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Bloomsbury Group | by Robert Fields

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Bloomsbury Group | by Robert Fields | refields.wordpress.com Reviews

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by Robert Fields (by Robert Fields)

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Vanessa Bell Copies Vlaminck painting before selling it in Paris | Bloomsbury Group

https://refields.wordpress.com/2013/10/07/vanessa-bell-copies-a-vladminck-painting

Vanessa Bell Copies Vlaminck painting before selling it in Paris. October 7, 2013. Le Point de Poissy. Period from 1904 to 1908. Vlaminck’s painting of the river and bridge shown below is restrained in its use of colour, reminding one more of a Cézanne of the 1890s than of a painting in the Fauve manner. This 60cm x 80cm canvas named simply Le Point de Poissy. For example, went as far as to describe the paintings in the exhibit as the “output of a lunatic asylum”. Much later, they would sell the painting...

2

Robert Fields | Bloomsbury Group

https://refields.wordpress.com/author/refields

All posts by Robert Fields. Vanessa Bell Copies Vlaminck painting before selling it in Paris. October 7, 2013. Le Point de Poissy. Period from 1904 to 1908. Vlaminck’s painting of the river and bridge shown below is restrained in its use of colour, reminding one more of a Cézanne of the 1890s than of a painting in the Fauve manner. This 60cm x 80cm canvas named simply Le Point de Poissy. For example, went as far as to describe the paintings in the exhibit as the “output of a lunatic asylum”. Much later, ...

3

Duncan Grant | Bloomsbury Group

https://refields.wordpress.com/2013/10/07/duncan-grant

October 7, 2013. In Paris in 1906 at the age of 21. While in Paris he copied Jean-Baptiste-Siméon Chardin’s famous 18. Century still-life paintings in the Louvre and apparently was unaware of the existence of Matisse and Derain’s explosive works and the development of les Fauves. Art in Paris which was taking place at that time. In 1913 Grant joined with Roger Fry and Vanessa Bell to form the Omega. It was at this time when working closely together on numerous projects that Duncan and Vanessa’s lifelong ...

4

about me | Bloomsbury Group

https://refields.wordpress.com/about

Click the link in red for my resume: http:/ cv.robertfields.org/. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Blog at WordPress.com.

5

Quentin Bell’s book: “Virginia Woolf a Biography” arrives | Bloomsbury Group

https://refields.wordpress.com/2013/10/05/quentin-bells-biography-of-virginia-wolf-arrives

Quentin Bell’s book: “Virginia Woolf a Biography” arrives. October 5, 2013. The postman just left a package outside my door. Opening it I find Quentin Bell’s. Virginia Woolf, a Biography, 1972 edition, with a minimally distressed original paper dust jacket. Opening the book I see a bookplate placed there by the previous owner. Then I discover to my delight that the book has never been read. Duncan Grant →. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

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Robert Fields: February 2015

http://www.robertfields.org/2015_02_01_archive.html

Le Monde de Paris. No posts. Show all posts. No posts. Show all posts. Subscribe to: Posts (Atom). VW Letters, V. 6. Visit to the Gustave Moreau museum. Int'l Virginia Woolf Soc. Le Paris des Arts. Fan Girl Happy Hour. Robert Fields's C.V. View my complete profile. 169; Robert Fields. Simple template. Template images by mammamaart.

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Bloomsbury Group | by Robert Fields

Vanessa Bell Copies Vlaminck painting before selling it in Paris. October 7, 2013. Le Point de Poissy. Period from 1904 to 1908. Vlaminck’s painting of the river and bridge shown below is restrained in its use of colour, reminding one more of a Cézanne of the 1890s than of a painting in the Fauve manner. This 60cm x 80cm canvas named simply Le Point de Poissy. For example, went as far as to describe the paintings in the exhibit as the “output of a lunatic asylum”. Much later, they would sell the painting...

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