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Music 125 : Hindustani Classical Music : Background & History

The rules of a raag can be defined by. The list of specific notes that can be used during playing of the raag. The manner in which the notes are used, i.e. specific ways of ornamenting notes or emphasizing/de-emphasizing them. Manner in which the scale is ascended or descended. Optional or required musical phrases, the way in which to reveal these phrases, and/or combine them. The octave or frequency range to emphasize. The relative pacing between the notes.

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Music 125 : Hindustani Classical Music : Background & History | sectionf3.sundevilwrestling.com Reviews
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The rules of a raag can be defined by. The list of specific notes that can be used during playing of the raag. The manner in which the notes are used, i.e. specific ways of ornamenting notes or emphasizing/de-emphasizing them. Manner in which the scale is ascended or descended. Optional or required musical phrases, the way in which to reveal these phrases, and/or combine them. The octave or frequency range to emphasize. The relative pacing between the notes.
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1 hindustani classical music
2 background and history
3 cultural issues
4 fusion
5 significant perfomers
6 comtempory issues
7 significant performers
8 works cited
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10 reviews
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Music 125 : Hindustani Classical Music : Background & History | sectionf3.sundevilwrestling.com Reviews

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The rules of a raag can be defined by. The list of specific notes that can be used during playing of the raag. The manner in which the notes are used, i.e. specific ways of ornamenting notes or emphasizing/de-emphasizing them. Manner in which the scale is ascended or descended. Optional or required musical phrases, the way in which to reveal these phrases, and/or combine them. The octave or frequency range to emphasize. The relative pacing between the notes.

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Music 125 : Hindustani Classical Music : Cultural Issues

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Comtemporary and Cultural Issues.

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Music 125 : Hindustani Classical Music : Works Cited

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Hindustani Classical Music Search Results on. A C Shahriari. Choice. Middletown: Jun 2006. Vol. 43, Iss. 10; pg. 1836, 1 pgs. Massey, Reginald. The Music Review. Cambridge: May 1991. Vol. 52, Iss. 2; pg. 155. Gerald Groemer. Asian Folklore Studies. Nagoya: 2002. Vol. 61, Iss. 2; pg. 343. Mr Wildflowers. What are some good Rock/Pop songs featuring Sitar? Answers. Nov. 2008. Yahoo Inc. 11 Nov. 2009 http:/ uk.answers.yahoo.com/question/index? Ranjit. Sahaya. The Oldest Surviving form of Classical Mu...

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Music 125 : Hindustani Classical Music : Instruments

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The sarod is known for a deep, weighty, introspective sound (contrast with the sweet, overtone-rich texture of the sitar) with sympathetic strings that give it a resonant, reverberant quality. It is a fretless instrument able to produce the continuous slides between notes known as meend.

4

Music 125 : Hindustani Classical Music : Background & History

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The rules of a raag can be defined by. The list of specific notes that can be used during playing of the raag. The manner in which the notes are used, i.e. specific ways of ornamenting notes or emphasizing/de-emphasizing them. Manner in which the scale is ascended or descended. Optional or required musical phrases, the way in which to reveal these phrases, and/or combine them. The octave or frequency range to emphasize. The relative pacing between the notes.

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Music 125 : Hindustani Classical Music : Fusion

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Ravi Shankar with George Harrison.

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Music 125 : Hindustani Classical Music : Background & History

The rules of a raag can be defined by. The list of specific notes that can be used during playing of the raag. The manner in which the notes are used, i.e. specific ways of ornamenting notes or emphasizing/de-emphasizing them. Manner in which the scale is ascended or descended. Optional or required musical phrases, the way in which to reveal these phrases, and/or combine them. The octave or frequency range to emphasize. The relative pacing between the notes.

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