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Raphael Rubinstein

Raphael Rubinstein is a New York-based poet and art critic whose numerous books include. Polychrome Profusion: Selected Art Criticism 1990-2002. Hard Press Editions),. The Afterglow of Minor Pop Masterpieces. He edited the anthology. Critical Mess: Art Critics on the State of their Practice. Has been translated into French by Marcel Cohen and published by Editions Greges. From 1997 to 2007 he was a senior editor at. Won a Creative Capital/Warhol Foundation Arts Writers Grant. En Quete de Miracle.

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Raphael Rubinstein | raphaelrubinstein.com Reviews
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Raphael Rubinstein is a New York-based poet and art critic whose numerous books include. Polychrome Profusion: Selected Art Criticism 1990-2002. Hard Press Editions),. The Afterglow of Minor Pop Masterpieces. He edited the anthology. Critical Mess: Art Critics on the State of their Practice. Has been translated into French by Marcel Cohen and published by Editions Greges. From 1997 to 2007 he was a senior editor at. Won a Creative Capital/Warhol Foundation Arts Writers Grant. En Quete de Miracle.
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Raphael Rubinstein | raphaelrubinstein.com Reviews

https://raphaelrubinstein.com

Raphael Rubinstein is a New York-based poet and art critic whose numerous books include. Polychrome Profusion: Selected Art Criticism 1990-2002. Hard Press Editions),. The Afterglow of Minor Pop Masterpieces. He edited the anthology. Critical Mess: Art Critics on the State of their Practice. Has been translated into French by Marcel Cohen and published by Editions Greges. From 1997 to 2007 he was a senior editor at. Won a Creative Capital/Warhol Foundation Arts Writers Grant. En Quete de Miracle.

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The Silo by Raphael Rubinstein

Matisse Etc. (part 2). Matisse Etc. (part 1). A poem for Max Beckmann. Gene B. Beery. Matisse Etc. (part 1). Matisse Etc. (part 2). The Silo is conceived as a personal, revisionist dictionary of contemporary art. Its primary aims are to challenge existing exclusionary accounts of art since 1960 and to offer a fresh look at some canonical artists. This is a cumulative project; new entries will appear with as much regularity as circumstances allow.

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1

About | Raphael Rubinstein

http://raphaelrubinstein.com/about

Raphael Rubinstein is a New York-based poet and art critic whose numerous books include. Polychrome Profusion: Selected Art Criticism 1990-2002. The Afterglow of Minor Pop Masterpieces. He edited the anthology. Critical Mess: Art Critics on the State of their Practice. And is widely known for his articles on “provisional painting.” His poetry has appeared in, among other places,. Best American Poetry 2015. From 1997 to 2007 he was a senior editor at. February 3, 2012 at 1:16 pm. I was also excited to see...

2

Writing | Raphael Rubinstein

http://raphaelrubinstein.com/category/writing

Collaborative poem-painting inspired by LCD Soundsystem’s James Murphy. April 16, 2016. Painting as a Nonprofessional Experiment. 2014, latex on canvas, 8 by 6 feet) is a painting by Heather Bause. That revises a poem by Raphael Rubinstein that itself is a slightly edited (“poem” replacing “band”) transcription of an interview with James Murphy about his band LCD Soundsystem. June 16, 2010. Bartleby on Carmine Street. The Brooklyn Rail, July-August, 2016). The White Review, London, September, 2014).

3

News | Raphael Rubinstein

http://raphaelrubinstein.com/category/news

8220;The Miraculous” Installation at the Edinburgh Sculpture Workshop. July 19, 2016. 4 June 31 August 2016. Monday Saturday, 11am 5pm. An exhibition relocating the works and lives of the following artists, to the spaces of Edinburgh Sculpture Workshop:. Bas Jan Ader, Joseph Beuys, Joseph Grigely, David Hammons, Helmut Heissenbüttel, Alison Knowles, John Latham, Lee Lozano, Marta Minujín, Daniel Spoerri, Cindy Sherman and Mierle Laderman Ukeles. Reading of “A Geniza” in Houston, April 10, 2016. On April ...

4

Interviews | Raphael Rubinstein

http://raphaelrubinstein.com/category/interviews

January 19, 2014. In 2006, I was interviewed on the state of art criticism by the ABC for “The Book Show.” Here is a transcript. On Yale Radio (2014). January 19, 2014. Brainard Carey interviewed me. By phone) for his “The Art World Demystified” show on Yale Radio. Interviewed by Joan Waltemath, Brooklyn Rail, July 2013. January 19, 2014. Is focused on my “ Reinventing Abstraction. Critical Mess: Art Critics on the State of their Practice. En Quete de Miracle. In Search of a Lost Ladino (translator).

5

Poetry | Raphael Rubinstein

http://raphaelrubinstein.com/category/poetry

Collaborative poem-painting inspired by LCD Soundsystem’s James Murphy. April 16, 2016. Painting as a Nonprofessional Experiment. 2014, latex on canvas, 8 by 6 feet) is a painting by Heather Bause. That revises a poem by Raphael Rubinstein that itself is a slightly edited (“poem” replacing “band”) transcription of an interview with James Murphy about his band LCD Soundsystem. Reading of “A Geniza” in Houston, April 10, 2016. April 1, 2016. Poem about The Gun Club’s Jeffrey Lee Pierce. April 1, 2016.

