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suklu

November 22, 2011. His spirit moves in the rhythm of things. It is thus that art becomes akin to religion and ennobles mankind. Okakura Kazue,. The Book of Tea. If Suklu were a peanut, he would not be one of those peanuts that forgets its skin. I want to be a farmer, he says. I want a farmer’s way of responding to materials and objects. In what is perhaps his most famous piece,. He worries about the loss of Bali’s grounding, its agrarian past, in its deepest sense of the loss of connection between the pe...

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suklu | suklu.wordpress.com Reviews

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November 22, 2011. His spirit moves in the rhythm of things. It is thus that art becomes akin to religion and ennobles mankind. Okakura Kazue,. The Book of Tea. If Suklu were a peanut, he would not be one of those peanuts that forgets its skin. I want to be a farmer, he says. I want a farmer’s way of responding to materials and objects. In what is perhaps his most famous piece,. He worries about the loss of Bali’s grounding, its agrarian past, in its deepest sense of the loss of connection between the pe...

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1 profile

2 biography

3 suklu

4 reading objects

5 by suklu

6 dance of cendrawasih

7 reading objects installation

8 bamboo installation

9 leave a comment

10 regions of sense

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profile,biography,suklu,reading objects,by suklu,dance of cendrawasih,reading objects installation,bamboo installation,leave a comment,regions of sense,ripple views,subconscious,why women,lotus seri 3,solo exhibiition,line talk,catatan kaki,categories

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suklu | suklu.wordpress.com Reviews

https://suklu.wordpress.com

November 22, 2011. His spirit moves in the rhythm of things. It is thus that art becomes akin to religion and ennobles mankind. Okakura Kazue,. The Book of Tea. If Suklu were a peanut, he would not be one of those peanuts that forgets its skin. I want to be a farmer, he says. I want a farmer’s way of responding to materials and objects. In what is perhaps his most famous piece,. He worries about the loss of Bali’s grounding, its agrarian past, in its deepest sense of the loss of connection between the pe...

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suklu.wordpress.com

1

Regions of Sense | suklu

https://suklu.wordpress.com/2011/08/28/regions-of-sense

August 28, 2011. Statement of 0bject of my women (by Suklu). Saya selama kurun waktu tertentu mengalami repetisi pengamatan terhadap suatu bentuk tertentu. Bentuk gesture tubuh perempuan yang memberi tanda-tanda, sinyal-sinyal yang berkait dengan kehendak yang tersembunyi dibaliknya. Ada keyakinan environment mempengarui terjadinya kondisi psikologis seorang perempuan, sehingga terjadi gerak replek yang memicu gesture dari tubuhnya. Tentu karakter bawaan yang ditempa dimasa anak-anak juga turut andil...

2

Profile | suklu

https://suklu.wordpress.com/profile

Klungkung, 6 February 1967. Jl Taman Sari, Br. Lepang Desa Takmung, Kec. Banjarangkan, Klungkung Bali. ISI Denpasar, Jl. Nusa Indah Denpasar. 081 809 653 827. 2008-2010 S2 ITB Bandung. 1997-1992 Denpasar Academy of Art (now ISI Denpasar). Now-2000 Staf pengajar di ISI Denpasar. 1992-1987 Interior and designer Grafis. 2009 Founder Djagad Art House. 2008 Chairman Komonitas Batu Belah. 2003-2000 Chairman community of Sangga Buana. Now-1995 Chairman Kelompok Catur (Mandala Of Life). CP Open Biennale 2003.

3

LINE-TALK | suklu

https://suklu.wordpress.com/2010/04/07/line-talk

April 7, 2010. Pameran Tunggal I Wayan Sujana suklu di ArtSphere, Jakarta. I Wayan Sujana yang akrab dipanggil Suklu (merupakan singkatan Sujana dari Klungkung) adalah figur yang selalu gelisah, melalui karyanya Suklu menumpahkan kegelisahannya mengenai persoalan yang tengah ia rasakan dalam dirinya dan persoalan sosial budaya yang mengiringi gerak kreatifnya. Suklu menyadari persoalan dirinya dengan perempuan mengandung permasalahan yang sangat kompleks, melalui figur perempuan dia kemudian bisa berbica...

4

suklu | suklu

https://suklu.wordpress.com/author/suklu

November 22, 2011. His spirit moves in the rhythm of things. It is thus that art becomes akin to religion and ennobles mankind. Okakura Kazue,. The Book of Tea. If Suklu were a peanut, he would not be one of those peanuts that forgets its skin. I want to be a farmer, he says. I want a farmer’s way of responding to materials and objects. In what is perhaps his most famous piece,. He worries about the loss of Bali’s grounding, its agrarian past, in its deepest sense of the loss of connection between the pe...

5

Biography | suklu

https://suklu.wordpress.com/biography

Various types of local-global combinations and questions come to for Suklu’s exhibitions, which contains of works in different media. Awareness is the condition and beginning of liberty. Suklu’s critical attitude toward un-ecological change, and his exploration of the everyday ecological materials and structures of Bali’s rural people in the installation can be construed and a conscious effort to focus awareness on local identity and avoid being seduced into the trap of cultural alienation.

