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HOUSE SPARROW — Susan Ballard's gathered scratchings

Aaron and Hannah Beehre. Audio Foundation. Alistair Galbraith. Dunedin Public Art Gallery. Dunedin School of Art. Jake and Dinos Chapman. Janet Cardiff and George Bures-Miller. Oliver van der Lugt. Theme by Anders Norén. If we are entangled with lights, with carbon, and with moths we cannot draw analogies. We are thinking about a widening of the circle, an awakening of new ways of imagining and visioning the world. Images and assemblages: possible worlds. Audience events and art machines. 8216;if my memo...

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HOUSE SPARROW — Susan Ballard's gathered scratchings | suballard.net.nz Reviews

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Aaron and Hannah Beehre. Audio Foundation. Alistair Galbraith. Dunedin Public Art Gallery. Dunedin School of Art. Jake and Dinos Chapman. Janet Cardiff and George Bures-Miller. Oliver van der Lugt. Theme by Anders Norén. If we are entangled with lights, with carbon, and with moths we cannot draw analogies. We are thinking about a widening of the circle, an awakening of new ways of imagining and visioning the world. Images and assemblages: possible worlds. Audience events and art machines. 8216;if my memo...

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HOUSE SPARROW — Susan Ballard's gathered scratchings | suballard.net.nz Reviews

https://suballard.net.nz

Aaron and Hannah Beehre. Audio Foundation. Alistair Galbraith. Dunedin Public Art Gallery. Dunedin School of Art. Jake and Dinos Chapman. Janet Cardiff and George Bures-Miller. Oliver van der Lugt. Theme by Anders Norén. If we are entangled with lights, with carbon, and with moths we cannot draw analogies. We are thinking about a widening of the circle, an awakening of new ways of imagining and visioning the world. Images and assemblages: possible worlds. Audience events and art machines. 8216;if my memo...

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suballard.wordpress.com

teaching | ladybird

https://suballard.wordpress.com/teaching

Digital (and other) matters). This blog is no longer updated:. Http:/ www.suballard.net.nz. Dunedin School of Art, New Zealand 2010. Http:/ www.otagopolytechnic.ac.nz/? In 2010 I’m teaching the senior studio courses:. Electronic Arts Stage 3 BFA and BVA. Electronic Arts Stage 4 BFA. Http:/ excusemeeveythingisnotalright.blogspot.com. Http:/ norgacs1mapping.blogspot.com/. Http:/ ted-pixel.blogspot.com/. Http:/ membrains.wordpress.com/. Http:/ www.shelley-brigit.blogspot.com. Jan Wilson textiles 2001. Kurt ...

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Moving house | ladybird

https://suballard.wordpress.com/2011/03/07/moving-house

Digital (and other) matters). March 7, 2011. This blog has moved: find me here. Http:/ www.suballard.net.nz. From → archives. Larr; Better late than never – My Sydney Biennale top ten-ish. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.

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Learning Art in the Digital Age | rachel//data

https://flexiblelearningrach.wordpress.com/2011/04/19/learning-art-in-the-digital-age

A thinking space about digital literacy, flexible learning, social media, teaching and learning…. Learning Art in the Digital Age. April 19, 2011. Dunedin school of art. Learning art in the digital age. Last year, Su Ballard. And I wrote up a discussion we had facilitated at the previous year’s Aotearoa New Zealand Association of Art Educators (ANZAAE) Conference, held at the Dunedin School of Art and had it published in 20th edition of the ANZAAE journal. Click the image to download the pdf! May 29, 2014.

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publications_talks | ladybird

https://suballard.wordpress.com/writing

Digital (and other) matters). This blog is no longer updated:. Http:/ www.suballard.net.nz. I’m delivering a Public Lecture at the Dunedin Public Art Gallery. On May 16th 2010 at 3pm. 8216;Communism was our utopia’: Traces of the past in utopian futures. Su Ballard and Stella Brennan, (eds.). The Aotearoa Digital Arts Reader. Auckland and Dunedin: Clouds Publishing, July 2008. ISBN: 97-095827899-7. Su Ballard. Erewhon: framing media ecologies in the antipodes. Re:live Media Art Histories. The Enlightenme...

