macchina-ammazzacattivi.blogspot.com
The Machine That Kills Bad People: May 2010
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The Machine That Kills Bad People. Wednesday, May 19, 2010. Don't Fuck the Boss! A bourgeois man, his declasse mistress, early 1970s French-speaking Europe. To Eric Rohmer in his 1972 L'amour l'apres-midi. They provide the material for moral meditation in the final of his Six Moral Tales. Middle class taste (turtlenecks, a simple yet elegant Parisian office, sexual and emotional restraint) defines the world of protagonis t. Mainly in the variety of eccentric fashions displayed by the women. Is not- foreg...
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ShootingWall, Film Festival
http://www.shootingwall.com/filmfest
Views from the Underground. 3rd Annual Shooting Wall Film Festival. On Sunday May 4, 2014 at 2pm. Shooting Wall will hold its third annual film festival, again at PhilaMOCA. Like the previous festivals, it is completely free to attend and open to the public. This is a filmmaker centric festival committed to showing the most interesting, daring, and radical independently made cinema that we can find. Saxony by Alexis McCrimmon, 2:15. Quietly by Sarah Mourad, 10:40, Egyptian. Arriving in the village in 200...
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ShootingWall, Views from the Underground
http://www.shootingwall.com/underground
Views from the Underground. Views from the Underground. A monthly showcase of current Philadelphia independent filmmakers. Monday February 10, 2014. Jenny by Maggie Farley, 12 minutes. A young schizophrenic woman, Jenny, escapes a mental institution to visit her mother’s grave. On her journey, the real world and her delusions start to merge. Pen Up the Pigs by Kelly Gallagher, 12 minutes. Uncertain Relations by Joshua Martin, 97 minutes. A Philadelphia Based DIY Collective of Filmmakers, Theorists, Criti...
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ShootingWall, Views from the Underground 1/13/14 Lineup!
http://www.shootingwall.com/post/69820167861/views-from-the-underground-11314-lineup
Views from the Underground. Views from the Underground 1/13/14 Lineup! Greetings Soliders and Cinephiles,. We are happy to announce our lineup for the January 13, 2014 Views from the Underground. As usual, the screening will be held at 7pm at PhilaMOCA and is free and open to the public. We will be posting more details about the films soon! Check out the list of films below. Stay tuned for February’s lineup! Monday January 13, 2014. Perfect Thoughts by Doron Max Hagay, 50 minutes. Posted 2 years ago.
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ShootingWall, Sound
http://www.shootingwall.com/sound
Views from the Underground. Sex, Death, and the End of Cinema A Shooting Wall interview with Peter Greenaway. September 19, 2012. Be sure to check out our podcasts on Shooting Wall on I Tunes. A Philadelphia Based DIY Collective of Filmmakers, Theorists, Critics, and Cinephiles.
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ShootingWall
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Views from the Underground. Monday November 11, 2013 Views from the Underground Night 3. Greetings Soldiers and Cinephiles,. Night 3 of Views from the Underground is almost here! On Monday November 11, 2013, we will be holding another night of great films at PhilaMOCA. The screening starts at 7pm and is free and open to the public. There will be drinks and snacks and of course some great films! Check out the line up below. We hope to see everyone there! Buzz and Randy by Derick Crucius, 9 minutes. A Nana...
macchina-ammazzacattivi.blogspot.com
The Machine That Kills Bad People: Brief Cinema Notes on the Status of the Commodity in Post-Fordism
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The Machine That Kills Bad People. Thursday, February 10, 2011. Brief Cinema Notes on the Status of the Commodity in Post-Fordism. What is the status of the commodity, the bearer of exchange value, the embodiment of labor, and the means of capital circulation identified by Marx at the center of capitalism, today, when the categories and processes outlined in. Seem to be superseded and scrambled, decoded and recoded in a landscape aptly described as Post-fordist? These notes rely on 2 passages- from.
macchina-ammazzacattivi.blogspot.com
The Machine That Kills Bad People: September 2009
http://macchina-ammazzacattivi.blogspot.com/2009_09_01_archive.html
The Machine That Kills Bad People. Tuesday, September 15, 2009. I recently watched Milos Forman's Loves of a Blonde. 1967) for the first time, and although I've not viewed all his early output, I can safely say that the younger Czech director is the superior to the Hollywood prestige director. There's a case to be made for Forman as subversive, in his snarky early digs on Communist dogma and his later treatment of supposedly subversive material ( One Flew Over the Cuckoo's Nest. 1966), and Taking Off.
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