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The Silo by Raphael Rubinstein | Gasiorowski

http://thesilo.raphaelrubinstein.com/artists/gasiorowski

Matisse Etc. (part 2). May 31, 2015. Gérard Gasiorowski, Les Symptômes: Aro Gu Rerec, 1983, acrylic on canvas, approx 8 foot 2 inches by 6 feet 6 inches. Collection Adrien Maeght, Saint-Paul. Gérard Gasiorowski: Starting the Painting Again. Hatje Cantz, 2010) and. Gérard Gasiorowski, Callipyge La Vénus (Callypian Venus) 1965, approx. 4 feet, 11 inches square. Gérard Gasiorowski: Starting the Painting Again. Gérard Gasiorowski, Pot de Fleurs No. 187-188. The series continued until 1982, by which time ther...

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The Silo by Raphael Rubinstein | 2013 | February

http://thesilo.raphaelrubinstein.com/2013/02

Matisse Etc. (part 2). Monthly Archives: February 2013. Like many others, I have often repeated the orthodoxy that the early 1980s saw a return to painting, a rediscovery of figuration, an embrace of dramatic content and an explicit engagement with art history. And, like everyone else who … Continue reading →. The Silo by Raphael Rubinstein.

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The Silo by Raphael Rubinstein | Reinecke

http://thesilo.raphaelrubinstein.com/artists/reinecke

Matisse Etc. (part 2). May 3, 2015. I discovered the work of Chris Reinecke by chance earlier this year during a random stroll on the last day of a visit to Düsseldorf. I’d already seen the Kunstsammlung Nordrhein-Westfalen, which owns Max Beckmann’s. Surely one of the 20. Environment garments) from 1967 were boxy containers made of transparent plastic. After dressing audience members in them, Reinecke wrote descriptions of the objects and landscape elements surrounding the wearers. Other works i...Chris...

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The Silo by Raphael Rubinstein | 2013 | March

http://thesilo.raphaelrubinstein.com/2013/03

Matisse Etc. (part 2). Monthly Archives: March 2013. The Silo by Raphael Rubinstein.

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The Silo by Raphael Rubinstein | 2012 | September

http://thesilo.raphaelrubinstein.com/2012/09

Matisse Etc. (part 2). Monthly Archives: September 2012. See “Karin Davie Press Release, 1999” in the Vitrine section of The Silo. See Silo entry on Amy Goldin under “The Critics.”. THOMAS McEVILLEY [posted March 12, 2013] Like so many other great art critics before him (and, let’s hope, like more to follow), Tom McEvilley, who died March 2, 2013, stumbled into art criticism from other intellectual territory. In his case, … Continue reading →. The Silo by Raphael Rubinstein.

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On Lower Manhattan’s Memory Lane | Brian Dupont: Artist's Texts

https://briandupont.wordpress.com/2013/08/03/on-lower-manhattans-memory-lane

Brian Dupont: Artist's Texts. An artist's writings on art. On Lower Manhattan’s Memory Lane. Walking into Cheim and Read. Feels like visiting a gathering of old friends. Raphael Rubinstein. Has laid out a thesis for an alternate narrative of painting in the 1980’s that is not unknown, but is still not as recognized as it could (or should) be. [i]. But to a man [iv]. They were ultimately much less influential to the practice of painters going forward; if there is a hopeful lesson to be found here, it may ...

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The Silo by Raphael Rubinstein | 2015 | January

http://thesilo.raphaelrubinstein.com/2015/01

Matisse Etc. (part 2). Monthly Archives: January 2015. There are times when, as a viewer, you become intensely aware of the richness of contexts, references, influences and meanings circulating around, through and out of an artist’s work. As you look at the work, countless connections and revelations come … Continue reading →. The Silo by Raphael Rubinstein.

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The Silo by Raphael Rubinstein | 2012 | May

http://thesilo.raphaelrubinstein.com/2012/05

Matisse Etc. (part 2). Monthly Archives: May 2012. Cindy Sherman is clearly a major artist, arguably the most important American artist of her generation, probably the most influential. She is one of those transformational figures whose appearance divides art history into a before and after. The 2012 survey … Continue reading →. The Silo by Raphael Rubinstein.

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The Silo by Raphael Rubinstein | Matisse Etc. (part 2)

http://thesilo.raphaelrubinstein.com/artists/matisse-etc-part-2

Matisse Etc. (part 2). Matisse Etc. (part 1). Matisse Etc. (part 2). December 1, 2014. Amy Feldman, Stanley Whitney, Bernard Piffaretti, Laura Owens, Michael Krebber, Matt Connors, Rebecca Morris, Patricia Treib, Lori Ellison, Franklin Evans). How is it that someone who dreamed of an art of balance, of purity, of serenity, devoid of troubling and depressing subject matter became a source of relentless innovation and provided a map for the deconstruction (with Supports/Surfaces. Michael Krebber, MP-KREBM-...

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The Silo by Raphael Rubinstein | Matisse Etc. (part 1)

http://thesilo.raphaelrubinstein.com/artists/matisse-etc-part-1

Matisse Etc. (part 2). Matisse Etc. (part 2) →. Matisse Etc. (part 1). October 27, 2014. Influence is only interesting when it results in something unexpected, when it jumps languages, generations, mediums, styles, when it is not immediately recognizable as such. I’m thinking about influence because I’m thinking about Matisse, whose influence pervades the last 100 years of art perhaps more widely and deeply than any other single artist. Why did Matisse have such a massive, and prolonged, impact? A maveri...

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