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人文普及學會

12304;美學筆記】Frank Sibley 論美感起源/Ethelred. 12304;美學筆記】Frank Sibley 論美感起源/ Ethelred. 12300;美感是來自藝術品還是自然事物?」Frank Sibley 在他的文章 “Arts or the Aesthetic –which Comes First? 8221; 嘗試處理這個美感起源的問題:. The question I want to raise here is about the genesis of the concept of the aesthetic. Where does it originate? Do human beings derive the notion of aesthetic experience from the arts and the work of artists, or would aesthetic experience be possible, perhaps in relation to natural objects, even if there were no art?

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人文普及學會 | simplyhumanitiessociety.blogspot.com Reviews
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12304;美學筆記】Frank Sibley 論美感起源/Ethelred. 12304;美學筆記】Frank Sibley 論美感起源/ Ethelred. 12300;美感是來自藝術品還是自然事物?」Frank Sibley 在他的文章 “Arts or the Aesthetic –which Comes First? 8221; 嘗試處理這個美感起源的問題:. The question I want to raise here is about the genesis of the concept of the aesthetic. Where does it originate? Do human beings derive the notion of aesthetic experience from the arts and the work of artists, or would aesthetic experience be possible, perhaps in relation to natural objects, even if there were no art?
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人文普及學會 | simplyhumanitiessociety.blogspot.com Reviews

https://simplyhumanitiessociety.blogspot.com

12304;美學筆記】Frank Sibley 論美感起源/Ethelred. 12304;美學筆記】Frank Sibley 論美感起源/ Ethelred. 12300;美感是來自藝術品還是自然事物?」Frank Sibley 在他的文章 “Arts or the Aesthetic –which Comes First? 8221; 嘗試處理這個美感起源的問題:. The question I want to raise here is about the genesis of the concept of the aesthetic. Where does it originate? Do human beings derive the notion of aesthetic experience from the arts and the work of artists, or would aesthetic experience be possible, perhaps in relation to natural objects, even if there were no art?

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1

三月 2015 ~ 人文普及學會

http://www.simplyhumanitiessociety.blogspot.com/2015_03_01_archive.html

12298;甚麼也沒有改變──漫談辛波絲卡的影響兼及政治諷喻詩》/鍾國強. 12298;甚麼也沒有改變──漫談辛波絲卡的影響兼及政治諷喻詩》/ 鍾國強. 不知不覺,辛波絲卡(Wislawa Szymborska)已經離開我們兩年了。但她的詩,還在繼續發揮深遠的影響。很多時在報章副刊,在文學雜誌,以至在詩友的臉書上,都會讀到她的幾行詩,或充滿睿智的說話。在華文詩界,她的詩被引述的次數可能是最多的,至少在這十年間如是,即使把我們熟悉的當代華文詩人算進去,相信她也稍勝一籌。 是的,甚麼也沒有改變:她的魅力、影響力、受歡迎的程度……  . 香港雨傘運動爆發後,我很多時候都會想起辛波絲卡,想起她的詩如何對應施諸人間的種種專權和醜惡,施諸命運的種種無常和悲哀。雖然辛波絲卡說她的詩嚴格來說並非「政治詩」,而只是關於「人」與「生命」,但我們讀她的詩,始終動容於那種深刻的悲憫與同情,那種跟周遭生活割裂不了的、命運與...是的,「非政治詩都是政治詩」。我們活在這個年代實在無從擺脫政治與無遠弗屆、無孔不入的權力運作。有人在雨傘運動期間鼓吹甚麼...身體翻滾,搖晃,拖拉,. 這些有關「折磨」的描述&...是的,我...

2

四月 2015 ~ 人文普及學會

http://www.simplyhumanitiessociety.blogspot.com/2015_04_01_archive.html

12304;美學筆記】Frank Sibley 論美感起源/Ethelred. 12304;美學筆記】Frank Sibley 論美感起源/ Ethelred. 12300;美感是來自藝術品還是自然事物?」Frank Sibley 在他的文章 “Arts or the Aesthetic –which Comes First? 8221; 嘗試處理這個美感起源的問題:. The question I want to raise here is about the genesis of the concept of the aesthetic. Where does it originate? Do human beings derive the notion of aesthetic experience from the arts and the work of artists, or would aesthetic experience be possible, perhaps in relation to natural objects, even if there were no art?

