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Sinéad Rushe

Sinéad Rushe is a theatre director, teacher and performer based in London. She works both as a freelance director, as artistic director of theatre company out of Inc. And as a teacher and director on BA Acting CDT, Central School of Speech and Drama, London. Her work privileges the actor and the craft of acting alongside an exploration of form and the live event. She is inspired by the methods of Michael Chekhov and Vsevolod Meyerhold (Biomechanics). How to be present: part 2. Diary of a Madman in Armenia.

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Sinéad Rushe | sineadrushe.co.uk Reviews

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Sinéad Rushe is a theatre director, teacher and performer based in London. She works both as a freelance director, as artistic director of theatre company out of Inc. And as a teacher and director on BA Acting CDT, Central School of Speech and Drama, London. Her work privileges the actor and the craft of acting alongside an exploration of form and the live event. She is inspired by the methods of Michael Chekhov and Vsevolod Meyerhold (Biomechanics). How to be present: part 2. Diary of a Madman in Armenia.

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Sinéad Rushe | sineadrushe.co.uk Reviews

https://sineadrushe.co.uk

Sinéad Rushe is a theatre director, teacher and performer based in London. She works both as a freelance director, as artistic director of theatre company out of Inc. And as a teacher and director on BA Acting CDT, Central School of Speech and Drama, London. Her work privileges the actor and the craft of acting alongside an exploration of form and the live event. She is inspired by the methods of Michael Chekhov and Vsevolod Meyerhold (Biomechanics). How to be present: part 2. Diary of a Madman in Armenia.

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sineadrushe.co.uk

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Diary of a Madman in Armenia | Sinéad Rushe

http://www.sineadrushe.co.uk/diary-of-a-madman-in-armenia

Diary of a Madman in Armenia. Diary of a Madman. Is performing at the High Fest International Performing Arts Festival in Yerevan, Armenia, October 2014. An adaptation of Gogol’s short story, it is a Living Pictures and Cegin production, performed by Robert Bowman. For more information see productions. Out of Time: 100 performances! Madman returns to Edinburgh Fringe →.

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How to be present: workshop | Sinéad Rushe

http://www.sineadrushe.co.uk/how-to-be-present-workshop

How to be present: workshop. How to be present: the actor and audience. A workshop for actors and directors. Actor’s Centre, London. 1A Tower St, London WC2H 9NP. Michael Chekhov states that the actor must love her audience, yet often we ignore the audience, or are afraid of them. But what if we were to really work with the actual audience as an active part of our practice? Biomechanics workshop, Macau, China →.

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Past workshops | Sinéad Rushe

http://www.sineadrushe.co.uk/past-workshops

2016 (1/2 day): Michael Chekhov Technique for Theatre Design. Michael Chekhov in the Twenty-First Century: New Pathways. Three day Symposium at Goldsmith’s College, London. 2016 (4 days): Michael Chekhov masterclass. The Street Theatre. Canberra, Australia. Playtext:. 2016 (2 days): Michael Chekhov masterclass. Victoria College of the Arts. Melbourne, Australia. Playtext:. 2016 (1 day). Michael Chekhov masterclass. Australia National University Theatre, Canberra, Australia. Playtext:. 2014 (4 days): An E...

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Biomechanics workshop, Macau, China | Sinéad Rushe

http://www.sineadrushe.co.uk/biomechanics-workshop-macau-china

Biomechanics workshop, Macau, China. Sinéad was invited to teach a week’s workshop for performers in Macau, China from 23-26 July 2014. It was an exploration of Meyerhold’s Biomechanics and was hosted by Dirks Theatre. Photos by Ms Winter. How to be present: workshop. Out of Time: 100 performances!

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How to be present: part 2 | Sinéad Rushe

http://www.sineadrushe.co.uk/how-to-be-present-part-2

How to be present: part 2. The actor and the audience. A follow-up workshop for actors and directors. Royal Central School of Speech and Drama, London. Supported by Royal Central research department and International Centre for Voice. Please get in touch via the contacts page if you would like to participate. Madman returns to Edinburgh Fringe. Loaded R & D →.

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thebonestheatre.blogspot.com

The Bones Theatre: Michael Chekhov workshop

http://thebonestheatre.blogspot.com/2010/05/michael-chekhov-workshop.html

Nor do people light a lamp and put it under a basket,. But on a stand, and it gives light to all in the house. Bulgakovs Table: Etudes from Master and Margarita. View my complete profile. Sunday, 9 May 2010. The Michael Chekhov technique is a psycho-physical approach to acting. A) the psycho-physical exercises which form the basis of Chekhov’s work and. B) how to approach characterisation using imagination, qualities and atmosphere. We draw on the text of Lorca’s Blood Wedding. She teaches the technique ...

thebonestheatre.blogspot.com

The Bones Theatre: May 2010

http://thebonestheatre.blogspot.com/2010_05_01_archive.html

Nor do people light a lamp and put it under a basket,. But on a stand, and it gives light to all in the house. Bulgakovs Table: Etudes from Master and Margarita. View my complete profile. Saturday, 29 May 2010. 24th to 27th of May 2010. In the mornings Przemek Wasilkowski. Leads an actors physical “artistic” training using methods pioneered by Grotowski where energetic movement scripts are employed in awakening awareness and the release of inner action. It’s actors training. Written by two theatre profes...

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People | Michael Chekhov UK

http://www.michaelchekhov.org.uk/people

Tom Cornford is a theatre director, writer and scholar. He is a Lecturer in the Department of Theatre, Film and Television at the University of York and is co-artistic director with Hannah Davies of The Common Ground Theatre Makers Ltd. He has taught actors and directors for The Guthrie Theater, Minneapolis; Shakespeare’s Globe; The Royal Conservatoire of Scotland and the Fachhochschule, Osnabrück in Germany. The Michael Chekhov Acting Technique: A Practitioner’s Guide.

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Sinéad Rushe

Sinéad Rushe is a theatre director, teacher and performer based in London. She works both as a freelance director, as artistic director of theatre company out of Inc. And as a teacher and director on BA Acting CDT, Central School of Speech and Drama, London. Her work privileges the actor and the craft of acting alongside an exploration of form and the live event. She is inspired by the methods of Michael Chekhov and Vsevolod Meyerhold (Biomechanics). How to be present: part 2. Diary of a Madman in Armenia.

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