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Real Photographs | Pictures made with chemicals

Real Photographs - Pictures made with chemicals

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Real Photographs | Pictures made with chemicals | real-photographs.co.uk Reviews

https://real-photographs.co.uk

Real Photographs - Pictures made with chemicals

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1

PMK | Real Photographs

http://real-photographs.co.uk/formulae/film-developers/pmk

Pictures made with chemicals. Agfa 304 Rapid Fixer. Alkaline Fixers (Tim Rudman). Agfa 108 High Contrast. Toners & Bleaches. This is lifted straight from the excellent Darkroom Cookbook. By Steve Anchell, Formula #54, the original 1991 Gordon Hutchings. Water .750 ml Metol . 10 g Sodium Bisulfite.20 g Pyrogallol .100 g EDTA-disodium .5 g Water to make.1000 ml. It is advisable to add a ‘pinch’ of Sodium Bisulfite to the water before adding the Metol, to aid preservation while mixing. I mixed the usual pro...

2

Kodak Safelight Filters | Real Photographs

http://real-photographs.co.uk/kodak-safelight-filters

Pictures made with chemicals. Agfa 304 Rapid Fixer. Alkaline Fixers (Tim Rudman). Agfa 108 High Contrast. Toners & Bleaches. The front page of the Kodak leaflet. Kodak Safelight Filters for FIlm and Print Processing. Here is a scan of the Eastman Kodak leaflet on their range of safelight filters for film and print processing, published in 1980. It lists their range as current at that time and also gives useful information on testing how safe your filter is with the paper you are using.

3

Ansco 70 | Real Photographs

http://real-photographs.co.uk/formulae/lith-developer-formulae/ansco-70

Pictures made with chemicals. Agfa 304 Rapid Fixer. Alkaline Fixers (Tim Rudman). Agfa 108 High Contrast. Toners & Bleaches. My first experiments with lith processing in 2009, after a break of some 20 years, were with this formula. I chose it because it contains no paraformaldehyde, which I was having trouble obtaining. My only variation from this formula is that I add a very small quantity of sodium sulfite (equivalent to a small fingernail-sized amount) to Solution A to improve its keeping properties.

4

Alkaline Fixers (Tim Rudman) | Real Photographs

http://real-photographs.co.uk/formulae/fixers/alkaline-fixers-tim-rudman

Pictures made with chemicals. Agfa 304 Rapid Fixer. Alkaline Fixers (Tim Rudman). Agfa 108 High Contrast. Toners & Bleaches. Alkaline Fixers (Tim Rudman). These two formulæ are from Tim Rudman’s ‘ The Master Photographer’s Lith Printing Course. 8216;, a book well worth investing in if you have any interest in the lith process. Although prices have gone rather silly for this out-of-print volume, it is still possible to get secondhand copies at not too extortionate prices. Water to make.1000 ml. Proudly po...

5

Formulæ | Real Photographs

http://real-photographs.co.uk/formulae

Pictures made with chemicals. Agfa 304 Rapid Fixer. Alkaline Fixers (Tim Rudman). Agfa 108 High Contrast. Toners & Bleaches. Although I use many ready-prepared processing solutions, I also mix up quite a few of my own from raw chemicals. This is partly due to their non-availability as pre-mixed solutions and partly because I’ve always enjoyed cooking and following/amending recipes. You might also like to check out the Kodak Formulary. If you like experimenting with old methods. Leave a Reply Cancel reply.

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remorseblog.blogspot.com remorseblog.blogspot.com

MorseBlog: Old Paper: Ilford Ilfobrom IB4.24P

http://remorseblog.blogspot.com/2015/06/old-paper-ilford-ilfobrom-ib424p.html

Some photos and descriptions of my travels and projects If you visit please feel free to click on the 'comments' hyperlink at the end of each entry and share your thoughts with me and others. Old Paper: Ilford Ilfobrom IB4.24P. So I ran a test print based on a recent negative from a previous post. After a couple of test strips I got a pretty good 8x10 print as seen here. Subscribe to: Post Comments (Atom). View my complete profile. Photography of Glenn Morse: A collection of his better work. Square UK by...

remorseblog.blogspot.com remorseblog.blogspot.com

MorseBlog: September 2014

http://remorseblog.blogspot.com/2014_09_01_archive.html

Some photos and descriptions of my travels and projects If you visit please feel free to click on the 'comments' hyperlink at the end of each entry and share your thoughts with me and others. Fresh Developer: New Paper and a Lesson Learned. Here is the finished print. Fiesta de Santa Fe Children (Glenn Morse). F11 #5 32 sec Fomabrom Var 123 8x10 Selenium toned 1 19. Test Strip1 f8 #00. Test Strip1 f8 #5. Test Strip2 f4.5 #5. Test Strip2 f4.5 #00. Test Strip3 f4.5 #5 Foma. Test Strip3 f4.5 #5 MGIV. Lookin...

remorseblog.blogspot.com remorseblog.blogspot.com

MorseBlog: May 2014

http://remorseblog.blogspot.com/2014_05_01_archive.html

Some photos and descriptions of my travels and projects If you visit please feel free to click on the 'comments' hyperlink at the end of each entry and share your thoughts with me and others. Last month Vicki and I visits our friends Cecelia and Dave in Florence. One day they took us out to a fantastic Sunday lunch at Lamole in Chianti. Afterwards we took a walk through the hills. It was a beautiful day. Here are some color photos from the hike. Still early spring so the grape vines are dormant. Along th...

