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Sounding Spaces

Sounding Spaces - Vasco Carvalho 2009.

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jose Carvalho

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po●●to , 4050-372

PT

351.●●●●1876
va●●●●●@gmail.com

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jose Carvalho

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po●●to , 4050-372

PT

351.●●●●1876
va●●●●●@gmail.com

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Sounding Spaces | soundingspaces.org Reviews
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Sounding Spaces - Vasco Carvalho 2009.
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Sounding Spaces | soundingspaces.org Reviews

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Sounding Spaces - Vasco Carvalho 2009.

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1

Sounding Spaces

http://www.soundingspaces.org/cv.html

José Vasco Barroco Carvalho. Licenciado em Som e Imagem, pela Universidade Católica Portuguesa, completou a licenciatura na área de especialização de Som tendo desenvolvido trabalho em duas vertentes principais, som para cinema e interacção de media. Actualmente é pós-graduado em arte e multimédia na Faculdade de Belas Artes da Universidade do Porto e investigador residente no CITAR (Centro de Investigação de Ciência e Tecnologia das Artes). Sounding Spaces - Vasco Carvalho 2009.

2

Sounding Spaces

http://www.soundingspaces.org/res.html

Com o expandir das cidades e consequente crescimento físico das mesmas, surgiu a necessidade de pensar o estético no espaço público. Desde sempre a arte pública foi usada como elemento agregador local, da memória colectiva, numa função estética e perene. Hoje em dia, este contexto foi-se alterando e a arte pública surge agora como mais um elemento globalizador que procura o indivíduo em primeira instância. Surge a arte pública como elemento potenciador da experiência e do indivíduo. Pretende ser uma cons...

3

Sound Spaces

http://www.soundingspaces.org/apl.html

A aplicação também pode funcionar de forma autónoma da escultura relacionando d uas aplicações à distância e com capacidade de estimulo de intercâmbio sonoro. Sounding Spaces - Vasco Carvalho 2009.

4

Sounding Spaces

http://www.soundingspaces.org/fun.html

A estrutura do protótipo está pensada para reflectir o conceito base de repetição, seriação e interacção. O esqueleto da peça é constituído por três paralelepípedos em madeira mdf iguais e sobrepostos, com um ecrã de toque acoplado ao paralelepípedo superior. Plano 3D da peça. Estas dimensões foram pensadas para que a peça não constituísse um obstáculo visual da envolvente e para que permitisse a utilização aos diferentes espectadores com diferentes estaturas em conforto. Este revestimento transforma a p...

5

Sounding Spaces

http://www.soundingspaces.org/cre.html

Gostava de começar por agradecer ao meu orientador o Professor Heitor Alvelos pelo incentivo e exemplo proporcionado, tanto a mim como aos meus colegas do mestrado em Arte e multimédia. Gostava de agradecer à Universidade Católica Portuguesa, em especial ao co-orientador Professor Carlos Sena Caíres, pelo acompanhamento e contributo para esta dissertação. Sounding Spaces - Vasco Carvalho 2009.

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