sensingsite.blogspot.com

sensingsite

Materialities of landscape and place. What if Cinema was a Place? Singin’ in the Rain as an Imaginary Cityscape by Sam Burford. The background to the whole project ultimately begins with my childhood experiences of visiting my grandmother and playing with a set of coloured wooden blocks - I’ve still got them in the original bag, though they’re looking a bit faded these days. Sam Burford writes about his project for Forage Press. Photographs from in this neck of the woods. In the Granary Square fountains.

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sensingsite | sensingsite.blogspot.com Reviews

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Materialities of landscape and place. What if Cinema was a Place? Singin’ in the Rain as an Imaginary Cityscape by Sam Burford. The background to the whole project ultimately begins with my childhood experiences of visiting my grandmother and playing with a set of coloured wooden blocks - I’ve still got them in the original bag, though they’re looking a bit faded these days. Sam Burford writes about his project for Forage Press. Photographs from in this neck of the woods. In the Granary Square fountains.

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sensingsite | sensingsite.blogspot.com Reviews

https://sensingsite.blogspot.com

Materialities of landscape and place. What if Cinema was a Place? Singin’ in the Rain as an Imaginary Cityscape by Sam Burford. The background to the whole project ultimately begins with my childhood experiences of visiting my grandmother and playing with a set of coloured wooden blocks - I’ve still got them in the original bag, though they’re looking a bit faded these days. Sam Burford writes about his project for Forage Press. Photographs from in this neck of the woods. In the Granary Square fountains.

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sensingsite.blogspot.com

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sensingsite: What if Cinema was a Place? Singin’ in the Rain as an Imaginary Cityscape by Sam Burford

http://www.sensingsite.blogspot.com/2015/06/what-if-cinema-was-place-singin-in-rain.html

Materialities of landscape and place. What if Cinema was a Place? Singin’ in the Rain as an Imaginary Cityscape by Sam Burford. The background to the whole project ultimately begins with my childhood experiences of visiting my grandmother and playing with a set of coloured wooden blocks - I’ve still got them in the original bag, though they’re looking a bit faded these days. Sam Burford writes about his project for Forage Press. Subscribe to: Post Comments (Atom). Research at Central Saint Martins.

2

sensingsite: In this neck of the woods   - call for expressions of interest

http://www.sensingsite.blogspot.com/2014/10/in-this-neck-of-woods-call-for.html

Materialities of landscape and place. In this neck of the woods   - call for expressions of interest. We are inviting expressions of interest from participants who would like to involved in the next sensingsite. Project. This project has been conceived to launch during the Strangelove. Moving Image Festival to be held at Central Saint Martins in March 2015. How do we get to ‘know’ a place? How do humans negotiate the space in relation to one another? What makes a place inhabitable or intolerable? What is...

3

sensingsite: In This Neck of the Woods

http://www.sensingsite.blogspot.com/2015/04/in-this-neck-of-woods.html

Materialities of landscape and place. In This Neck of the Woods. In This Neck of the Woods. Consisting of paper presentations, performances, and installation works by PhD and post Doctoral researchers from UAL and beyond, In This Neck of the Woods will present a range of responses to the environs of Central Saint Martins and King’s Cross, considered as sites for the production and reception of experimental critical practice and research. Adriana Cobo Corey (CSM). Maria Fernanda Calderón (Wimbledon).

4

sensingsite: sensingsite 2012

http://www.sensingsite.blogspot.com/p/sensingsite-2012.html

Materialities of landscape and place. The View from Above: An Urban and Rural Aerial Journey. In response to the exhibition Lines of Thought. At Parasol unit ,. PhD students at University of the Arts London and. Goldsmiths College, University of London. Presented their research over three afternoons in March and April 2012. Lumino-City: the Perception of Light and Time in the Urban Realm. Goldsmiths, University of London). Fay Hoolahan (Camberwell College of Arts). The presentation references examples of...

5

sensingsite: 11/27/14

http://www.sensingsite.blogspot.com/2014_11_27_archive.html

Materialities of landscape and place. In this neck of the woods - part 3. After the Crash / Hole in the Sea. Taking Barry Flanagan’s film Hole in the Se. A (Scheveningen, Holland, February 1969), as a starting/end point, Duncan White will talk through material relating to his current research. Followed by discussion and planning of in this neck of the woods. For Strangelove Moving Image Festival, March 2015. 5:00pm, Tuesday 9 December 2014. 8232;Central Saint Martins Study Collection. 8232;London N1C 4AA.

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Materialities of landscape and place. What if Cinema was a Place? Singin’ in the Rain as an Imaginary Cityscape by Sam Burford. The background to the whole project ultimately begins with my childhood experiences of visiting my grandmother and playing with a set of coloured wooden blocks - I’ve still got them in the original bag, though they’re looking a bit faded these days. Sam Burford writes about his project for Forage Press. Photographs from in this neck of the woods. In the Granary Square fountains.

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