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Doctus Artifex | A look at the history of artistic techniques and studio practiceA look at the history of artistic techniques and studio practice
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A look at the history of artistic techniques and studio practice
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Doctus Artifex | A look at the history of artistic techniques and studio practice | sharonlacey.wordpress.com Reviews
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A look at the history of artistic techniques and studio practice
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Kentridge’s Refusal of Time X 3 | Doctus Artifex
https://sharonlacey.wordpress.com/2014/06/20/kentridges-refusal-of-time-x-3
A look at the history of artistic techniques and studio practice. Kentridge’s Refusal of Time X 3. And at the Metropolitan Museum in New York, NY. The first time I saw this piece was at dOCUMENTA 13 in Kassel, Germany. William Kentridge, Refusal of Time, 2012. William Kentridge, Refusal of Time, at dOCUMENTA 13, 2012. Features a metronomic beat, instrumentation, and spoken word, to convey the varied pace of the modern city and different manifestations of time. Kentridge describes the work in this vid...
May | 2014 | Doctus Artifex
https://sharonlacey.wordpress.com/2014/05
A look at the history of artistic techniques and studio practice. Month: May, 2014. May 30, 2014. Light and Translucency in Art: Examples from the Early Medieval Period to the Present. Or ‘ Rarely Seen Rothkos Highlight Harvard Art Museums’ Reopening’. Rothko famously gave great attention to the way light operated in installations of his work. The ‘suggestions’ he gave to the Whitechapel Gallery in 1961. Whitechapel Gallery Archives, document from Mark Rothko. Thomas Gainsborough, oil on glass. Century a...
About | Doctus Artifex
https://sharonlacey.wordpress.com/about
A look at the history of artistic techniques and studio practice. The ‘learned artist’, or. Approach to art history. This blog is designed to be a forum for discussing these – and related – ideas. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Notify me of new comments via email.
There may be hope: two painting shows in Chelsea | Doctus Artifex
https://sharonlacey.wordpress.com/2014/06/17/there-may-be-hope-two-painting-shows-in-chelsea
A look at the history of artistic techniques and studio practice. There may be hope: two painting shows in Chelsea. 8220;The whole thing of should I paint or not, is painting dead of course it’s not.” That is a delightfully dismissive statement by Glenn Brown in an interview in 2009 in Art in America. Of course it’s not. It’s that simple, really, and the two painting shows I saw last weekend in Chelsea are a rousing testimony to the vivacity of oil paint: Glenn Brown at Gagosian. The works in the Gagosia...
June | 2014 | Doctus Artifex
https://sharonlacey.wordpress.com/2014/06
A look at the history of artistic techniques and studio practice. Month: June, 2014. June 20, 2014. Kentridge’s Refusal of Time X 3. And at the Metropolitan Museum in New York, NY. The first time I saw this piece was at dOCUMENTA 13 in Kassel, Germany. William Kentridge, Refusal of Time, 2012. William Kentridge, Refusal of Time, at dOCUMENTA 13, 2012. Features a metronomic beat, instrumentation, and spoken word, to convey the varied pace of the modern city and different manifestations of time. Kentri...
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Sharon Lacey
http://sharonlacey.com/section/343444-Figures.html
17 x 19 inches. 24 x 24 inches. 19 x 27 inches. 26 x 28 inches. 10 x 10 inches. 24 x 24 inches. 16 x 16 inches. 8 x 13 inches.
Sharon Lacey
http://sharonlacey.com/section/343442-Grey-Series.html
39 x 39 inches. 25 x 39 inches. 8 x 14 inches. 16 x 16 inches. 18 x 18 inches. 9 x 9 inches. 6 x 8 inches. 8 x 10 inches.
Sharon Lacey
http://sharonlacey.com/section/367858-Idylls-Heads.html
30 x 45 inches. 30 x 45 inches. 30 x 45 inches. 30 x 45 inches. 30 x 45 inches. 30 x 45 inches. 30 x 30 inches. 30 x 30 inches. 30 x 30 inches. 30 x 30 inches. 30 x 30 inches. Can Serrat, Barcelona (studio, works in progress). Can Serrat, Barcelona (studio, works in progress).
Sharon Lacey
http://sharonlacey.com/section/343445-Cruciforms-Abstract.html
30 x 30 inches. 34 x 34 inches. 13 x 21 inches. 15 x 10 inches. 23 x 23 inches. Black and White Crosses. 13 x 12 inches. 18 x 12 inches.
Sharon Lacey
http://sharonlacey.com/section/343415-Clusters.html
42 x 50 inches. 42 x 50 inches. 42 x 50 inches. 15 x 17 inches. 8 x 14 inches. 10 x 10 inches. 10 x 10 inches. Studio view, December 2015. 12 x 14 inches. 8 x 14 inches. 10 x 10 inches. 10 x 10 inches. 40 x 40 inches. Stove Factory, installation view, 2015. Stove Factory Gallery, installation view, 2015. Stove Factory installation, 2015.
