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Smiling at You - second : Sharone Lifschitz

Smiling at You - second. Sharone Lifschitz: Works 2000 2014. Text plays a crucial role in Lifschitz’s art as a vehicle for communication. Yet letters also function as found objects sculptural and graphic elements that can be meaningful or nonsensical, evocative, and abstract. Humor and a playful approach to language are hallmarks of Lifschitz’s art. In her hands, they help us to access a range of human emotions including inadequacy, estrangement, and fear of the other. Text: Emily D Bilski.

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Smiling at You - second : Sharone Lifschitz | sharonelifschitz.com Reviews

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Smiling at You - second. Sharone Lifschitz: Works 2000 2014. Text plays a crucial role in Lifschitz’s art as a vehicle for communication. Yet letters also function as found objects sculptural and graphic elements that can be meaningful or nonsensical, evocative, and abstract. Humor and a playful approach to language are hallmarks of Lifschitz’s art. In her hands, they help us to access a range of human emotions including inadequacy, estrangement, and fear of the other. Text: Emily D Bilski.

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Smiling at You - second : Sharone Lifschitz | sharonelifschitz.com Reviews

https://sharonelifschitz.com

Smiling at You - second. Sharone Lifschitz: Works 2000 2014. Text plays a crucial role in Lifschitz’s art as a vehicle for communication. Yet letters also function as found objects sculptural and graphic elements that can be meaningful or nonsensical, evocative, and abstract. Humor and a playful approach to language are hallmarks of Lifschitz’s art. In her hands, they help us to access a range of human emotions including inadequacy, estrangement, and fear of the other. Text: Emily D Bilski.

INTERNAL PAGES

sharonelifschitz.com

1

CV : Sharone Lifschitz

http://www.sharonelifschitz.com/cv

Born in Be’er Sheva, Israel, 1971. London, MA, fine art, 2001 02. New York, Department of Architecture (visiting student), 1998 99. London, RIBA, part 1, 1995 98. Jewish Museum Munich (catalogue published by Kehrer). The Line and the Circle. Goodkind Media Center, The Jewish Museum, New York. The Line and the Circle. Beeri Art Gallery, Beeri (catalogue). Iinaugural commission for QUIVID (Munich’s Art Program for Public Buildings) and the Jewish Museum Munich (catalogue). Artrmx Kunstverein, Koln. Winner ...

2

Best City in the World—Looking after Belfast (Raymond's Loss) : Sharone Lifschitz

http://www.sharonelifschitz.com/work/best-city-in-the-worldlooking-after-belfast-raymonds-loss

Best City in the World Looking after Belfast (Raymond's Loss). Best City in the World Looking after Belfast (Raymond’s Loss). From Advice about Sharing a Country,. An ongoing project begun in 2010). Single-channel HD video, 19'36'. Smiling at You - second. Smiling at You - first. The Line and The Circle. Best City in the World Looking after Belfast (Raymond's Loss). Brilliant Corners (after Thelonious Monk).

3

Speaking Germany : Sharone Lifschitz

http://www.sharonelifschitz.com/work/speaking-germany-2004-08

Speaking Germany, permanent facade installation. Speaking Germany, Essay, Emily D. Bilski. Smiling at You - second. Smiling at You - first. The Line and The Circle. Best City in the World Looking after Belfast (Raymond's Loss). Brilliant Corners (after Thelonious Monk).

4

Smiling at You - second : Sharone Lifschitz

http://www.sharonelifschitz.com/work/smiling-at-you---second-floor

Smiling at You - second. Sharone Lifschitz: Works 2000 2014. Text plays a crucial role in Lifschitz’s art as a vehicle for communication. Yet letters also function as found objects sculptural and graphic elements that can be meaningful or nonsensical, evocative, and abstract. Humor and a playful approach to language are hallmarks of Lifschitz’s art. In her hands, they help us to access a range of human emotions including inadequacy, estrangement, and fear of the other. Text: Emily D Bilski.

5

Smiling at You - first : Sharone Lifschitz

http://www.sharonelifschitz.com/work/smiling-at-you---first-floor

Smiling at You - first. Sharone Lifschitz’s German Projects. Perhaps more than any other contemporary artist, Sharone Lifschitz has engaged the city of Munich as both a subject and a platform for her work. In the four projects presented on this floor Sleeping Germany, Speaking Germany, Memorial as Parasite, and If I Were to Forget You one charts a journey that has occupied Lifschitz for long periods over the past fourteen years. Text: Emily D. Bilski. Smiling at You - second. Smiling at You - first.

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Smiling at You - second : Sharone Lifschitz

Smiling at You - second. Sharone Lifschitz: Works 2000 2014. Text plays a crucial role in Lifschitz’s art as a vehicle for communication. Yet letters also function as found objects sculptural and graphic elements that can be meaningful or nonsensical, evocative, and abstract. Humor and a playful approach to language are hallmarks of Lifschitz’s art. In her hands, they help us to access a range of human emotions including inadequacy, estrangement, and fear of the other. Text: Emily D Bilski.

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