remorseblog.blogspot.com remorseblog.blogspot.com

MorseBlog: March 2014

http://remorseblog.blogspot.com/2014_03_01_archive.html

Some photos and descriptions of my travels and projects If you visit please feel free to click on the 'comments' hyperlink at the end of each entry and share your thoughts with me and others. Package the paper came in. Next I made test strip. Test strip at f8. This indicated 64 seconds was a good start. I took a full size sheet from the bottom of the pack and made the exposure and developed it. First exposure- Light leak! F8 64 seconds top of the stack. F8 90 seconds top of the stack. This appears margin...

remorseblog.blogspot.com remorseblog.blogspot.com

MorseBlog: DPP for Color Slide Printing

http://remorseblog.blogspot.com/2015/07/dpp-for-color-slide-printing.html

Some photos and descriptions of my travels and projects If you visit please feel free to click on the 'comments' hyperlink at the end of each entry and share your thoughts with me and others. DPP for Color Slide Printing. I have been playing around with Direct Positive Paper (DPP) since Ilford has restarted production. I wanted to see how the paper would work for color slide printing. I started with a slide I used in a earlier post. First print f11 22 seconds. Subscribe to: Post Comments (Atom). Cape Cor...

remorseblog.blogspot.com remorseblog.blogspot.com

MorseBlog: Old Paper: Agfa

http://remorseblog.blogspot.com/2015/07/old-paper-agfa.html

Some photos and descriptions of my travels and projects If you visit please feel free to click on the 'comments' hyperlink at the end of each entry and share your thoughts with me and others. Perhaps a little too encouraged by my experience with the Negra Portrene. Paper I purchased more 16x20" paper this time from Agfa and was assured by the seller it had been frozen in a professional lab. A partial open envelope of 10 sheets of VC FB paper and an unopened box of VC RC paper. Agfa FB VC Paper.

remorseblog.blogspot.com remorseblog.blogspot.com

MorseBlog: Film Internegatives from Color Slides

http://remorseblog.blogspot.com/2015/06/film-internegatives-from-color-slides.html

Some photos and descriptions of my travels and projects If you visit please feel free to click on the 'comments' hyperlink at the end of each entry and share your thoughts with me and others. Film Internegatives from Color Slides. One of the things that attracted me to film photography was as a means of connecting to my brother who worked long in photography and for whom it was a great enthusiasm. He spent some time as a commercial photographer. Red Cliffs in the Maze. In an earlier post. 6x9 roll film h...

remorseblog.blogspot.com remorseblog.blogspot.com

MorseBlog: April 2014

http://remorseblog.blogspot.com/2014_04_01_archive.html

Some photos and descriptions of my travels and projects If you visit please feel free to click on the 'comments' hyperlink at the end of each entry and share your thoughts with me and others. Following Wolfgang Moersch on Flicker. Then the usual test strips. Test Strip at f8 #00 Filter. The first at f8 was overexposed. So I moved to f16. Test Strip at f16 #00 Filter. The exposure at 64 seconds seemed best. So I opened it up to f11 and exposed at 32". Leaf Print f11 #00 32 sec. Nice but I also tried 16".

remorseblog.blogspot.com remorseblog.blogspot.com

MorseBlog: August 2014

http://remorseblog.blogspot.com/2014_08_01_archive.html

Some photos and descriptions of my travels and projects If you visit please feel free to click on the 'comments' hyperlink at the end of each entry and share your thoughts with me and others. Shamelessly following Wolfgang Moersch. The Magical German Chemist on Flickr I ran across his recent Lumen print series where he has coaxed some amazing colors from black and white paper. Always up for an experiment I put some of my vintage paper to the task. None are as good as his but still good fun. This is anoth...

fine-photographs.co.uk fine-photographs.co.uk

My Photography - Photography at Weeping Ash

http://www.fine-photographs.co.uk/index.php/myphotos

Lith and Toning (F and D). Edward Bawden's House (F). The Kite Area (F). Arbor Low (F and D). View all as list. Raquo; My Photography. Lith and Toning (F and D). Edward Bawden's House (F). The Kite Area (F). Arbor Low (F and D). View all as list. Written by Roy Hammans. Is no doubt evident in some of my work, but my interests and way of working were already set before I even knew about these practitioners. The suffix 'F' or 'D' in the menu denotes film or digital originals. Film and Darkroom Users); f295.

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Real Photographs | Pictures made with chemicals

Pictures made with chemicals. Agfa 304 Rapid Fixer. Alkaline Fixers (Tim Rudman). Agfa 108 High Contrast. Toners & Bleaches. New Work – Preliminary Scans. August 11, 2015. Picture 1 of 7. Some scans of recent negatives, made prior to conventional printing. The images of Stourhead and Bawdsey were made on Edwin Smith’s Ross Autorange camera, recently refurbished. The image of the flowering palm was made on an old Mamiyaflex twin-lens reflex, recently given to me by a friend. March 2, 2015. March 2, 2015.

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