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asymptote | . . . philosophical approaches, departures, and drive-bys

. . . philosophical approaches, departures, and drive-bys (by tq)

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asymptote | . . . philosophical approaches, departures, and drive-bys | quigley.wordpress.com Reviews

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. . . philosophical approaches, departures, and drive-bys (by tq)

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Summary of “Participation and Spectacle”, Claire Bishop | asymptote

https://quigley.wordpress.com/2011/07/07/summary-of-“participation-and-spectacle”-claire-bishop

Philosophical approaches, departures, and drive-bys. Skip to primary content. Summary of Participation and Spectacle , Claire Bishop. On 18 May 2011, Claire Bishop gave the first in a series of talks sponsored by Creative Time. The lecture series provides a context for CT’s fall exhibition. CT’s project is part of a much larger critical response to the social turn in art, to which Claire Bishop has contributed a number of publications and critical analyses. And the Queens Museum of Art. 1 In discussions ...

2

Green Rooming | asymptote

https://quigley.wordpress.com/2008/05/28/green-rooming

Philosophical approaches, departures, and drive-bys. Skip to primary content. There are some interesting projects afoot at Bard, The New School, and at the PARC Foundation gallery. Maria Lind, the CCS (Center for Curatorial Studies) graduate program director, is organizing a large scale exhibition and research project on “the documentary turn in recent contemporary art practice and its heritage in relation to the history of film, documentary photography, and television”. Which must have captured the rhyt...

3

The Reflective Moment | asymptote

https://quigley.wordpress.com/2012/05/31/the-reflective-moment

Philosophical approaches, departures, and drive-bys. Skip to primary content. Reading with great pleasure Teju Cole’s. I’ve naturally found myself wanting more context, background information, insight into the writer and his process. I recall hearing an interview in which he mentioned the influence of Henri Cartier-Bresson on his writing, but can’t remember the interviewer. Henri Cartier-Bresson, Paris. 1953. 8th arrondissement. Courtyard on the rue la Boétie. 8221; and the following passage:. You are co...

4

December | 2010 | asymptote

https://quigley.wordpress.com/2010/12

Philosophical approaches, departures, and drive-bys. Skip to primary content. Skip to secondary content. Monthly Archives: December 2010. Jan Gossaert, Double Portrait. Jan Gossaert, An Elderly Couple. There is one image and only one that remains with me after looking carefully at the Jan Gossaert exhibition at the Met two days ago. A portrait. Of an elderly couple. Why has this one painting completely overwhelmed all the others by Gossaert and his contemporaries? Are they husband and wife? 8212;—&...

5

Zoe Leonard | asymptote

https://quigley.wordpress.com/2010/11/17/zoe-leonard

Philosophical approaches, departures, and drive-bys. Skip to primary content. Zoe Leonard, Analogue (Ludlow St., New York City, 1999). Sometime in the late 1990s, Zoe Leonard began taking photographs of the neighborhood around her studio in New York City’s Lower East Side. Her first impulse, as she recalls, was purely personal just making notes for herself, an. Did she see the tailor setting up a display in the window of his shop at 94 Rivington? That her fortuitous acquisition would be the means for sys...

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Anne Sherwood Pundyk: November 2012

http://annesherwoodpundyk.blogspot.com/2012_11_01_archive.html

Friday, November 30, 2012. Installation by Anne Sherwood Pundyk. 62 Madison Avenue (at 27. New York, NY. December 1, 2012 – February 28, 2013. Visible from the street 24/7. Opening Reception, Wednesday, December 19, 2012, 6:00 pm to 8:00 pm. Featuring remarks by Harriet Shugarman, environmental activist and Climate Mama. 8221; won the Bronze Award at The Standard Hotel’s screening in West Hollywood, CA. She regularly contributes to critical art publications including The Brooklyn Rail. And Art in America.

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Anne Sherwood Pundyk: January 2014

http://annesherwoodpundyk.blogspot.com/2014_01_01_archive.html

Wednesday, January 29, 2014. Barry Schwabsky in Conversation with Anne Sherwood Pundyk. Anne Sherwood Pundyk, "Small Tower Window,"2012, Oil and Acrylic on Linen, 60" x 63". The following dialogue will be published in the upcoming catalogue for the exhibition, " Stadia: New Work by Anne Sherwood Pundyk. At Susan Eley Fine Art, New York, NY, November 7 - January 5, 2014. With Anne Sherwood Pundyk. Rented World or her collaborative efforts on the magazine and elsewhere? This might be a place to start: on N...

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Anne Sherwood Pundyk: March 2012

http://annesherwoodpundyk.blogspot.com/2012_03_01_archive.html

Friday, March 9, 2012. On my horizon is " R. Apunzel in the Library/ in perpetuum Forever II. To start I focus on researching at the 42nd St. main New York Public Library surveying Joan Simon's writing and curatorial career. I read: Calder, the Paris Years 1926-1933. Ann Hamilton An Inventory of Objects. Sheila Hicks: 50 Years. I leave time at the end of the day to pop back to MIC:CHECK (The:human mic)(OCCUPY. At Richard Timperio's Sideshow Gallery. Here are my pieces:. Richard Timperio in his studio.

