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Tableaux Inseditis | Alec Dawson
http://www.alecdawson.net/tableaux-inseditis
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Books | Alec Dawson
http://www.alecdawson.net/books
During 2011, I joined the ranks of millions of people who purchased an Apple iPhone 4. The device is not only a mobile phone but a miniature mobile computer with a built in 5 megapixel still camera. Combined with the Hipstamatic app, the portable device packs a powerful punch and is capable of taking photos that are reminiscent of 6×6 medium format photography.
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Curriculum Vitae | Alec Dawson
http://www.alecdawson.net/artist-cv
2016 Perugia Social Photo Fest, Exhibited:. 2015 Ballarat International Foto Biennale, Projections Program, Exhbited:. Nobody Claps Anymore,. 2014 Ulsan International Photography Festival: Human Graphy, Exhibited:. Nobody Claps Anymore / Nocturna. Ulsan, South Korea. 2014 Head On Photo Festival, Featured Exhibition:. 8211; He Made She Made Gallery, Sydney, Australia. Zigi’s Gallery, Sydney, Australia. 2015 Nude Survey 3, Planet Rooth Design Haus, San Diego, California, United States. Blurb, Inc., LINK.
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Amalgama | Alec Dawson
http://www.alecdawson.net/amalgama
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Nobody Claps Anymore | Alec Dawson
http://www.alecdawson.net/nobody-claps-anymore
We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes. The chronic evolution of our lives can generate emotional cancers. In our youth, these cancers are small and neoplastic. For some of us, these small nuisances grow into oppressive and paralyzing monsters. The series’ title,. We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes. The chronic evolution of our lives can generate emotional cancers.
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Nocturna | Alec Dawson
http://www.alecdawson.net/nocturna
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Diplopia | Alec Dawson
http://www.alecdawson.net/diplopia
Daniela Carrillo Romero A.H.
SOCIAL ENGAGEMENT