the-archive-a-partial-disclosure/marysia-lewandowska
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Recording. Conversation in Progress. Performed at The Women’s Library on Saturday 14 March 2009. These are valuable records of a particular time in discourse, begining around 1983 until 1990. A decade dominated by academics and artists close to the October magazine, and by feminist gatherings with participation of Mary Kelly, Jo Spence, Nancy Spero, Judy Chicago, Yvonne Rainer, Barbara Kruger, Jane Weinstock. Nottingham Open Field Guide.
