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Scribblings of a Mad Soprano | Now, where did I leave my rehearsal pencil…

Now, where did I leave my rehearsal pencil... (by Laure Meloy)

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Scribblings of a Mad Soprano | Now, where did I leave my rehearsal pencil… | scribblingsofamadsoprano.wordpress.com Reviews

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Now, where did I leave my rehearsal pencil... (by Laure Meloy)

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December | 2012 | Scribblings of a Mad Soprano

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Scribblings of a Mad Soprano. Now, where did I leave my rehearsal pencil…. Monthly Archives: December 2012. The Metropolitan Opera: a view from the inside…. December 19, 2012. These are a few notes I jotted down about my experiences there…. Week 1 of rehearsals for The Tempest, The Metropolitan Opera, New York, Monday:. I suddenly realise, because of a strong burning sensation, that all of my body weight is now being concentrated in my hips. And.then I am asked to sing. Week 2, Tuesday:. Week 4, Monday:.

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March | 2011 | Scribblings of a Mad Soprano

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Scribblings of a Mad Soprano. Now, where did I leave my rehearsal pencil…. Monthly Archives: March 2011. You’re on…a text message diary of a sudden debut. March 4, 2011. You have 1 new voicemail. 10:30 Me (to my Husband). 12:03 Me (to my Students). Sorry about being so last minute, but I have to cancel today’s lesson. I will see you next week as per usual. 12:04 Me (to my Husband). On a train to London. Well, this should cover the overdraft in any case…. 12:37 (from fellow cast member and old friend).

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The ‘soiled’ heroines of opera… | Scribblings of a Mad Soprano

https://scribblingsofamadsoprano.wordpress.com/2015/01/19/the-soiled-heroines-of-opera

Scribblings of a Mad Soprano. Now, where did I leave my rehearsal pencil…. The ‘soiled’ heroines of opera…. January 19, 2015. The SOIL exhibition runs from 21-27 January 2015. I will be performing extracts from Sorcery and Seduction on Friday the 23rd and Tuesday the 27th, both at 1 pm. The heroines showcased on this CD, Sorcery and Seduction, are all examples of this fixation:. Gilda in Rigoletto compromises herself willingly with the Duke, whom she believes to be of honourable intention. Too late, ...

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Voicing the unspeakable? Opera is NOT for everyone. | Scribblings of a Mad Soprano

https://scribblingsofamadsoprano.wordpress.com/2015/03/02/voicing-the-unspeakable-opera-is-not-for-everyone

Scribblings of a Mad Soprano. Now, where did I leave my rehearsal pencil…. Opera is NOT for everyone. March 2, 2015. Here we go again. The BBC’s Get Creative campaign is stirring up the debate about the value of the arts. And the old attacks on ‘high’ culture as being elitist are alive and well, especially for my field, opera. OK What I’m about to say might sound wrong, but here goes…). Nicole Wilson on Graeme Danby and Musical Orbit. Femme Lunatique Productions: what’s in a name? March 4, 2015 at 8:44 am.

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Be prepared for anything, part 2 | Scribblings of a Mad Soprano

https://scribblingsofamadsoprano.wordpress.com/2015/06/17/be-prepared-for-anything-part-2

Scribblings of a Mad Soprano. Now, where did I leave my rehearsal pencil…. Be prepared for anything, part 2. June 17, 2015. Besides singing roles, opera singers are sometimes called upon to cover, cover/sing (that is, be ‘double cast’/’second cast’ or otherwise share a role) and ‘ einspringen. You have to be ready for anything. Even getting caught up in the excitement of it all. Thomas Adès’ The Tempest will run at the Vienna State Opera until 27 June, with a revival planned for October 2015. M...And a s...

