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Streetlight Cinema

REGARDING MEETING VAN GOGH. Open Letter To The Actors. Notes on Cinema Acting.

http://www.streetlightcinema.org/

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CONTACTS AT STREETLIGHTCINEMA.ORG

Steetlight Cinema

Rod Bradley

870 W Mart●●●●●●●●●● King Blvd

Los ●●●●eles , California, 90037-1205

US

1.32●●●●3263
ar●●●●●●●●●●@yahoo.com

View this contact

Steetlight Cinema

Rod Bradley

870 W Mart●●●●●●●●●● King Blvd

Los ●●●●eles , California, 90037-1205

US

1.32●●●●3263
ar●●●●●●●●●●@yahoo.com

View this contact

Steetlight Cinema

Rod Bradley

870 W Mart●●●●●●●●●● King Blvd

Los ●●●●eles , California, 90037-1205

US

1.32●●●●3263
ar●●●●●●●●●●@yahoo.com

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Streetlight Cinema | streetlightcinema.org Reviews
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DESCRIPTION
REGARDING MEETING VAN GOGH. Open Letter To The Actors. Notes on Cinema Acting.
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KEYWORDS
1 boy and dog
2 proposal
3 wwwboydogfilm com
4 production journal
5 cast breakdown
6 financial participation
7 synopsis
8 brief
9 full synopsis
10 company information
CONTENT
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KEYWORDS ON
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boy and dog,proposal,wwwboydogfilm com,production journal,cast breakdown,financial participation,synopsis,brief,full synopsis,company information,contact info,profiles,rod bradley,in production
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Streetlight Cinema | streetlightcinema.org Reviews

https://streetlightcinema.org

REGARDING MEETING VAN GOGH. Open Letter To The Actors. Notes on Cinema Acting.

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1

Streetlight Cinema - DETAILED SYNOPSIS

http://www.streetlightcinema.org/bnd_proposal.htm

A Streetlight Cinema production starring. Haskell Vaughn Anderson, Lisa Liang, Akira Nakamoto. Written, directed by R.P. Bradley. Photographed by Sunny Lee. Principal Photography: November 9, 2001 - January 15, 2002. 870 W Martin Luther King Jr. Blvd. Los Angeles, California 90037. TEL: 323 235-3263 CELL: 213 3998930. A 10-year-old boy of a widowed photographer goes in search of his lost dog and is swept up in a life-changing urban odyssey by a homeless jazz musician. Toby's ecstatic - until Neo is chase...

2

Streetlight Cinema - Regarding Meeting Van Gogh

http://www.streetlightcinema.org/brief.htm

A contemporary portrait painter living in the ghetto - a late-blooming Chinese-American actress - both on the brink of their big breaks meet contradictory fates in their pursuit of success, but are ultimately fated to reunite. MEETING VAN GOGH is a drama of intimacy that examines the human spirit under the stress of dilemmas created by sex, romance, violence, social status, drugs, ambition. To state its theme broadly: it's about maintaining grace under pressure. This style of filmmaking, is admittedly, r...

3

Streetlight Cinema - DETAILED SYNOPSIS

http://www.streetlightcinema.org/synopsis.htm

DETAILED SYNOPSIS OF MEETING VAN GOGH. The crowd for the opening spills onto the sidewalk. Rufus arrives to discover the opening is for his old friend Dan Fremont, who's made it big time. When Rufus starts the engine of the company van, he realizes he's in no condition to drive. He calls in to ask Carlos to do him a favor. His boss answers, is enraged about the earlier accident, fires him on the spot. Rufus wakes to the sound of rooster crows and the saxophone noodling of Henry Hollins, wino street music...

4

Streetlight Cinema - CHARACTER BREAKDOWN

http://www.streetlightcinema.org/CHARACTERS.htm

RUFUS HOCKENBERRY - 36, mixed mongrel American, rough-edged disguising sensitivity - antic but contemplative - tough but tender - non-violent - self-deprecating yet dignified - a complex man driven by his passion to paint and his need to love - needs the success he finds contemptible - a man of honor in a world where dishonor rules. TIFFANY TRUANG - 26, French-Vietnamese, innocent sophisticate, Paris educated, oddball, bisexual, lively, handsome, sweetly emotional. DAN FREEMONT - 39, long-blond ponytail,...

5

Streetlight Cinema - Rod Bradley

http://www.streetlightcinema.org/RodBradley.htm

Writer/co-producer/ director MEETING VAN GOGH. By way of self-introduction, a few vapors from the horse's mouth:. I persist in believing honesty is not. A form of foolishness despite blazing evidence to the contrary. I see hard work (even some toil and labor) on something of significance as having kinship with play, love, and Mother Nature: especially snowfall and wine. I feel time is always short - and forever eternal. I like individual human beings with absurd democracy - sometimes despite themselves.

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REGARDING MEETING VAN GOGH. Open Letter To The Actors. Notes on Cinema Acting.

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