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Dance4 Reseach Artist - Sara Giddens

Monday, 5 December 2011. October 2011 - Being alone still together*. And now here, speaking this writing, recalling that memory, those memories (colluding and colliding) of the experience of the event-hood, the experiences of the making of the Dream-Work Walks. Alongside but outside of the space-time of the actual experience of it. (Breathe). Taking Heidegger’s definition of an artwork as a ‘preserving outstanding standing within.’ [1]. In this and those quiet, contemplative space-time(s) of stillness.

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Dance4 Reseach Artist - Sara Giddens | saragiddens.blogspot.com Reviews
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Monday, 5 December 2011. October 2011 - Being alone still together*. And now here, speaking this writing, recalling that memory, those memories (colluding and colliding) of the experience of the event-hood, the experiences of the making of the Dream-Work Walks. Alongside but outside of the space-time of the actual experience of it. (Breathe). Taking Heidegger’s definition of an artwork as a ‘preserving outstanding standing within.’ [1]. In this and those quiet, contemplative space-time(s) of stillness.
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1 dance4 research artist
2 sara giddens
3 being here now
4 dwelling
5 sense more now
6 in this
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Dance4 Reseach Artist - Sara Giddens | saragiddens.blogspot.com Reviews

https://saragiddens.blogspot.com

Monday, 5 December 2011. October 2011 - Being alone still together*. And now here, speaking this writing, recalling that memory, those memories (colluding and colliding) of the experience of the event-hood, the experiences of the making of the Dream-Work Walks. Alongside but outside of the space-time of the actual experience of it. (Breathe). Taking Heidegger’s definition of an artwork as a ‘preserving outstanding standing within.’ [1]. In this and those quiet, contemplative space-time(s) of stillness.

INTERNAL PAGES

saragiddens.blogspot.com saragiddens.blogspot.com
1

Dance4 Reseach Artist - Sara Giddens: Blog 6 - April 2011

http://saragiddens.blogspot.com/2011/05/blog-6-april-2011.html

Thursday, 19 May 2011. Blog 6 - April 2011. Polly Frame in Dream-Work by Bodies in Flight: nottdance 2009. Alighting with the sound of the wheels of my suitcase puncturing the stillness, the quietness of the performance, the performers held in embraces on the bridge. The last time I dwelt in this station was in the making of Dream-Work (our audio-performance walk) for nottdance 2009. My dance spilling out onto the streets, beyond its usual boundaries. Subscribe to: Post Comments (Atom). Blog 7 - May 2011.

2

Dance4 Reseach Artist - Sara Giddens: there’s a little thing going on: Sara Giddens in conversation with Simon Ellis

http://saragiddens.blogspot.com/2011/05/theres-little-thing-going-on-sara.html

Thursday, 19 May 2011. There’s a little thing going on: Sara Giddens in conversation with Simon Ellis. There’s a little thing going on ………………. Talking with Simon – 13th March 2011. Simon “I hope this is OK ….we don’t have too long but I can see you again after the next set.”. Sara “So how many times have you made this work? Sara “Or maybe particularly if you don’t know them? Sara”So how do you get them to ’become’ still then? Simon “No …… yes. Well, I was trying to give them as much...Can you track that?

3

Dance4 Reseach Artist - Sara Giddens: October 2011 - Being alone still together*

http://saragiddens.blogspot.com/2011/12/october-2011-being-alone-still-together.html

Monday, 5 December 2011. October 2011 - Being alone still together*. And now here, speaking this writing, recalling that memory, those memories (colluding and colliding) of the experience of the event-hood, the experiences of the making of the Dream-Work Walks. Alongside but outside of the space-time of the actual experience of it. (Breathe). Taking Heidegger’s definition of an artwork as a ‘preserving outstanding standing within.’ [1]. In this and those quiet, contemplative space-time(s) of stillness.

4

Dance4 Reseach Artist - Sara Giddens: August 2011

http://saragiddens.blogspot.com/2011_08_01_archive.html

Thursday, 4 August 2011. Blog 9 July - Looking up with your eyes closed………. Reflections on the June sharing event at University of Northampton. I was sharing process not practice. What is the (right) frame that allows for the sharing of such a reflexive space-time? This process is different from but intrinsic to my practice. Key (self) reflections;. I am exploring stillness through multi-modal avenues. For me, it was/is a big personal risk putting myself in the sharing. It is all relational. It was all s...

5

Dance4 Reseach Artist - Sara Giddens: December 2011

http://saragiddens.blogspot.com/2011_12_01_archive.html

Monday, 5 December 2011. October 2011 - Being alone still together*. And now here, speaking this writing, recalling that memory, those memories (colluding and colliding) of the experience of the event-hood, the experiences of the making of the Dream-Work Walks. Alongside but outside of the space-time of the actual experience of it. (Breathe). Taking Heidegger’s definition of an artwork as a ‘preserving outstanding standing within.’ [1]. In this and those quiet, contemplative space-time(s) of stillness.

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Dance4 Reseach Artist - Sara Giddens

Monday, 5 December 2011. October 2011 - Being alone still together*. And now here, speaking this writing, recalling that memory, those memories (colluding and colliding) of the experience of the event-hood, the experiences of the making of the Dream-Work Walks. Alongside but outside of the space-time of the actual experience of it. (Breathe). Taking Heidegger’s definition of an artwork as a ‘preserving outstanding standing within.’ [1]. In this and those quiet, contemplative space-time(s) of stillness.

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