3

突擊測驗悖論(The Surprise test paradox)/楊梓燁 ~ 人文普及學會

http://www.simplyhumanitiessociety.blogspot.com/2015/04/the-surprise-test-paradox.html

突擊測驗悖論(The Surprise test paradox)/楊梓燁. 突擊測驗悖論(The Surprise test paradox)/ 楊梓燁. 設想某天課堂裡,老師宣佈下星期的某個上課日(星期一至星期五)舉行測驗,而且大家預料不到這個測驗將在哪一天舉行。不過,有個學生阿捷聽到這宣佈後,卻試圖從這宣佈進行推論,去預測哪一天會舉行這場測驗。有趣的是,阿捷得出了驚奇的結論:「下星期不可能舉行這場測驗。」. 1 如果這場測驗是在星期五舉行,那麼在這前一天晚上,亦即是星期四,我可以預料到星期五會舉行。但根據老師的宣佈,這個測驗是我預料不到在哪一天舉行,於是形成矛盾,因此這場測驗不可能是在星期五舉行。(這推論形式為 歸謬法. 面對這個悖論,也許有人認為,預料不到的測驗當然可能在下星期的其中一天舉行。所以,如果阿捷推論出下星期不可能有這場測驗,那麼阿捷應該不要相信老師的宣佈,那就沒有理由根據老師的宣佈作出推論。悖論應該取消。 不過,在當代不少哲學家都視它為知識論的一種悖論。他們主張「一個測驗是大家預料不到」的意思是「大家無法預先 知道. 訂閱: 張貼留言 (Atom). McTaggart 悖論&#65...

4

十二月 2014 ~ 人文普及學會

http://www.simplyhumanitiessociety.blogspot.com/2014_12_01_archive.html

從《FURY》看坦克發展及盟軍軍紀 /Martin Yim. 12299;看坦克發展及盟軍軍紀 / Martin Yim. From: http:/ www.hdwallpapers.in/fury movie-wallpapers.html. 近來上映的二戰電影之中,提及盟軍西線作戰就只有一套—《 FURY. 12299;。電影時空為一九四五年,講述美軍的坦克連隊於法德邊境推進,驅逐德軍的故事。本文以電影為本,分析坦克起源,坦克戰術運用,以及盟軍軍紀。 65289;為主軸線來連貫整個故事。究竟坦克這種新穎武器從何而來? 這必須上溯至一次大戰。德國在開戰初期略占上風。興登堡與魯登道夫率軍於坦能堡會戰擊退俄軍,同時,德國陸軍於馬恩河會戰失利,經過修改的希里芬計劃( Schlieffen Plan. 65289;與漢基( Colonel Henkel. 65289;。兩人以豪爾特曳引機( Holt tractor. 65289;為本,設計一輛具裝甲保護,輔有機槍,能夠突破戰壕及鐵絲網的戰車,並制訂備忘錄提交英軍總部 [ii]. 12290;最後為了保密,則以坦克( Tank. 兩旁的戰車欲先發制人&#652...

5

十一月 2014 ~ 人文普及學會

http://www.simplyhumanitiessociety.blogspot.com/2014_11_01_archive.html

從《山本五十六》看日本帝國的盛衰/ Martin Yim. 從《山本五十六》看日本帝國的盛衰/ Martin Yim. 近來,有關二戰電影先後上映。其中,由役所廣司主演的《山本五十六》所包含的元素甚為廣泛。本文嘗試以戰時政府取態,三國同盟,對美作戰來分析日本帝國急速澎漲至衰敗的成因。 此戲初段,記者質問山本為何不支持三國同盟,提醒他小心被謀殺,還表明建立大東亞共同體的構想。究竟日本政府的取態為何有此轉變?這必須上溯四十多年前日清戰爭。此戰日本盡得好處,既有大額賠款可用於擴軍,發展重工業,又拓展殖民地,與列強換約,使這個新興國得入列強之林。十年後,日俄戰爭爆發,陸戰上兩軍成和局,在海戰上,俄國的遠東艦隊在對馬海峽幾近滅絕。雖然,此戰日本所獲甚少,卻鼓舞當時的民族思潮,也暫援隱而未發的經濟危機。 這兩場戰爭令日人深信明治維新的成果,使其重拾自信,又認為此模式可以複製在中國,朝鮮上,以指導者身份建立「大東亞共同體」 [i]. 65292;引發海軍對政府的不信任。電影中也有提及此事,山本則對此持相反意見,不贊成「艦隊派」的主張。 阿部信行,米內光政先後組閣,為了解決日中戰爭的困局&#...基於戰事內閣的命令&#...

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12304;美學筆記】Frank Sibley 論美感起源/Ethelred. 12304;美學筆記】Frank Sibley 論美感起源/ Ethelred. 12300;美感是來自藝術品還是自然事物?」Frank Sibley 在他的文章 “Arts or the Aesthetic –which Comes First? 8221; 嘗試處理這個美感起源的問題:. The question I want to raise here is about the genesis of the concept of the aesthetic. Where does it originate? Do human beings derive the notion of aesthetic experience from the arts and the work of artists, or would aesthetic experience be possible, perhaps in relation to natural objects, even if there were no art?

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