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Rebirth of the Critical (work in progress)

Rebirth of the Critical (work in progress). Thursday, August 26, 2010. This is Max Horkheimer and Theodor Adorno’s terminology, to whom the analytic gaze is the basis of instrumental reason: the one which intends to understand the world in order to use it. It acquired its full development in political regimes which carried out the conquest and control on remote territories; the journey as a colonizing and imperialist means. Or the French novelist and Africanist Michel Leiris, author of. Sensuous contact,...

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Rebirth of the Critical (work in progress) | rebirthofthecritical.blogspot.com Reviews

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Rebirth of the Critical (work in progress). Thursday, August 26, 2010. This is Max Horkheimer and Theodor Adorno’s terminology, to whom the analytic gaze is the basis of instrumental reason: the one which intends to understand the world in order to use it. It acquired its full development in political regimes which carried out the conquest and control on remote territories; the journey as a colonizing and imperialist means. Or the French novelist and Africanist Michel Leiris, author of. Sensuous contact,...

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4 documents

5 near

6 the other

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Rebirth of the Critical (work in progress) | rebirthofthecritical.blogspot.com Reviews

https://rebirthofthecritical.blogspot.com

Rebirth of the Critical (work in progress). Thursday, August 26, 2010. This is Max Horkheimer and Theodor Adorno’s terminology, to whom the analytic gaze is the basis of instrumental reason: the one which intends to understand the world in order to use it. It acquired its full development in political regimes which carried out the conquest and control on remote territories; the journey as a colonizing and imperialist means. Or the French novelist and Africanist Michel Leiris, author of. Sensuous contact,...

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rebirthofthecritical.blogspot.com

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Rebirth of the Critical (work in progress): July 2010

http://rebirthofthecritical.blogspot.com/2010_07_01_archive.html

Rebirth of the Critical (work in progress). Thursday, July 29, 2010. Alexander McQueen Spring 2010. From the minute 1.30. Sunday, July 25, 2010. Oren Ambarchi - Alma (possible music). Friday, July 23, 2010. Our inclination to treat character as equivalent to behavior makes more acceptable a widespread public installation of the mechanized regard from the outside provided by cameras. Our oppressive sense of the transience of everything is more acute since cameras gave us the. Susan Sontag - The Image-World.

2

Rebirth of the Critical (work in progress): June 2010

http://rebirthofthecritical.blogspot.com/2010_06_01_archive.html

Rebirth of the Critical (work in progress). Wednesday, June 9, 2010. Dancing in general - Coreographic the public, making asamblage - Rudi Laermans. Particularly tbe possibilities offered by video-technology, such as the enlarging of body fragments or tbe delayed, even refigured representation of an already seen movement, are a favourite means to create a fissure in the spectator's gaze. The fissure not only destabilizes the spectator's panoptical point of view but also. Subscribe to: Posts (Atom).

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Rebirth of the Critical (work in progress): Can't Take My Eyes Off You

http://rebirthofthecritical.blogspot.com/2010/08/cant-take-my-eyes-off-you.html

Rebirth of the Critical (work in progress). Monday, August 9, 2010. Can't Take My Eyes Off You. You're just too good to be true. Can't take my eyes off you. You'd be like Heaven to touch. I wanna hold you so much. At long last love has arrived. And I thank God I'm alive. You're just too good to be true. Can't take my eyes off you. Pardon the way that I stare. There's nothing else to compare. The sight of you leaves me weak. There are no words left to speak,. But if you feel like I feel,. I love you, baby,.

4

Rebirth of the Critical (work in progress): Michael Haneke from an interview

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Rebirth of the Critical (work in progress). Monday, August 9, 2010. Michael Haneke from an interview. Requires other criteria than the still image – from the image’s viewer as well as its producers: The still image generally shows an action’s result, whereas the ﬁlm shows the action itself. Building on the dramaturgical and aesthetic forms of the cinema, television changed precisely these forms by permanently deploying them. Subscribe to: Post Comments (Atom). Cant Take My Eyes Off You. We witnesses cant...

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Rebirth of the Critical (work in progress)

http://rebirthofthecritical.blogspot.com/2010/08/one-of-principal-hypotheses-at-stake-in.html

Rebirth of the Critical (work in progress). Tuesday, August 24, 2010. One of the principal hypotheses at stake in these studies is that if we acknowledge that the discourse of philosophy is itself a historical construction and that it has often relied on a vision-. Must also acknowledge that the use and the construction of this vocabulary needs to be examined, together with the discursive effects of such use and construction on the way of thinking that has dominated the history of philosophy. The Panopti...

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rebirthofthecritical.blogspot.com

Rebirth of the Critical (work in progress)

Rebirth of the Critical (work in progress). Thursday, August 26, 2010. This is Max Horkheimer and Theodor Adorno’s terminology, to whom the analytic gaze is the basis of instrumental reason: the one which intends to understand the world in order to use it. It acquired its full development in political regimes which carried out the conquest and control on remote territories; the journey as a colonizing and imperialist means. Or the French novelist and Africanist Michel Leiris, author of. Sensuous contact,...

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