Sharon Lacey
http://sharonlacey.com/section/175280-Drawings.html
Falling figure (British Museum study). Woman Hanging from a Gibbet, after Rembrandt. Excerpt from Samuel Beckett's Waiting for Godot, with video stills from a work in progress. Text, video stills. Raising of the Cross, after Rembrandt. 14 x 14 inches. Deposition, after Rembrandt. 14 x 10 inches. Graphite and chalk on handmade paper. Graphite and watercolor on handmade paper. Graphite on handmade paper. Graphite on handmade paper. 10 x 10 inches. Graphite on handmade paper. 10 x 10 inches. 24 x 20 inches.
Sharon Lacey
http://sharonlacey.com/links.html
This weblog is about the history of workshop and studio practices. Also, it will feature posts related to craft treatises and early writings on aesthetics. Porpentine is a Boston area theatre company founded by R. Nelson Lacey, Jon Taie and Sharon Lacey. A video interview project by artist Julie Green, featuring artists from China, US, and Netherlands. I am among the artists featured in this film. Art at SCAtv: Works by Sharon Lacey. Interview by Janet Cormier on Somerville Arts program 'Art at SCAtv'.
Sharon Lacey
http://sharonlacey.com/section/391235-Tanner-Apocalypse.html
Projection on calfskin vellum. Projection on calfskin vellum. Apocalypse Group 1 (after Ms Tanner 184). 30 x 22 inches. Apocalypse Group 3 (after Ms Tanner 184). 30 x 22 inches. Apocalypse Group 4 (after Ms Tanner 184). 30 x 22 inches. Apocalypse Group 2 (after Ms Tanner 184). 30 x 22 inches. 10 x 10 inches. 8 x 5 inches. 6 x 8 inches.
Sharon Lacey
http://sharonlacey.com/news.html
Sharon Lacey is a painter based in Boston, MA. She is from Charleston, SC, and was educated in Washington, New York, Oxford and London. Lacey’s art training has primarily focused on traditional techniques and materials, with particular emphasis on the human figure. Her imagery is invented, yet informed by art history. She uses traditional techniques to explore ideas about cultural continuity and shared human experiences throughout history. From 2003-2010 she taught painting, drawing, and contemporary art...
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sharonlabosse's blog - Blog de sharonlabosse - Skyrock.com
16/01/2010 at 3:49 AM. 27/08/2010 at 12:30 AM. Subscribe to my blog! Justin bieber ft sean kingston - eanny meanny.flv. Add this video to my blog. Don't forget that insults, racism, etc. are forbidden by Skyrock's 'General Terms of Use' and that you can be identified by your IP address (66.160.134.2) if someone makes a complaint. Please enter the sequence of characters in the field below. Posted on Saturday, 19 June 2010 at 4:24 AM. Justin Bieber Where are you now. Add this video to my blog. Don't forget...
Sharon Lacey
Most of my works are oil on linen. My interests include the human figure, the painting process, and art historical precedent. I use traditional materials and techniques in my work, with an interest in cultural continuity. Artistic methods from earlier periods, which have survived centuries, support images that convey universal aspects of the human condition (rather than those experiences specific to a particular time or place).
Doctus Artifex | A look at the history of artistic techniques and studio practice
A look at the history of artistic techniques and studio practice. July 28, 2014. 8216;Painting is what paint does’: Milton Resnick at Mana Contemporary. Milton Resnick’s paintings are arresting. The images are hard won. The surfaces are tactile and weighty. They have presence. A major survey exhibition of Resnick’s work on view at Mana Contemporary. Through August 8, 2014. This exhibition, Milton Resnick (1917-2004): Paintings and Works on Paper from the Milton Resnick and Pat Passlof Foundation. Given t...
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A FUNNY THING HAPPENED ON THE WAY TO DEMENTIA!
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Road Journal
Friday, January 13, 2012. Adventures in Africa: Part 13 - HARD WORK! Ugandans are some of the hardest working people I know. And they have more patience in their little finger than I will ever have in an entire lifetime. People in Portland and Seattle are renowned for riding their bikes to work. Saves money on gas and is kind to the environment. But what if riding your bike IS your work? Sharon Lacey - Comedian. Monday, January 2, 2012. Adventures in Africa: Part 12 - OBSERVATIONS. Things I LOVE about Ug...
sharonlaceycomedy.com - Looking for LAUGHTER, MOTIVATION, and a GREAT SPEAKER? You've come to the right place!
A FUNNY THING HAPPENED ON THE WAY TO DEMENTIA! Motivational Humorist / Keynote Speaker * Stand Up Comedian. Video Clips and Client Feedback. Corporate and Comedy Credits. LAUGHTER, MOTIVATION, and a GREAT SPEAKER. Youve come to the right place! Clean, smart humor and an inspiring true story. Life should be an adventure! What do you do when Alzheimers runs in your family and you fear you see early symptoms in yourself, too? Sharon Lacey didnt waste a single moment:. KEYNOTE and WORKSHOP TOPICS:.
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