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stijn hüwels

stijn hüwels Like many others in the field of minimal and ambient music, Belgium-based Stijn Hüwels (°1978) is a self-taught musician who has been experimenting with sounds and instruments for a long time before actually sharing the results. A profound fascination for minimalism and photography have always seeped into his instrumental music as well. I remember how we were standing on Chesil Beach, we hardly said a word, released 17 September 2012 1. I remember how we were standing on Chesil Beach, we hardly

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stijn hüwels | steiner.bandcamp.com Reviews

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stijn hüwels Like many others in the field of minimal and ambient music, Belgium-based Stijn Hüwels (°1978) is a self-taught musician who has been experimenting with sounds and instruments for a long time before actually sharing the results. A profound fascination for minimalism and photography have always seeped into his instrumental music as well. I remember how we were standing on Chesil Beach, we hardly said a word, released 17 September 2012 1. I remember how we were standing on Chesil Beach, we hardly

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stijn hüwels | steiner.bandcamp.com Reviews

https://steiner.bandcamp.com

stijn hüwels Like many others in the field of minimal and ambient music, Belgium-based Stijn Hüwels (°1978) is a self-taught musician who has been experimenting with sounds and instruments for a long time before actually sharing the results. A profound fascination for minimalism and photography have always seeped into his instrumental music as well. I remember how we were standing on Chesil Beach, we hardly said a word, released 17 September 2012 1. I remember how we were standing on Chesil Beach, we hardly

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Rehearsal Bootleg | -Steiner.

http://steiner.bandcamp.com/music

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Recorded at Rooz Rehearsals. 1 Some kind of a thing. 2 Down at the NFT. 3 Mad Bad Trixie. Released February 8, 2017. Feed for this artist. Switch to mobile view.

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microambientreview.blogspot.com

The micro-ambient review: February 2011

http://microambientreview.blogspot.com/2011_02_01_archive.html

Reviewing micro ambient, minimalist and contemporary sound design releases from around the world. The album begins with the track 'Calm'. Faint high frequency single note threads shimmer into life. Glitch based fragments and recorded sounds of what seems to be fast moving air , maybe created by the sax carefully fade in. This bed of revolving micro sounds creates a nice theme for the actual instrumentation to sit over, as the listener can contemplate the sax in a new setting and context. The middle secti...

microambientreview.blogspot.com

The micro-ambient review

http://microambientreview.blogspot.com/2011/02/steiner-untitled-self-release-using.html

Reviewing micro ambient, minimalist and contemporary sound design releases from around the world. Using solo electric guitar, effects pedals, e-bow and a trusty laptop Steiner creates a warm textured 26minute composition.The track was made in August 2010 during a 'sleepless night' the artist recalls. And with this in mind a definite feeling of calm, reflective introspection comes through on the opening moment's of untitled. Capturing the relaxed and nocturnal mood of the night time. MACHINEFABRIEK APOLLO...

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I remember how we were standing on Chesil Beach, we hardly said a word. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. I remember how we were standing on Chesil Beach, we hardly said a word. A spacecraft called Friendship. Released as a limited CDr, september 2012. Sold out. Still available as a download. We were standing on Chesil Beach, the sound of the waves breaking on the pebbles was overwhelming. Released 17 September 2012.

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