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MUS 119 Blog

Sunday, November 29, 2009. Listening Blog #23 – “Party in the Rain” – Eve feat. Mashonda. Instrumentation: Vocals (Eve), beats (drum kit, trumpet, piano, and electric guitar riffs , and electronic beats – even “laser” sound effects). This song is presented in strophic form – Eve raps during the verse, while Mashonda sings a melodic refrain during the chorus. Once again, rhythm (and the way in which it is layered) is the primary aspect of the song. Overall, the song is very highly pitched – due to t...

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Sunday, November 29, 2009. Listening Blog #23 – “Party in the Rain” – Eve feat. Mashonda. Instrumentation: Vocals (Eve), beats (drum kit, trumpet, piano, and electric guitar riffs , and electronic beats – even “laser” sound effects). This song is presented in strophic form – Eve raps during the verse, while Mashonda sings a melodic refrain during the chorus. Once again, rhythm (and the way in which it is layered) is the primary aspect of the song. Overall, the song is very highly pitched – due to t...
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MUS 119 Blog | stparkformus119atscr.blogspot.com Reviews

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Sunday, November 29, 2009. Listening Blog #23 – “Party in the Rain” – Eve feat. Mashonda. Instrumentation: Vocals (Eve), beats (drum kit, trumpet, piano, and electric guitar riffs , and electronic beats – even “laser” sound effects). This song is presented in strophic form – Eve raps during the verse, while Mashonda sings a melodic refrain during the chorus. Once again, rhythm (and the way in which it is layered) is the primary aspect of the song. Overall, the song is very highly pitched – due to t...

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MUS 119 Blog: September 2009

http://stparkformus119atscr.blogspot.com/2009_09_01_archive.html

Wednesday, September 23, 2009. Listening Blog #5 – “The Thriller! Rag” – May Frances Aufderheide. The texture of the song is homophonic: a solitary melodic line with accompanying chords moving simultaneously. For a song with only one instrument, the texture is very thick: this is due to the interplay between the left and right hand parts –maybe they are playing complementary parts of the same chord? I’m not exactly sure. Also, one of the chord progressions near the end goes pretty low. Other: The timbre ...

2

MUS 119 Blog: October 2009

http://stparkformus119atscr.blogspot.com/2009_10_01_archive.html

Thursday, October 29, 2009. Listening Blog #13 – “Woodstock” – Joni Mitchell (1969). Instrumentation: Voice (Mitchell and background), and some sort of synth/electric piano. Texture: The texture is that of melody (Mitchell) and accompaniment (the electric piano). The song begins with an electric piano solo, which immediately gives the song an unusual and hauntingly mysterious tone. When Mitchell joins the song, her voice has a similarly haunting, eerie quality to it. While at some points Mitchell sings m...

3

MUS 119 Blog: Listening Blog #16 – “When Will I Be Loved” – Linda Ronstadt (1975)

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Wednesday, November 4, 2009. Listening Blog #16 – “When Will I Be Loved” – Linda Ronstadt (1975). Instrumentation: Vocals (Ronstadt and backup), electric guitar, electric bass, drums. Form: Strophic, as is often the case with popular music. Ronstadt concludes each verse by restating “When will I be loved” in order to drive home the songs main point. This song was originally recorded by The Everly Brothers, who played country-influenced rock-and-roll. However, there is also a strong rock presence: the ele...

4

MUS 119 Blog: EXTRA CREDIT LISTENING BLOG #2 – “Bi Furu” – Oumou Sangaré (http://www.youtube.com/watch?v=AXmA_MasLMk)

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Thursday, November 5, 2009. EXTRA CREDIT LISTENING BLOG #2 – “Bi Furu” – Oumou Sangaré (http:/ www.youtube.com/watch? Sangar é and chorus), percussion (shakers and a hand-clapping interlude, a guitar (or a similar instrument), and a high-pitched stringed instrument (maybe a violin? Timbre: The timbre of the song largely revolved around. Sangar é’s voice and her chorus of women. Their singing was pitched much higher, and had an unusual-sounding (to me, as a listener of Western music) timbre to it. Sangar ...

5

MUS 119 Blog: Listening Blog # 22 – “When I Shine” – The Herbaliser feat. Bahamadia

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Sunday, November 29, 2009. Listening Blog # 22 – “When I Shine” – The Herbaliser feat. Bahamadia. Instrumentation: Voice (Bahamadia and Wherry/Teeba on background vocals), and an assortment of beats (distorted – probably sampled or created through recording technology). In this song, the percussive vocal line emphasizes rhythm over melody, and adds an additional layer upon the rhythmic beats created electronically. However, one could also see the lyrical line as through-composed. In reading the lyrics, B...

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MUS 119 Blog

Sunday, November 29, 2009. Listening Blog #23 – “Party in the Rain” – Eve feat. Mashonda. Instrumentation: Vocals (Eve), beats (drum kit, trumpet, piano, and electric guitar riffs , and electronic beats – even “laser” sound effects). This song is presented in strophic form – Eve raps during the verse, while Mashonda sings a melodic refrain during the chorus. Once again, rhythm (and the way in which it is layered) is the primary aspect of the song. Overall, the song is very highly pitched – due to t...

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