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DE / CALAGE « politics + ethics + art + technology | tdmorgenstern.wordpress.com Reviews
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Tyler M « DE / CALAGE
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Politics ethics art technology. Author Archives: Tyler M. Man-as-human: A Wrenching History (On David Altmejd’s FLUX). July 25, 2015. 8211; David Altmejd in conversation with Isa Tousignant for Canadian Art. Currently installed at the Musée d’Art Contemporain in Montreal, Flux. S exhibition materials traffic in a pseudo-metaphysical language of wonder, play, and hybridity. Here, for example, is the show’s microsite. Altmejd’s] spectacular sculptures, meticulously crafted out of a wide assortment of compo...
DE / CALAGE « politics + ethics + art + technology « Page 2
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Politics ethics art technology. How (Perhaps) to Grieve in the Security State. February 28, 2015. How it manages bodies and their attachments to the world; how it moves us, or attempts to move us, when we are already moved by grief; and how grief, or certain ways of speaking it, might be a tactic. Here, I’ve gathered some of this thinking. It might be best to begin with grief itself. Regular readers will know that I have dealt with grief often. What I want to emphasize here, however, is that for Butler.
Backstory « DE / CALAGE
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Politics ethics art technology. PhD Student in Film and Media Studies at the University of California, Santa Barbara (BA Communication, Simon Fraser University; MA Media Studies, Concordia University). November 3, 2012 at 9:37 pm. I couldn’t find you on twitter, has your account information changed? Heard your talk at MDD today (Nov 3) and wanted to suggest that you should do a TEDxVancouver talk next year. November 4, 2012 at 9:50 am. Thanks for coming to MDD and getting in touch. Hope your media studie...
If, What if, and When Timing Isn’t Everything: Considering Photography Beyond Photography « DE / CALAGE
https://tdmorgenstern.wordpress.com/2015/06/29/if-what-if-and-when-timing-isnt-everything-considering-photography-beyond-photography
Politics ethics art technology. If, What if, and When Timing Isn’t Everything: Considering Photography Beyond Photography. June 29, 2015. Over the past year, I have spent much time attempting to think and write through the question of how we look at images of violence, and to what ends. In an earlier post. But instead to ask after the conditions of their failing. In this post, I want to carry on with this line of interrogation, thinking in particular about the question of time as it relates to the co...
The Seen, The Unseen, and Other Scenes: The Racialized Economy of Looking at Violence « DE / CALAGE
https://tdmorgenstern.wordpress.com/2014/10/27/seen-unseen-other-scenes
Politics ethics art technology. The Seen, The Unseen, and Other Scenes: The Racialized Economy of Looking at Violence. October 27, 2014. Or this is despicable, unthinkable, inhuman! The images were volatile, in an atomic sense. It was is if they had been stripped of an electron and set ricocheting across disparate terrains, forming provisional bonds with those seeking resources imagistic, linguistic, affective or otherwise with which to express a disgust with violence. To look, a refusal that takes the s...
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Art Threat | From Exposé to Opacity: With The Migrant Image, T.J Demos Rethinks Documentary Aesthetics
http://artthreat.net/2015/05/from-expose-to-opacity-with-the-migrant-image-t-j-demos-rethinks-documentary-aesthetics
From Exposé to Opacity: With The Migrant Image, T.J Demos Rethinks Documentary Aesthetics. Posted by Tyler Morgenstern. May 8, 2015 - Features. The Migrant Image: The Art and Politics of Documentary during Global Crisis. For obvious reasons, the documentarian who arrives ahead of the violent event fails to produce any legible evidence of it, and only rarely does documentary avail itself to the kind of low-grade, day-to-day violence that quietly (un)structures the lives of so many precarious populations (...
Art Threat | Performing Aloha in Queer Times
http://artthreat.net/2015/04/performing-aloha-in-queer-times
Performing Aloha in Queer Times. Posted by Tyler Morgenstern. April 7, 2015 - Features. In 2001, filmmakers Kathryn Xian and Brent Anbe broke new ground with their documentary. Ke Kulana He Mahu: Remembering a Sense of Place. Was released to much critical acclaim, and has since screened at festivals and community events throughout Hawai’i and around the globe. Tends to split the (liberal) struggle for LGBTQI civil rights that flourished in 1990s Hawai’i off from the Kanaka Maoli sovereignty movement that...
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DE / CALAGE « politics + ethics + art + technology
Politics ethics art technology. Man-as-human: A Wrenching History (On David Altmejd’s FLUX). July 25, 2015. 8211; David Altmejd in conversation with Isa Tousignant for Canadian Art. Currently installed at the Musée d’Art Contemporain in Montreal, Flux. Is nothing if not sumptuous, with Altmejd’s distinctive sculptural practice spanning nearly as many genres and styles as it does materials. Given its vast formal sweep and its affinity for the fantastic, it is perhaps little surprise that Flux. Altmejd’s] ...
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