see-a-voice.org

See A Voice

Welcome to See a Voice. Between October 2006 and March 2010 the See a Voice project supported 27 venues across England and a touring theatre company, to programme and deliver good quality, in-house audio described and captioned performances. Learn more about the audience perspective. Captioning has enabled me to go to the theatre with my family once again! It brought the whole performance to life - fantastic. Just wish I'd know about it before.".

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See A Voice | see-a-voice.org Reviews

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Welcome to See a Voice. Between October 2006 and March 2010 the See a Voice project supported 27 venues across England and a touring theatre company, to programme and deliver good quality, in-house audio described and captioned performances. Learn more about the audience perspective. Captioning has enabled me to go to the theatre with my family once again! It brought the whole performance to life - fantastic. Just wish I'd know about it before..

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1 text size

2 text only

3 site search

4 marketing captioned theatre

5 marketing audio description

6 customer care

7 producers

8 where next

9 audiences

10 marketing cap

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text size,text only,site search,marketing captioned theatre,marketing audio description,customer care,producers,where next,audiences,marketing cap,marketing ad,back to top,sitemap,legal,accessibility advice

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See A Voice | see-a-voice.org Reviews

https://see-a-voice.org

Welcome to See a Voice. Between October 2006 and March 2010 the See a Voice project supported 27 venues across England and a touring theatre company, to programme and deliver good quality, in-house audio described and captioned performances. Learn more about the audience perspective. Captioning has enabled me to go to the theatre with my family once again! It brought the whole performance to life - fantastic. Just wish I'd know about it before.".

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see-a-voice.org

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Marketing Audio Description « See A Voice

http://www.see-a-voice.org/marketing-ad

Data and mailing lists. At Point of Sale. Marketing Audio Described Performances. AD) in theatre is a way of capturing the visual elements of a production for blind and partially sighted audience members. The See a Voice team worked closely with audience development and research consultant, Heather Maitland. As well as with the participating See a Voice venues to develop these guidelines. Here you can explore who the audio described theatre audience is and how you can reach them.

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About « See A Voice

http://www.see-a-voice.org/about

About … See a Voice. What’s this about? It’s about CAPTIONED (CAP) and AUDIO DESCRIBED (AD) performances. 9 million people in the UK are deaf, deafened or hard of hearing. 2 million people have a visual impairment. So, one in six of us have a sensory impairment. That means that in a full 500-seat auditorium, there ought to be 16 people who are blind or partially sighted and 71 people who are deaf, deafened or hard of hearing. And that’s what this resource is all about. It’s about building audiences.

3

Where Next « See A Voice

http://www.see-a-voice.org/where-next

Useful networks and further information. A national charity helping disabled adults and children use computers and the internet by adapting and adjusting their technology. A useful starting place for guidance on improving website accessibility. Published in 2003, this is a comprehensive guide with useful information about accommodation, travel and access to major sites and attractions across the captial. Http:/ www.artsline.org.uk. Federation of Scottish Theatres Access Guide. UK Access Network or UKAN.

4

Marketing Captioned Theatre « See A Voice

http://www.see-a-voice.org/marketing-cap

Data collection and mailing lists. Who’s using the captions? At Point of Sale. Photo: Ben Blackall. Captioned performance of. The Wizard of Oz. Is a way of converting the spoken word into visible text that provides deaf, deafened and hard of hearing people with access to live performance. The See a Voice team worked closely with audience development and research consultant, Heather Maitland. As well as with the participating See a Voice venues to develop these guidelines.

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Customer Care « See A Voice

http://www.see-a-voice.org/customer-care

A patron’s experience of your organisation starts long before they come to view the show. Every encounter has an impact - no matter how good the end product is if the process of getting there has been negative, stressful or frustrating for the customer then they are unlikely to want to repeat the experience. For deaf, deafened, hard of hearing, blind or partially sighted patrons the customer care experience is even more crucial. What the patrons say…. Disability awareness training should be made availabl...

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jodimyers.co.uk

jodi myers projects

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Recent and current clients include:. Arts Council of England. Carried out with Anne Millman. Recruitment of Relationship Managers for East and North West. Review of the role of the producer in live literature, as an Associate of TMPL Consultants. Development and delivery of ALITA3, a year-long training programme for arts organisations in London, as an Associate of TMPL Consultants. Review followed by options proposal for contemporary music festival. Executive producer for Plonter. At the Barbican Pit.

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See A Voice

Welcome to See a Voice. Between October 2006 and March 2010 the See a Voice project supported 27 venues across England and a touring theatre company, to programme and deliver good quality, in-house audio described and captioned performances. Learn more about the audience perspective. Captioning has enabled me to go to the theatre with my family once again! It brought the whole performance to life - fantastic. Just wish I'd know about it before.".

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