stevenmaes.eu

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Most of the time, you’ll find me in a studio, a mobile recording facility or on location in all kinds of venues. My main activity is recording classical music, from solo’s to a chamber orchestra over a huge symphonic orchestra with choir. Although I look for the ultimate recording, I’m not a narrow-minded specialist, and I believe in cross-overs of any kind. For instance using techniques known as “ typically classic” in other genres and vice versa, as I also record pop, rock and jazz.

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Welcome | stevenmaes.eu Reviews

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Most of the time, you’ll find me in a studio, a mobile recording facility or on location in all kinds of venues. My main activity is recording classical music, from solo’s to a chamber orchestra over a huge symphonic orchestra with choir. Although I look for the ultimate recording, I’m not a narrow-minded specialist, and I believe in cross-overs of any kind. For instance using techniques known as “ typically classic” in other genres and vice versa, as I also record pop, rock and jazz.

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Welcome | stevenmaes.eu Reviews

https://stevenmaes.eu

Most of the time, you’ll find me in a studio, a mobile recording facility or on location in all kinds of venues. My main activity is recording classical music, from solo’s to a chamber orchestra over a huge symphonic orchestra with choir. Although I look for the ultimate recording, I’m not a narrow-minded specialist, and I believe in cross-overs of any kind. For instance using techniques known as “ typically classic” in other genres and vice versa, as I also record pop, rock and jazz.

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stevenmaes.eu

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Philosophy

http://www.stevenmaes.eu/styled/index.html

The first order of business with a recording is to find the right location and a recording style that suits a particular music genre. Like a violinist who spends ages looking for the perfect bow, we go out of our way to find the ideal microphone,. That elusive cable or the ultimate recording equipment. Without exaggerating in the use of high technoloy, we aspire to the highest quality norms every single day. High sample frequencies and top-of-the-line remote preamplifiers do the rest. Which leads to unst...

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mastering

http://www.stevenmaes.eu/styled-2/index.html

2015 steven Contact Me.

3

Welcome

http://www.stevenmaes.eu/index.html

On a somewhat less classical note, he did various projects like the cd recording and sounddesign for the music theater production Luna from the tree which won the "Gouden Uil 2001" and had his premiere in New York on Broadway in 2005. In 2004 he was in London recording and mixing 50 years Fender Stratocaster in Wembley Arena for the BBC. That year he also mixed for ABC and the Portuguese TV the biggest live festival on the continent ever: "Rock in Rio Lisboa 2004”. 2015 steven Contact Me.

4

classic

http://www.stevenmaes.eu/blog/index.html

A beautifull reward for a recording we have made with the Flemish Radio Choir, Brussels Philharmonic, Hervé Niquet and Palazzetto Bru zane! Http:/ www.echoklassik.de/en/klassik-operneinspielung-19-jh-2016/. Linus Roth - London Symhony Orchestra. And maestro Thomas Sanderling. A restored 18th-century church in Londen. On the program: Shostakovich second violin concerto and Tchaikovsky violin concerto. The result will be a 5.1 SACD for. Recording Dido and Aeneas with Fabio Bonizzoni and La Risonanza.

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Welcome

Most of the time, you’ll find me in a studio, a mobile recording facility or on location in all kinds of venues. My main activity is recording classical music, from solo’s to a chamber orchestra over a huge symphonic orchestra with choir. Although I look for the ultimate recording, I’m not a narrow-minded specialist, and I believe in cross-overs of any kind. For instance using techniques known as “ typically classic” in other genres and vice versa, as I also record pop, rock and jazz.

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