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about me | ladybird

https://suballard.wordpress.com/biography

Digital (and other) matters). This blog is no longer updated:. Http:/ www.suballard.net.nz. I’m Su Ballard, Principal Lecturer in Electronic Arts and Section Manager of Electronic Arts and Photography at the Dunedin School of Art at Otago Polytechnic, New Zealand. I currently teach digital media and aesthetics; installation and projection; art historical studies in vision and technology; and studio research methods. Http:/ www.otagopolytechnic.ac.nz/? I use delicious for networked research and teaching:.

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Speakers « Kandos School of Cultural Adaptation

http://ksca.land/futurelands/speakers

Art on Show during Futurelands2! Stuart Andrews is the director of. The principle education wing for the Natural Sequence Farming (NSF) method. NSF is internationally recognised as a significant innovation in sustainable agriculture and land care, and was developed in Australian conditions (one of the driest and oldest continents on earth) with the ability to be utilised anywhere in the world. On three occasions, a double episode each time (these can be viewed here. Tarwyn Park Training (TPT). Is a perfo...

flexiblelearningrach.wordpress.com

Digital Literacy in Art | rachel//data

https://flexiblelearningrach.wordpress.com/2011/03/18/digital-literacy-in-art

A thinking space about digital literacy, flexible learning, social media, teaching and learning…. Digital Literacy in Art. March 18, 2011. Digital literacy in art. Dunedin school of art at otago polytechnic. This is a project I did last year with Su Ballard. And Morgan Oliver, funded by Ako Aotearoa. It’s a website that collates our research and experience teaching a paper called Digital Literacy at the Dunedin School of Art. From → art. Larr; Cultural Bloggers Interviewed Book Launch Anne Helmond. Updat...

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Viewfinder (2011) | rachel k gillies

https://rachelkgillies.net/artpractice/viewfinder-2011

Exhibition The Realm of Lost Virtualities (2014). Searching: yahoo and bing diptich (2013). Exhibition: ‘Thresholds’ (2013) Rachel K Gillies. Portrait of the artist Stephanie Spindler (2012). There cannot be black (2012). Three of spades (2011). Research Poster Design (2015). Tender Weight Artist’s Book (2014). Drift Artist’s Book (2012). Iii three: studio to showcase Photoshoot (2012). Desire’n exhibition catalogue (2009). Online cv and portfolio [] artist, writer, designer, educator. As a co-curator of...

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suballard.net.nz

HOUSE SPARROW — Susan Ballard's gathered scratchings

Aaron and Hannah Beehre. Audio Foundation. Alistair Galbraith. Dunedin Public Art Gallery. Dunedin School of Art. Jake and Dinos Chapman. Janet Cardiff and George Bures-Miller. Oliver van der Lugt. Theme by Anders Norén. If we are entangled with lights, with carbon, and with moths we cannot draw analogies. We are thinking about a widening of the circle, an awakening of new ways of imagining and visioning the world. Images and assemblages: possible worlds. Audience events and art machines. 8216;if my memo...

suballard.wordpress.com

ladybird | (digital (and other) matters)

Digital (and other) matters). March 7, 2011. This blog has moved: find me here. Http:/ www.suballard.net.nz. From → archives. Better late than never – My Sydney Biennale top ten-ish. August 24, 2010. Jake and Dinos Chapman. Fischgratenmelkstand kippt ins Hohlengleichnis Refugium. The restraint of the contrivance. On my first visit, a man beside me got extremely agitated and started shouting at the screen, swearing in German, “it is all nonsense”. An Apparition of a Subtraction. Airs Above The Ground.

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