simonocarrigan.com.au
Simon O'Carrigan → The Drowned World, 2008
http://www.simonocarrigan.com.au/category/artwork/projects/the-drowned-world-2008
Feature Article, 28 March 2010. Explores tropes and motifs found in the work of J.G. Ballard. It is edited and published by Simon Sellars. The website ran a feature article covering a few different bodies of work I had produced, interspersed with excerpts from my honours thesis and quotes from J.G. Ballard’s novel. Which had, in large part, inspired my work. You can read the full article here. Oil on canvas and acetate 76 x 51 cm. Mixed media on paper, 30 x 60 cm. The Drowned World, 2008: Works On Paper.
ballardian.com
Ballardian » J.G. Ballard Bibliography
http://www.ballardian.com/jg-ballard-bibliography
News appropriate to this site . Receive automatic email updates. Bull; Oct 17th, 2006 •. I’ve reproduced publishers’ synopses and added links to essays and reviews for most works; many thanks to Rick McGrath. Directly if you’d like to write something more substantial. In the near future, I’ll add a filmography, covering short films and documentaries alongside the major feature-film adaptations, as well as an artography, covering Ballard’s exhibitions and visual work. The Wind from Nowhere. Are you going ...
sauer-thompson.com
Junk for Code : Bill Henson #5: censored images
http://www.sauer-thompson.com/junkforcode/archives/2008/05/-bill-hensson.html
Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http:/ www.mandy-martin.com/. If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective. Australian photography: Bruno Bernini. Photography: indexical and iconic. Ampersand magazine: Capture the Fade. Australian photography: Katrina Koenning. London: paying the price.
speculativefictions.weebly.com
l i n k s - S P E C U L A T I V E F I C T I O N S
http://speculativefictions.weebly.com/l-i-n-k-s.html
EDUARDO PAOLOZZI AT NEW WORLDS. By David Brittain [ Savoy 2013 ]. A highly recommended beautifully presented book on New Worlds and the interrelationship between art and speculative fiction / science fiction in the sixties. Contemporary arts magazine published by Michael Butterworth. Of particular interest to SF readers are the excellent articles in issue 2. DOES THE ANGLE BETWEEN TWO WALLS HAVE A HAPPY ENDING: Britain's. THE FINE ART ART OF SCIENCE FICTION: IVAN and HEATHER MORISON. Adj) 1. of James...
deliver.ch
Infrastructure as Architecture
http://www.deliver.ch/index_iaa.html
To reserve a copy please write to reserve@infrastructureasarchitecture.com). Kurfürstrasse Berlin 15/16. 24 x 17 cm. 3:00 - 6:00 pm. Architecture as Public Work. Los Angeles. Professor of architecture andurban design at the University of California. Foundingdirector of CityLAB. Toronto. Founded in 2003 by Mason White and Lola Sheppard Lateral Office. Pamphlet Architecture #30, Coupling: Strategies for Infrastructural Opportunism. Geoffrey Thun and Kathy Velikov. Do Architects Dream of Green Islands?
ballardian.com
Ballardian » The 032c Interview: Simon Reynolds on Ballard, part 2
http://www.ballardian.com/the-032c-interview-simon-reynolds-on-ballard-part-2
News appropriate to this site . Receive automatic email updates. The 032c Interview: Simon Reynolds on Ballard, part 2. Bull; Dec 7th, 2009 •. Philip K. Dick. 8216;Magisterial, precise, unsettling’: Simon Reynolds on JG Ballard. Interview by Simon Sellars. In the wake of J.G. Ballard’s passing, Berlin’s 032c magazine. Asked me to rework my 2007 Simon Reynolds interview. I put some new questions to Simon, and here is the result…. Do you still return to his work? Penguin used to do these great science fict...
liminalcity.com
The geometrical ghosts of field patterns | liminal city
https://liminalcity.com/2013/03/03/the-geometrical-ghosts-of-field-patterns
Landscape and the space between. The geometrical ghosts of field patterns. Posted by liminal city. March 3, 2013. The hedge shake, the last living rose quiver. When I first met my partner Sarah she used a phrase I’d never heard before to describe those numerous marginal paths that criss-cross our grey cities, ‘. 8216; Defined as ‘. A narrow, pedestrian, passageway in a residential area, between high brick walls, wooden fences, hedges, etc.’. Night gitty Sarah Wainwright. And remarks that the term was.
simonocarrigan.com.au
Simon O'Carrigan → Elisions, 2007
http://www.simonocarrigan.com.au/category/artwork/projects/elisions
Feature Article, 28 March 2010. Explores tropes and motifs found in the work of J.G. Ballard. It is edited and published by Simon Sellars. The website ran a feature article covering a few different bodies of work I had produced, interspersed with excerpts from my honours thesis and quotes from J.G. Ballard’s novel. Which had, in large part, inspired my work. You can read the full article here. Oil on canvas and acetate 76 x 51 cm. Mixed media on paper, 30 x 60 cm. Oil on canvas 61 x 61 cm. The Woods, 2007.
ballardian.com
Ballardian » J.G. Ballard Bookshop
http://www.ballardian.com/jg-ballard-bookshop
Dr Nathan turned to Webster with a smile. ‘One looks forward to the day when the General Theory of Relativity and the Principia will outsell the Kama Sutra in back-street bookshops.’. JG Ballard. The Atrocity Exhibition. 169; 2016 Ballardian. Site hacked by Simon Sellars,.
sauer-thompson.com
Junk for Code : Angus O’Callaghan: yesterday's Melbourne
http://www.sauer-thompson.com/junkforcode/archives/2011/10/angus-ocallagha.html
Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http:/ www.mandy-martin.com/. If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective. Australian photography: Bruno Bernini. Photography: indexical and iconic. Ampersand magazine: Capture the Fade. Australian photography: Katrina Koenning. London: paying the price.
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