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Gurat Institute - Sclupture

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Pura Babian Pagutan Batubulan, Foto By Dewa Gede Purwita. Pura ini menjadi lokasi pertunjukan Tari Barong tahun 1930an yang banyak didokumentasikan oleh traveler Barat. 160; Konon kondisinya kini mulai dari ukiran dan patungnya masih seperti saat itu. Merajan Agung Puri Kaba-Kaba. Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

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Gurat Institute - Made Susanta Dwitanaya

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MENYUSURI “PERJALANAN” RUPA I KETUT BUDIANA. Oleh; I Made Susanta Dwitanaya. Optimisme dalam memandang keberlanjutan aktivitas melukis di jalur tardisi Bali ini, tak lantas meniadakan ruang interupsi bagi kita untuk melontarkan sebuah pertanyaan ,soal apakah para penerus dan pelanjut saja sudah cukup? Pengisian diri), sebut saja. Kanda Pat, Angkus Prana. Secara estetik karya-karya Budiana tetap memperlihatkan suatu pertautan dengan kekayaan kosa rupa tradisi Bali, semisal figur-figur pewayangan, ornamen,.

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Gurat Institute - Wayan Nuriarta

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Tokoh kartun Pak Karnoe dengan berbagai persoalan sosial budaya karya wayan Nuriarta. Pak Karnoe hadir sebagai representasi kegelisahan masyarakat, kadang ia hadir dengan peran sebagai masyarakat kecil/ petani, guru, pemain politik hingga hadir sebagai ABG (Anak Baru Gede/ Remaja yang dimabuk cinta). Secara Visual, Pak Karnoe juga tidak memiliki pakem khusus, karena ia bisa hadir dalam satu panel, dua panel bahkan lebih. Ketidakterikatan ini pula yang menjadikan Pak Karnoe hadir dalam beberapa.

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Gurat Institute - ARTS REVIU

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Thu, Apr 21, 2016. Intepretasi Prabu Udayana Dalam Lukisan. Oleh: Wayan Seriyoga Parta. Ketut Budiana merekonstruksi jejak-jejak narasi kebesaran tersebut dan diterjemahkan ke media kanvas berukuran memanjang 8339 X 140 Cm. Karya lukisan Budiana adalah sebentuk intepretasi terhadap narasi Prabu Udayana melalui bahasa rupanya yang khas. Alur cerita dalam lukisan ini meliputi: Kelahiran Udayana; Masa Pendidikan di Pesraman Goa-goa; Pergi ke Jawa Timur bertemu Calon Istri Mahendra Datta; Kembali ke ...GUSTI...

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JOURNAL - Gurat Institute

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Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

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Gurat Institute - Wayan Seriyoga Parta

http://guratinstitute.weebly.com/wayan-seriyoga-parta.html

Kekuatan Interpretasi Visual Seorang Maestro. Oleh: Wayan Seriyoga Parta. I Gusti Nyoman Lempad adalah anak bungsu dari tujuh bersaudara, ia berasal dari Desa Bedulu tepatnya banjar Lebah dan diperkiran lahir sekitar tahun 1862. Bapaknya Gusti Mayukan adalah seorang. Yang tinggi bersumber dari pakem-pakem tradisi, bersinergi dengan sebentuk model kreativitas representasional dan teknik yang “baru” yang datang dari luar. Interaksi inilah yang melahirkan sebuah geliat baru dalam sosok Lempa...Geliat kreati...

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ARTISTS FROFILE - Gurat Institute

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Gurat Institute - Drawing/Comic

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Gema si sompret, sepeninggal wayan sadha sang kreator. Kartunis dan cerpenis I Wayan Sadha (63 tahun), meninggal dunia Rabu (28/1) pukul 02.10 Wita di RS Sanglah. Seniman yang identik dengan maskot kartun “Sompret” itu meninggal dunia setelah dirawat selama 54 hari karena menderita penyakit diabetes melistus dan beberapa komplikasi yang berakibat pada membengkaknya jantung, gangguan pada prostat, dan fungsi penurunan fungsi ginjal. Sadha merasa cocok dengan nama “Sompret” sebagai maskot kartu...Sejak tah...

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Gurat Institute - PROJECTS

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NYOMAN ERAWAN EMOTIVE: Reconstructing Visual Thought. Pameran Karya-karya terbaru dan Peluncuran Buku Nyoman Erawan. Pembukaan Jumat, 27 Februari 2015 - 18.30 Wita. Diresmikan oleh: Jean Couteau. Bertempat di Griya Santrian Gallery Sanur. Pameran berlangsung sampai tgl. 17 April 2015. I Wayan Seriyoga Parta. I Made Susanta Dwitanaya. Diterbitkan oleh Penerbit Arti Denpasar, bekerjasama dengan Eer-221 Studi and Gurat Institute. Dalam konteks ini, sebuah aktivitas pembacaan proses kreatif maupun karya seor...

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November 22, 2011. His spirit moves in the rhythm of things. It is thus that art becomes akin to religion and ennobles mankind. Okakura Kazue,. The Book of Tea. If Suklu were a peanut, he would not be one of those peanuts that forgets its skin. I want to be a farmer, he says. I want a farmer’s way of responding to materials and objects. In what is perhaps his most famous piece,. He worries about the loss of Bali’s grounding, its agrarian past, in its deepest sense of the loss of connection between the pe...

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