riskingenchantmenttheatre.blogspot.com

Risking Enchantment

Is a short piece performed by Adam Redmore. Inspired by the writings of Andrea Dworkin and the unique environment of 9 Caledonian Road, it was first shown as part of the Squat Collective's launch party. HIS SPREAD LEGS (Tara Arts Studio 2010). HIS SPREAD LEGS was performed by Max Hutchinson. Written and directed by Ben Webb. This is where we have always lived - in the waiting, the potential, between the cracks, a love letter lost in a library book, messages through time. What do I remember? You could cho...

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Risking Enchantment | riskingenchantmenttheatre.blogspot.com Reviews

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Is a short piece performed by Adam Redmore. Inspired by the writings of Andrea Dworkin and the unique environment of 9 Caledonian Road, it was first shown as part of the Squat Collective's launch party. HIS SPREAD LEGS (Tara Arts Studio 2010). HIS SPREAD LEGS was performed by Max Hutchinson. Written and directed by Ben Webb. This is where we have always lived - in the waiting, the potential, between the cracks, a love letter lost in a library book, messages through time. What do I remember? You could cho...

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5 older posts

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Risking Enchantment | riskingenchantmenttheatre.blogspot.com Reviews

https://riskingenchantmenttheatre.blogspot.com

Is a short piece performed by Adam Redmore. Inspired by the writings of Andrea Dworkin and the unique environment of 9 Caledonian Road, it was first shown as part of the Squat Collective's launch party. HIS SPREAD LEGS (Tara Arts Studio 2010). HIS SPREAD LEGS was performed by Max Hutchinson. Written and directed by Ben Webb. This is where we have always lived - in the waiting, the potential, between the cracks, a love letter lost in a library book, messages through time. What do I remember? You could cho...

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riskingenchantmenttheatre.blogspot.com

1

Risking Enchantment: SO LITTLE OF YOU LEFT (Oval House & Hat Factory, 2009)

http://riskingenchantmenttheatre.blogspot.com/2010/10/so-little-of-you-left-oval-house-hat.html

SO LITTLE OF YOU LEFT (Oval House and Hat Factory, 2009). Performed by Sam Collings and Simon Carroll-Jones. Subscribe to: Post Comments (Atom). Are a theatre company exploring and extending the possibilities of ensemble work through collaborative effort in poetic times. View my complete profile. WHAT DO WE WANT? To make work that is inclusive, expansive, multidimensional, connected, human. To value the work regardless of its commercial viability. To take our time; to open up spaces; to keep on working.

2

Risking Enchantment: August 2008

http://riskingenchantmenttheatre.blogspot.com/2008_08_01_archive.html

ACKER OUT LOUD (2008). Huge thanks to all those that came along to the Poetry Cafe on Monday 1st September to celebrate and share the work of Kathy Acker. Performed by Jennifer Jackson, Simon Carroll-Jones and Kimberley Wintle. Subscribe to: Posts (Atom). Are a theatre company exploring and extending the possibilities of ensemble work through collaborative effort in poetic times. View my complete profile. WHAT DO WE WANT? To make work that is inclusive, expansive, multidimensional, connected, human.

3

Risking Enchantment: November 2010

http://riskingenchantmenttheatre.blogspot.com/2010_11_01_archive.html

Is a short piece performed by Adam Redmore. Inspired by the writings of Andrea Dworkin and the unique environment of 9 Caledonian Road, it was first shown as part of the Squat Collective's launch party. HIS SPREAD LEGS (Tara Arts Studio 2010). HIS SPREAD LEGS was performed by Max Hutchinson. Written and directed by Ben Webb. This is where we have always lived - in the waiting, the potential, between the cracks, a love letter lost in a library book, messages through time. What do I remember? You could cho...

4

Risking Enchantment: September 2010

http://riskingenchantmenttheatre.blogspot.com/2010_09_01_archive.html

Subscribe to: Posts (Atom). Are a theatre company exploring and extending the possibilities of ensemble work through collaborative effort in poetic times. View my complete profile. WHAT DO WE WANT? To make work that is inclusive, expansive, multidimensional, connected, human. To value the work regardless of its commercial viability. To make work that encourages the possibility of feeling more alive and encourages the active realisation of complex emotion.

5

Risking Enchantment: SO LITTLE R&D (Newington Dance)

http://riskingenchantmenttheatre.blogspot.com/2010/10/so-little-r-newington-dance.html

SO LITTLE R&D (Newington Dance). Subscribe to: Post Comments (Atom). Are a theatre company exploring and extending the possibilities of ensemble work through collaborative effort in poetic times. View my complete profile. WHAT DO WE WANT? To make work that is inclusive, expansive, multidimensional, connected, human. To value the work regardless of its commercial viability. To make work that encourages the possibility of feeling more alive and encourages the active realisation of complex emotion.

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riskingenchantmenttheatre.blogspot.com

Risking Enchantment

Is a short piece performed by Adam Redmore. Inspired by the writings of Andrea Dworkin and the unique environment of 9 Caledonian Road, it was first shown as part of the Squat Collective's launch party. HIS SPREAD LEGS (Tara Arts Studio 2010). HIS SPREAD LEGS was performed by Max Hutchinson. Written and directed by Ben Webb. This is where we have always lived - in the waiting, the potential, between the cracks, a love letter lost in a library book, messages through time. What do I remember? You could cho...

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