teamaxe.co.uk
Uncategorized | teamaxe – Tom Mitchell
http://www.teamaxe.co.uk/category/uncategorized
Teamaxe – Tom Mitchell. DS: Domes, Awards and Radio Shows. There has been lots going on recently with danceroom Spectroscopy. DS) and as I don’t blog so often I’m going to cram all the news into one post. Firstly, the new Hidden Fields show made its debut in November at dS festival. A big event held at Brunel’s Passenger Shed within a 21 metre 360 projection dome. Over 4 days dS was the centrepiece of a number of workshops, lectures and performances for local schools and visitors. This year for dS! This ...
cmrbsu.wordpress.com
May | 2014 | Centre for Musical Research
https://cmrbsu.wordpress.com/2014/05
Centre for Musical Research. Nigel Beaham-Powell: Music, Money and Maps – what do Collecting Societies tell us about culture? Monthly Archives: May 2014. Paul Carr – An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa. May 1, 2014. Paul Carr – An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa. May 1, 2014. Decision making at ESCOM 2015. Loder Family and Music in Provincial Britain Study Day: Call for Papers. Me and my shadow. Create a free...
cmrbsu.wordpress.com
Luke Nickel (Bath Spa) – Living scores: using memory to erode and transform musical material / Joseph Buckler (Bath Spa) – Categories of networking and cueing systems found in composition for performance | Centre for Musical Research
https://cmrbsu.wordpress.com/2015/02/09/luke-nickel-bath-spa-living-scores-using-memory-to-erode-and-transform-musical-material-joseph-buckler-bath-spa-categories-of-networking-and-cueing-systems-found-in-composit
Centre for Musical Research. Nigel Beaham-Powell: Music, Money and Maps – what do Collecting Societies tell us about culture? Luke Nickel (Bath Spa) Living scores: using memory to erode and transform musical material / Joseph Buckler (Bath Spa) Categories of networking and cueing systems found in composition for performance. February 9, 2015. Wednesday 11 December 2014. 12.30-2pm. CM105, Newton Park. Luke Nickel – Living scores: using memory to erode and transform musical material. February 9, 2015.
josephhyde.co.uk
Joseph Hyde » Songlines
http://www.josephhyde.co.uk/video/songlines
Composer, sound and media artist. To the last syllable. Me and my shadow. The Sweet Flesh Room. Ecstatic Second Body Smile. 1 lost for words 2. found objects 3. seachange. Written in response to a commission from the International Symposium on Electronic Arts and Silicon Graphics Ltd. Performed at a number of Electronic Arts and Music festivals, including ISEA (Helsinki), CREAT (St. Petersburg), Imagina (Paris), Sonic Arts Network PLUGGED! London, South Bank) and the ICMC (Banff, Canada). Me and my shadow.
josephhyde.co.uk
Joseph Hyde » Live Sampling
http://www.josephhyde.co.uk/live/live-sampling
Composer, sound and media artist. To the last syllable. Me and my shadow. The Sweet Flesh Room. Ecstatic Second Body Smile. I got interested in the idea of live sampling in the late 90s, principally through messing around with STEIM’s LiSa. I worked with a number of improvising musicians – here you can hear recordings with Keith Tippett. Track #2) and Paul Dunmall. Track #3), along with my friend Alistair MacDonald. Is the Signal Culture artist in residence this week! 11:40:25 PM July 14, 2016.
josephhyde.co.uk
Joseph Hyde » GoldGlow
http://www.josephhyde.co.uk/sound/goldglow
Composer, sound and media artist. To the last syllable. Me and my shadow. The Sweet Flesh Room. Ecstatic Second Body Smile. I made this piece in just under a month, in the studios of the Groupe de Musique Expérimentale de Bourges. Commissioned by the Groupe de Musique Expérimentale de Bourges (France) , and was realised in their studio. Premiered at the Palais Jaques Coeur, Bourges. Performed at the ICMC in Hong-Kong. Received an honourable mention at the Prix Ars Electronica. Released on a Sargasso CD.
josephhyde.co.uk
Joseph Hyde » to the last syllable
http://www.josephhyde.co.uk/sound/to-the-last-syllable
Composer, sound and media artist. To the last syllable. Me and my shadow. The Sweet Flesh Room. Ecstatic Second Body Smile. To the last syllable. Commissioned by Sonic Arts Network. Performed on South Bank, then toured nationwide. Broadcast on Radio 3. Selected by the BBC for presentation at the International Rostrum on ElectroAcoustic Music. Revised version performed by Electric Phoenix at IRCAM and by Singcircle at the Dartington International Summer School. 11:40:25 PM July 14, 2016. Bath Spa CSMT MMus.
graemetruslove.com
audiovisual | Graeme Truslove
https://graemetruslove.com/tag/audiovisual
Skip to primary content. Skip to secondary content. 3 audiovisual pieces published on StillReel. January 8, 2014. Have been included on the StillReel. Online digital art gallery. Seeing Sound, Bath Spa University, UK. November 23, 2013. Was screened at the Seeing Sound. Symposium at Bath Spa University, Bath UK. FILE Festival 2013, São Paulo, Brazil. July 23, 2013. An audiovisual collaboration with Alison Clifford. Is being exhibited at FILE 2013. At the SESI Cultural Centre, São Paulo, Brazil. The Elect...
alisonclifford.info
BLOG | Alison Clifford
http://alisonclifford.info/blog
THE SWEET OLD ETCETERA. THE SWEET OLD ETCETERA. Posted on September 14, 2016 in audiovisual. My audiovisual collaboration with composer/ sound artist Graeme Truslove. Was exhibited at the GAMeC – Galleria D’Arte Moderna e Contemporanea di Bergamo, Italy as part of xCoAx 2016. xCoAx is an annual international conference exploring the links between computation, communication and aesthetics. Work featured at Paraules Pixelades Exhibition at Arts Santa Mònica, Barcelona. Posted on June 13, 2016 in e-lit.
