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FOLLOWING THE DEATH OF THE LITTLE PRINCE « Michela Pandolfi

http://www.michelapandolfi.com/portfolio/following-the-death-of-the-little-prince

FOLLOWING THE DEATH OF THE LITTLE PRINCE. A small album of memories. To find out what happened after the death of the little prince. Little cynical metaphors to discover the meaning of seeing with the eyes of the heart . FOLLOWING THE DEATH OF THE LITTLE PRINCE. Siii qui è tutto un travestimento! 10:27:51 AM June 11, 2013. In reply to CaroleSimonetti. Oggi al parco di villa ghirlanda del #mufoco. 08:31:20 AM June 11, 2013.

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WHO. WHERE. « Michela Pandolfi

http://www.michelapandolfi.com/portfolio/who-where

This series of ten pictures, taken from a project of Erwin Olaf. Is part of a larger study on the reinterpretation of images, through which I am conducting a research on the concept of identity: of the author, of the place and of the photograph. I seek to challenge the observer who will wonder, for example, who is the true author of the work, is it the original author or the one who has re-photographed and reworked the image. FOLLOWING THE DEATH OF THE LITTLE PRINCE. Siii qui è tutto un travestimento!

michelapandolfi.com

Michela Pandolfi

http://www.michelapandolfi.com/portfolio

FOLLOWING THE DEATH OF THE LITTLE PRINCE. FOLLOWING THE DEATH OF THE LITTLE PRINCE. Siii qui è tutto un travestimento! 10:27:51 AM June 11, 2013. In reply to CaroleSimonetti. Oggi al parco di villa ghirlanda del #mufoco. 08:31:20 AM June 11, 2013.

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About « Michela Pandolfi

http://www.michelapandolfi.com/about

8220;[.] questo libro è fatto col procedimento del romanzo nel romanzo, ma con un particolare rapporto tra contenitore e contenuto: il contenuto contiene, a sua volta, una terza scatola cinese o una terza matrioska, ossia un altro testo narrativo [.].”. Vittorio Strada, dalla prefazione de “Il Maestro e Margherita” di Michail Bulgakov, 2001. Roland Barthes, “La camera chiara – Nota sulla fotografia”, 1980. Michela attualmente vive a Milano e insegna al corso di Progettazione Multimediale della Naba.

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PEREIRA’S LONELINESS « Michela Pandolfi

http://www.michelapandolfi.com/portfolio/pereiras-loneliness

Photography is not a picture of reality. It is a real object. And I take pictures of pictures. Again and again. This approach also takes the form of my photographic narrative, where there is always the theme of photography re-photographed: Pereira’s Loneliness which takes its inspiration from the novel by Antonio Tabucchi, is one of the projects on which I worked. FOLLOWING THE DEATH OF THE LITTLE PRINCE. Siii qui è tutto un travestimento! 10:27:51 AM June 11, 2013. In reply to CaroleSimonetti.

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THIN LAYERS « Michela Pandolfi

http://www.michelapandolfi.com/portfolio/thin-layers

This project is to create a set of images, one inside the other in an almost concentric, that go to make a complete and composite. The project also aims layered installation where all the images of the same subject, from the smallest to the largest, are hung, coaxially aligned, on transparent, so as to overlap correctly when viewed only from the front position to match that used for create original images. This project is composed by three set of images and so three installations.

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THE ODDS « Michela Pandolfi

http://www.michelapandolfi.com/the-odds

Two identical cameras, perfectly aligned, facing the subject. One operated by a remote control in hand to the subject. The other driven by me, behind the lens. We try to take pictures at the same time. Sometimes we take the same time, sometimes in a few moments away, randomly and without premeditation. Born of the pair of portraits. And self-portraits. In which the meaning of authorship is distorted. Where – sometimes almost invisible – the difference is the key. FOLLOWING THE DEATH OF THE LITTLE PRINCE.

michelapandolfi.com

THE ODDS « Michela Pandolfi

http://www.michelapandolfi.com/portfolio/the-odds

Two identical cameras, perfectly aligned, facing the subject. One operated by a remote control in hand to the subject. The other driven by me, behind the lens. We try to take pictures at the same time. Sometimes we take the same time, sometimes in a few moments away, randomly and without premeditation. Born of the pair of portraits. And self-portraits. In which the meaning of authorship is distorted. Where – sometimes almost invisible – the difference is the key. FOLLOWING THE DEATH OF THE LITTLE PRINCE.