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Anne Sherwood Pundyk: Two Ways to Do the (Paintings of) Dishes

http://annesherwoodpundyk.blogspot.com/2014/06/two-ways-to-do-paintings-of-dishes.html

Monday, June 2, 2014. Two Ways to Do the (Paintings of) Dishes. Anne Sherwood Pundyk, "Pitcher," 2012, Gouache on Paper, 9" x 9". Anne Sherwood Pundyk, video composite for ". Object Classification ,". Is the story we associate with an object pressed within its physical matter like a vinyl recording? Does it replay in our memory when triggered by our experience of the object? Can these stories be shared through the exchange or transformation of that object? A monumental community art show put on by Vito S...

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Anne Sherwood Pundyk: The Revolution Will Be Painted

http://annesherwoodpundyk.blogspot.com/2014/09/the-revolution-will-be-painted.html

Tuesday, September 9, 2014. The Revolution Will Be Painted. Women have largely been excluded from the canon of painting. Rather than abandon it, and reinforce this bias, I choose to engage with the medium; there is much that has yet to be said. The Revolution Will Be Painted," is an installation that is part of the group exhibition, " Milk and Night. Accompanying the installation yet playing in a steady loop in a remote, intimate space in the gallery. February 20, 2016 at 8:12 AM. I am an artist based in...

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Anne Sherwood Pundyk: February 2012

http://annesherwoodpundyk.blogspot.com/2012_02_01_archive.html

Monday, February 27, 2012. BRUCENNIAL 2012: Harderer. Betterer. Fasterer. Strongerer. Opens February 29th, 6-9pm, at 159 Bleecker Street (btwn Thompson and Sullivan). Anne Sherwood Pundyk, "Portrait of Rita Ackermann," 2012, Oil on Panel, 10" x 8". BRUCENNIAL 2012 Opening on James Kalm's Rough Cuts Video Channel. Painter Loren Munk's video tour of the opening of BRUCENNIAL 2012 including conversation with Anne Sherwood Pundyk about her work. Josh Smith Floor Painting. Links to this post.

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Anne Sherwood Pundyk: The Last Brucennial Program: Sacred Nipples: A Feminist Video Screening and Group Discussion

http://annesherwoodpundyk.blogspot.com/2014/03/the-last-brucennial-program-sacred.html

Tuesday, March 4, 2014. The Last Brucennial Program: Sacred Nipples: A Feminist Video Screening and Group Discussion. A group exhibition presented by Vito Schnabel. And T he Bruce High Quality Foundation. Opens Thursday, March 6 from 6 -10 pm at:. 837 Washington St., New York, NY. The exhibition runs from March 7 - April 4, 2014. The gallery is open Wednesday through Sunday 12 - 6 pm. And takes place on:. Saturday, March 15, 2014 from 5:30 - 7:30 pm,. At The Last Brucennial. 5:30 - 6:15 pm. Nice to see t...

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Anne Sherwood Pundyk: October 2013

http://annesherwoodpundyk.blogspot.com/2013_10_01_archive.html

Monday, October 21, 2013. STADIA: New Work by Anne Sherwood Pundyk. Anne Sherwood Pundyk, "Self-taught," 2013, 63" x 60", Oil and Acrylic on Linen. October 21, 2013. New Work by Anne Sherwood Pundyk. November 7 – December 31, 2013. Opening: November 7, 6–8 pm. Susan Eley Fine Art. 46 West 90th Street, 2nd Floor. New York, NY. Or email: susie@susaneleyfineart.com. Tuesday – Thursday, 11 – 5 pm and by appointment. Susan Eley Fine Art. 8221; (published by Capricious. This fall, with “GAG,” she w...Issue of ...

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Anne Sherwood Pundyk: July 2013

http://annesherwoodpundyk.blogspot.com/2013_07_01_archive.html

Tuesday, July 23, 2013. Erin Haldrup: Painting and Parenthood. Two days before her due date, Erin Haldrup. A young painter, asked if we could have lunch together. On one of the first truly warm days of spring, we stopped by my studio before getting a bite. I took this photograph of Erin, in front of “Change My Mind,” a large painting I’d finished a year prior, around the time we first met. Links to this post. Subscribe to: Posts (Atom). View my complete profile. Erin Haldrup: Painting and Parenthood.

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Anne Sherwood Pundyk: June 2012

http://annesherwoodpundyk.blogspot.com/2012_06_01_archive.html

Sunday, June 24, 2012. I am a rock. Links to this post. Subscribe to: Posts (Atom). I am an artist based in Manhattan whose interests focus on the intersection of art and philosophy. View my complete profile. I am a rock. A Year of Positive Thinking. Carol Diehl's Art Vent. Casey A. Gollan: Notes and Links. Coalition for the Homeless. Jerry Saltz in New York Magazine. New York Times Arts Beat. Two Coats of Paint. Subscribe to my blog thru friendfeed.

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asymptote | . . . philosophical approaches, departures, and drive-bys

Philosophical approaches, departures, and drive-bys. Skip to primary content. Skip to secondary content. Teju Cole declares his intention to write in. A la Cartier-Bresson on the run and urges others to do the same. What does this entail? Henri Cartier-Bresson said photography is not like painting. It requires both seeing. A composition or expression that life itself offers you in a flash, and acting. In that creative fraction of a second . [ 1. And what about writing. From a photographic image? If we go...

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