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BRIDGING THE GAP | Reflections on the plastic and ekphrastic traditionsReflections on the plastic and ekphrastic traditions
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Reflections on the plastic and ekphrastic traditions
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BRIDGING THE GAP | Reflections on the plastic and ekphrastic traditions | plasticekphrastic.com Reviews
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Reflections on the plastic and ekphrastic traditions
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HAND TOOLS | BRIDGING THE GAP
https://plasticekphrastic.com/2016/09/05/hand-tools
Reflections on the plastic and ekphrastic traditions. Back to REN.com. September 5, 2016. July 16, 2016. 8220;Untitled (Pliers)”. Graphite, charcoal and crayon on paper. 25 5/8″ x 19 3/4″. Museum of Modern Art, New York. I love the tools made for mechanics. I stop at the windows of hardware stores. If I could only find an excuse to buy many more of them than I have already bought on the pretense that I might have use for them! 8220;Untitled (Brace and Bit)”. Graphite, charcoal and crayon on paper. In his...
Hartley | BRIDGING THE GAP
https://plasticekphrastic.com/category/hartley
Reflections on the plastic and ekphrastic traditions. Back to REN.com. I SAW THE FIGURE FIVE IN GOLD. February 24, 2016. March 18, 2016. 8220;I Saw the Figure 5 in Gold”. Oil, graphite, ink, and gold leaf on paperboard. 35 1/2″ x 30″. Metropolitan Museum of Art, Alfred Stieglitz Collection. I saw the figure 5. Through the dark city [i]. 8220;The American Dream”. 39″ x 32″. Indianapolis Museum of Art. Williams, William Carlos; The Collected Poems: Volume I. Follow Blog via Email. THE PALACE AT 4:00 AM.
guston | BRIDGING THE GAP
https://plasticekphrastic.com/category/guston
Reflections on the plastic and ekphrastic traditions. Back to REN.com. January 10, 2016. March 18, 2016. Someone, I tell you, in another time,. Will remember us. [i]. From the Greek: a description of a work of art, either real or imaginary, produced as a rhetorical exercise; often used in the adjectival form, ekphrastic. A graphic, often dramatic, description of a visual work of art. 8220;Tracing of an engraving of the Sosibios vase”. The Louvre, Paris, France. Being one of the first examples. Nor bathes...
Demuth | BRIDGING THE GAP
https://plasticekphrastic.com/category/demuth
Reflections on the plastic and ekphrastic traditions. Back to REN.com. I SAW THE FIGURE FIVE IN GOLD. February 24, 2016. March 18, 2016. 8220;I Saw the Figure 5 in Gold”. Oil, graphite, ink, and gold leaf on paperboard. 35 1/2″ x 30″. Metropolitan Museum of Art, Alfred Stieglitz Collection. I saw the figure 5. Through the dark city [i]. 8220;The American Dream”. 39″ x 32″. Indianapolis Museum of Art. Williams, William Carlos; The Collected Poems: Volume I. Follow Blog via Email. THE PALACE AT 4:00 AM.
THE DISASTERS OF WAR | BRIDGING THE GAP
https://plasticekphrastic.com/2016/11/11/the-disasters-of-war
Reflections on the plastic and ekphrastic traditions. Back to REN.com. THE DISASTERS OF WAR. November 11, 2016. July 17, 2016. Not in this case, Plate #36, The Disasters of War. C 1812/1815, published 1863. Etching, aquatint and drypoint. 140 x 190 mm. The Art Institute of Chicago. One cannot look at this. This is how it happened. There is no one to help them. With or without reason. He defends himself well. Bury them and keep quiet. There was nothing to be done and he died. This is too much! In 1937, Ab...
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PlastiCek's blog - PlastiCek's blog - Skyrock.com
24/06/2009 at 6:14 AM. 26/08/2009 at 7:22 AM. Subscribe to my blog! Don't forget that insults, racism, etc. are forbidden by Skyrock's 'General Terms of Use' and that you can be identified by your IP address (66.160.134.2) if someone makes a complaint. Please enter the sequence of characters in the field below. Posted on Wednesday, 26 August 2009 at 7:07 AM. Please enter the sequence of characters in the field below. Posted on Wednesday, 26 August 2009 at 7:07 AM. Please enter the sequence of characters ...
BRIDGING THE GAP | Reflections on the plastic and ekphrastic traditions
Reflections on the plastic and ekphrastic traditions. Back to REN.com. THE PALACE AT 4:00 AM. January 8, 2017. July 17, 2016. In the Palace at 4 am you walk from one room to the next by going through the walls. You don’t need to use the doorways. There is a door, but it is standing open, permanently. If you were to walk through it and didn’t like what was on the other side you could turn and come back to the place you started from. What is done can be undone. [i]. 12 9/16 x 18 7/16. The Palace at 4:00 AM.
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