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artistic research project

this blog is about the recorder in the 21st century www.susannefroehlich.com

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artistic research project | susannefroehlichrecorder.wordpress.com Reviews

https://susannefroehlichrecorder.wordpress.com

this blog is about the recorder in the 21st century www.susannefroehlich.com

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The recorder in the 21st century – a summary of my findings so far – artistic research project

https://susannefroehlichrecorder.wordpress.com/2016/10/15/the-recorder-in-the-21st-century-a-summery-of-my-findings-so-far

This blog is about the recorder in the 21st century www.susannefroehlich.com. The recorder in the 21st century – a summary of my findings so far. October 15, 2016. Symposium “ARTikulationen” at the University of Art in Graz, 6th till 9th of October 2016. Presentation on 8th of October 2016, 2.15pm. Century , so it is a perspective research and very much about modern recorder models, especially one model: The Helder Tenor, named after its maker Maarten Helder. But what happens, if a score looks like this?

2

Introducing the Helder Tenor – artistic research project

https://susannefroehlichrecorder.wordpress.com/2016/01/03/introducing-the-helder-tenor

This blog is about the recorder in the 21st century www.susannefroehlich.com. Introducing the Helder Tenor. January 3, 2016. Inspired by German recorder models from the 1930s [1]. And especially by the intense research on these instruments by Nik Tarasov [2]. Dutch recorder maker Maarten Helder developed a new Tenor recorder in the early 1990s. This instrument got into the focus of keen recorder players right away, was even praised as. First true revolution since Hotteterre. Century recorder: bore, lengt...

3

New recorder models: vision or fiction? – artistic research project

https://susannefroehlichrecorder.wordpress.com/2015/11/16/new-recorder-models-vision-or-fiction

This blog is about the recorder in the 21st century www.susannefroehlich.com. New recorder models: vision or fiction? November 16, 2015. Don’t you think it is time for a change? Especially in a time, where human beings are so much relying on machines and, when it comes to music, ask for dynamic flexibility, a big range and volume of tone and motoric equality? At least this means that we can also influence this development and create instruments we want to have on the market. On developing a new, modern s...

4

About – artistic research project

https://susannefroehlichrecorder.wordpress.com/2015/11/14/about-2

This blog is about the recorder in the 21st century www.susannefroehlich.com. November 14, 2015. 8211; with Johannes Fischer at the Akademie für Tonkunst. In Darmstadt. This instrument is so extraordinary, that I am doing an artistic-scientific research on it at the Kunstuniversität in Graz. I regularly perform recitals and teach workshops in Europe and overseas. As former founding member of the recorder quartet QNG – Quartet New Generation. And Opera Lab Berlin. Berlin in April 2010. You are commenting ...

5

Recorder bores and what they tell us – artistic research project

https://susannefroehlichrecorder.wordpress.com/2016/03/18/recorder-bores-and-what-they-tell-us

This blog is about the recorder in the 21st century www.susannefroehlich.com. Recorder bores and what they tell us. March 18, 2016. When we take a closer look at original recorders as well as fingering charts (starting with S. Ganassi [1]. To baroque charts [2]. Until today), we will realise that there are three different categories of recorders [3]. Independent from the concept and the music historical context, and each of them with certain capabilities and characteristics:. 2) Recorders which overblow ...

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Susanne Fröhlich Webpage - Susanne Fröhlich - recorder / Blockflöte -

http://www.susannefroehlich.com/about.html

Recorder / Blockflöte -. I was born in Passau, Germany, and studied the recorder with Paul Leenhouts at Amsterdam Conservatory. Where I obtained an artistic-pedagogical diploma and, subsequently, a Masters Diploma with distinction in 2004. Afterwards I fell in love with Berlin and went on to study with Prof. Gerd Lünenbürger at the University of the Arts. With Johannes Fischer at the Akademie für Tonkunst. On it at the Kunstuniversity in Graz. And Opera Lab Berlin. Collegium Novum Zürich. Mein musikalisc...

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Susanne Fröhlich Webpage - Susanne Fröhlich - recorder / Blockflöte -

http://www.susannefroehlich.com/projects.html

Recorder / Blockflöte -. Einblicke in aktuelle Programme. An der Kunstuniversität in Graz. Die Blockflöte im 21. Jahrhundert: Der Helder Tenor im Spannungsfeld von Wissenschaft und Praxis. Mit SA.F.T. ​- ein Projekt von Susanne Fröhlich (Blockflöten), Ayumi Paul (Violine), Florian Juncker (Posaune), Timo Kreuser (Innenklavier). SAFT präsentiert in seinem Konzertprojekt. FOR FOUR ‘offene Werke’ und ‘Game Pieces’ von John Cage, John Zorn, Karlheinz Stockhausen und Timo Kreuser. ...Eine langfristige Konsequ...

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The key issue | ERNESTO SCHMIED

https://ernestoschmied.wordpress.com/2016/05/04/the-key-issue

Follow ERNESTO SCHMIED on WordPress.com. How not to talk about soccer. Going binaural at Banff. You don’t have a Paetzold? Digital Amplification of Acoustic Signals. May 4, 2016. May 7, 2016. The addition of keys on wind instruments is a practice that has a long historical tradition and its variables are almost countless. My post will deal with just one key: the one that covers the bell hole (BH) of a recorder. Is such key necessary? Bold italics within quotes are mine. This is also the reason why Johann...

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artistic research project

This blog is about the recorder in the 21st century www.susannefroehlich.com. The recorder in the 21st century – a summary of my findings so far. Recorder bores and what they tell us. Introducing the Helder Tenor. New recorder models: vision or fiction? Blog at WordPress.com. Blog at WordPress.com.

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