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Richard Woodall writing prose

Richard Woodall writing prose. Sunday, 4 October 2009. Oulipo. “Ouvroir de littérature potentielle” The workshop of potential literature. The French-born style of writing with constraints, co-founded by Raymond Queneau and Francois Le Lionnais; mathematicians and writers alike. One of the first pieces I saw performed was Ross Sutherland’s S 7 take on Little Red Riding Hood…it was genius. Loved it. Amigo I've given you all and now I'm nought. Amigo two dolphins and twenty-seven centrefolds Jargon 17, 1956.

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Richard Woodall writing prose | richardwoodallwriting.blogspot.com Reviews

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Richard Woodall writing prose. Sunday, 4 October 2009. Oulipo. “Ouvroir de littérature potentielle” The workshop of potential literature. The French-born style of writing with constraints, co-founded by Raymond Queneau and Francois Le Lionnais; mathematicians and writers alike. One of the first pieces I saw performed was Ross Sutherland’s S 7 take on Little Red Riding Hood…it was genius. Loved it. Amigo I've given you all and now I'm nought. Amigo two dolphins and twenty-seven centrefolds Jargon 17, 1956.

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Richard Woodall writing prose | richardwoodallwriting.blogspot.com Reviews

https://richardwoodallwriting.blogspot.com

Richard Woodall writing prose. Sunday, 4 October 2009. Oulipo. “Ouvroir de littérature potentielle” The workshop of potential literature. The French-born style of writing with constraints, co-founded by Raymond Queneau and Francois Le Lionnais; mathematicians and writers alike. One of the first pieces I saw performed was Ross Sutherland’s S 7 take on Little Red Riding Hood…it was genius. Loved it. Amigo I've given you all and now I'm nought. Amigo two dolphins and twenty-seven centrefolds Jargon 17, 1956.

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richardwoodallwriting.blogspot.com

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Richard Woodall writing prose: The Calm After the Strom Part II

http://richardwoodallwriting.blogspot.com/2009/04/calm-after-strom-part-ii.html

Richard Woodall writing prose. Tuesday, 14 April 2009. The Calm After the Strom Part II. The Calm After the Storm. Part II. The storm rushed in through the side door; clouds of people leaving the concert all carrying a strong thirst. A young couple laughed at the impatience that surrounded them. Old men loosened their ties and shouted over the bar and old women clicked their tongues against their teeth to demonstrate their disgust at not being next. Then the phone rang. 8220;White Hart, can I help you?

2

Richard Woodall writing prose: Football, it's not a funny old game.

http://richardwoodallwriting.blogspot.com/2009/09/football-its-not-funny-old-game.html

Richard Woodall writing prose. Sunday, 27 September 2009. Football, it's not a funny old game. Right now football is not "a funny old game"; it's the fist in my face, the knife in my guts and the steel toe cap boot in my genital area. My football club is Ipswich Town. I live in Devon. It was the perfect situation for a classic game of football to speak volumes in celebrating a brilliant man, and the influence he had on the ‘wonderful’ game. It was the perfect moment for The Tractor Boys t...I don’t...

3

Richard Woodall writing prose: a snap shot type picture painting of a modern day Icarus

http://richardwoodallwriting.blogspot.com/2008/10/snap-shot-type-picture-painting-of.html

Richard Woodall writing prose. Wednesday, 29 October 2008. A snap shot type picture painting of a modern day Icarus. Today is not so different. The glaring sun shines down on the busy streets, sharing the sky with nothing but one small, mournful, black fluffy cloud. And people continue their lives. A man ploughs the road for litter and trash. Today’s fish’n’chip paper blows by in the wind, ignoring yesterday’s news. If only they knew. On the roof above them all stands a boy, a stranger, a future myth.

4

Richard Woodall writing prose: The last part of The Calm After the Storm

http://richardwoodallwriting.blogspot.com/2009/04/last-part-of-calm-after-storm.html

Richard Woodall writing prose. Thursday, 16 April 2009. The last part of The Calm After the Storm. The Calm After the Storm. Part III (The last bit.for now). The voice he heard was small and soft and delicate but with an obvious confidence. The voice was a female. He could not believe the cliché he felt inside himself. Trying not to believe it, he put it down to heartburn, a short and powerful burst of heartburn. 8220;Can I still get a coffee? 8221; she asked. She knew what he was referring to. 8220;But ...

5

Richard Woodall writing prose: July 2008

http://richardwoodallwriting.blogspot.com/2008_07_01_archive.html

Richard Woodall writing prose. Friday, 4 July 2008. When all else matters but nothing else exists. He sat. No real reason to fly. ". So here it is. My first words, in my first post of my first ever blog (the title, like with my essays, I choose to write last) and I start with a quote from my own work. Nice. I moved out very shortly after, got a first for the piece and eventually my degree. He sat. No real reason to fly'. I went to Dartington, largely as an escape. I had lived a life for a couple of y...

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richardwoodallwriting.blogspot.com

Richard Woodall writing prose

Richard Woodall writing prose. Sunday, 4 October 2009. Oulipo. “Ouvroir de littérature potentielle” The workshop of potential literature. The French-born style of writing with constraints, co-founded by Raymond Queneau and Francois Le Lionnais; mathematicians and writers alike. One of the first pieces I saw performed was Ross Sutherland’s S 7 take on Little Red Riding Hood…it was genius. Loved it. Amigo I've given you all and now I'm nought. Amigo two dolphins and twenty-seven centrefolds Jargon 17, 1956.

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