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Song, Stage and Story: Xerxes, Hampstead Garden Opera

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Song, Stage and Story. Wednesday, 29 April 2015. Xerxes, Hampstead Garden Opera. Tonight I saw Hampstead Garden Opera's production of Handel's Xerxes. In Italian). Xerxes. Struggled when it was first heard almost 300 years ago. It broke the opera seria. Mould by trying some humour and going easy on the da capo. Indeed the comedy in Xerxes. Subscribe to: Post Comments (Atom). Whatever the new thing is, you probably still need a story and good singing to make an opera work on stage. Royal Opera House News.

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Song, Stage and Story: How can opera survive in the 21st Century?

http://songstageandstory.blogspot.com/2015/05/how-can-opera-survive-in-21st-century.html

Song, Stage and Story. Thursday, 28 May 2015. How can opera survive in the 21st Century? I'm trying to think over this tremendously wide subject ahead of a conference hosted at the Royal Opera House on 6 and 7 June. In preparation I've been reading John Culshaw's extraordinary reminiscence of recording Wagner's Ring Cycle. For Decca in the 1960s, Ring Resounding. John Culshaw Ring Resounding. Martin Secker and Warburg, 1967, p261-262). As part of the Solti/Decca Ring. The Golden Ring' (1964). Opera Singi...

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Song, Stage and Story: Opera: telescoping with the voice

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Song, Stage and Story. Wednesday, 20 May 2015. Opera: telescoping with the voice. From roh.org.uk. I went to see - and hear - the final performance of Szymanowski's King Roger. At the Royal Opera House last night. I liked it. The music is colourful, just this side of lurid. The orchestra spills out into the side boxes (the harps) and there's an off-stage organ, not to mention the chorus of course. It made me think about the recent trends for opera: the fad for immersive, site-specific and general close-p...

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Song, Stage and Story: Into The Little Hill, Shadwell Opera, Limehouse

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Song, Stage and Story. Sunday, 19 April 2015. Into The Little Hill, Shadwell Opera, Limehouse. I was so glad to have caught Shadwell Opera. S final performance of George Benjamin's chamber opera Into The Little Hill. I was in the audience but concerned with whether the performance was catering for all the audience. Odd. In other words, I felt pressed to examine how different I might be from the people sitting around me. Then, as the performance progressed, the show itself pulled my attention ...Supercond...

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Song, Stage and Story: May 2015

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Song, Stage and Story. Thursday, 28 May 2015. How can opera survive in the 21st Century? I'm trying to think over this tremendously wide subject ahead of a conference hosted at the Royal Opera House on 6 and 7 June. In preparation I've been reading John Culshaw's extraordinary reminiscence of recording Wagner's Ring Cycle. For Decca in the 1960s, Ring Resounding. John Culshaw Ring Resounding. Martin Secker and Warburg, 1967, p261-262). As part of the Solti/Decca Ring. The Golden Ring' (1964). That's not ...

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Song, Stage and Story: May 2014

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Song, Stage and Story. Friday, 23 May 2014. New Music Theatre in London this May. One is able to see new music drama performances in London at almost any time. Usually the summer sees a spike in this sort of activity with the Grimeborn and Tete a Tete opera festivals. However, this May seems to have served up more than our fair share of diverse and probing musical theatrics. Or maybe I've just had the opportunity to go to plenty of them. Is a substantial and an indisputably original work, which refers to...

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Song, Stage and Story: February 2014

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Song, Stage and Story. Monday, 17 February 2014. This article first appeared in auditionoracle.com. We've not only been thinking about the Winter Olympics but also about a video we've recently seen in which the fine - and young - American soprano Angela Meade talks about the 55 competitions that she has won in her career. Quite apart from the boost in profile and consequent opportunities such success brings, there is also the not insignificant issue of prize money. Secondly, a competition usually has an ...

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Song, Stage and Story: March 2014

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Song, Stage and Story. Monday, 10 March 2014. This article first appeared in. Food is a very important part of singing opera. No, I'm not talking about the ever-present bananas in dressing rooms, or the cake that the. Colleagues bring to rehearsals (obviously averagely-good colleagues bring fruit and nuts but let's just be honest about the cake bit, OK? No, food is often an integral part of an operatic story and as such it's needed on stage. There are some obvious ones. The issue here is the fact that on...

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Song, Stage and Story: February 2015

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Song, Stage and Story. Sunday, 22 February 2015. Claire Platts How Did It Come To This, Pheasantry. Last night I went to see Claire Platt. Performing her fairly new cabaret show at The Pheasantry on the King's Road. How Did It Come To This. I strongly recommend that anyone interested in investigating cabaret should look for Claire's next date as this is a remarkably polished evening's entertainment. Claire was supported at the piano by Simona Budd. Thursday, 12 February 2015. This week I have been working.

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The Scribblings of a Feeling Mind | "We think too much, and feel too little…" Charles Chaplin

The Scribblings of a Feeling Mind. We think too much, and feel too little… Charles Chaplin. Have you ever been devastated by something that other people might not understand? That’s been my week. I’ve cried and cried and when I feel empty, like no more tears could possibly come out, they do. Some days I just want to throw my hands up, say I don’t care and really mean it. Caring hurts too much. But what kind of life would I live if not for this “gift” of empathy as some call it? May 10, 2014. Today I saw ...

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scribblingsofajaneite | the ramblings and scribblings of a teenage writer

The ramblings and scribblings of a teenage writer. Yes, it’s true. I’m putting this blog on hiatus for a while. I’ve been getting so many blog post ideas for my main blog. On March 6, 2015 in random. For some reason, I’ve been thinking a lot about. Today Remember that story idea. I posted about a loooong time ago? Well, it’s been on my mind lately, and I’m wondering if I should go back to writing it, after I’m done. To me, maybe because my inspiration came from a long, complicated, intensely emotional dr...

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Scribblings of a Mad Soprano | Now, where did I leave my rehearsal pencil…

Scribblings of a Mad Soprano. Now, where did I leave my rehearsal pencil…. Be prepared for anything, part 2. June 17, 2015. Besides singing roles, opera singers are sometimes called upon to cover, cover/sing (that is, be ‘double cast’/’second cast’ or otherwise share a role) and ‘ einspringen. You have to be ready for anything. Even getting caught up in the excitement of it all. Thomas Adès’ The Tempest will run at the Vienna State Opera until 27 June, with a revival planned for October 2015. M...And a s...

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Scribblings of an Expat

Scribblings of an Expat. Thursday, 24 April 2014. Scribbling #42: The Big Move (Part One). Nice tat, but still, nonetheless, tat. You name your dog after eBay. The next day, you sell your car. You go back to talking to the toilet. Monday, 10 February 2014. Scribbling #41: The Supermarket Cart. I'm taking your silence as awe with a slice of reverence on the side. That was possibly the worst analogy in the world. There is no such thing as a cute trolley. Goshdarnit, I'm a handsome beast. I really should ha...

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Scribblings of an Inkmouse

Thursday, 21 February 2013. Procrastination and how to deal with it. What does a writer plus procrastination equal? Nothing. Absolutely nothing. Zilch. Zero. Procrastinating is when you spend six hours watching videos of cats falling off a garden fence on YouTube, or when you go on Tumblr at 9am to look at cool gifs from the Hobbit, then close the tab at 10pm and wonder what you are doing with your life. Procrastination is the reason you haven't finished your novel yet (unless you. However, it does lead ...

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MOVIE ONLINE STREAMING | Full Movie [Updated]

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A Poet's Verse

Saturday, 19 October 2013. Every day of my life. I have felt you. And yet you are not here;. Just a revolving door of imposters. I have been loved for my looks,. A pretty accessory;. But it didn’t last,. There is always one prettier. I have been loved for my body,. When it was sleek and finely tuned;. But it didn’t last,. There is always one sleeker. I have been loved for my house by the bay,. Beautifully renovated at my hand;. But it didn’t last,. Once sold, they moved on. But it didn’t last,. I will al...