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The End of Cinema – A Medium in Crisis in the Digital Age
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The End of Cinema – A Medium in Crisis in the Digital Age. A Medium in Crisis. In the Digital Age. Directives for quoting this work.
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The End of Cinema – A Medium in Crisis in the Digital Age
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The End of Cinema – A Medium in Crisis in the Digital Age. A Medium in Crisis. In the Digital Age. Directives for quoting this work. Peter Greenaway, Peter Greenaway, cinema = dead, YouTube video, 2:50, filmed interview, posted on June 29, 2007. The interview can be viewed at the following address: http:/ www.youtube.com/watch? From a talk by Peter Greenaway at the Flanders Film Festival in Ghent, Belgium in 1999. Our emphasis. Quoted online at Peter Greenaway Quotes, petergreenaway.org.uk. Paris: Denoël...
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The End of Cinema – A Medium in Crisis in the Digital Age
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The End of Cinema – A Medium in Crisis in the Digital Age. A Medium in Crisis. In the Digital Age. Directives for quoting this work. Michel de Certeau,. The Practice of Everyday Life. Trans Steven Rendall (Berkeley: University of California Press, 1988 [1980]). Simon Thibodeau, Université de Montréal, in an e-mail to the authors of the present volume dated May 15, 2013. Philippe MARION * * *@* * *.* , André GAUDREAULT * * *@* * *.*. Simon Thibodeau * * *@* * *.*. Bonjour Philippe, bonjour André,.
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The End of Cinema – A Medium in Crisis in the Digital Age
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The End of Cinema – A Medium in Crisis in the Digital Age. A Medium in Crisis. In the Digital Age. Directives for quoting this work. David Norman Rodowick,. The Virtual Life of Film. Philippe Dubois, Introduction/Présentation, in Alessandro Bordina, Philippe Dubois, and Lucia Ramos Monteiro, eds.,. Oui, c’est du cinéma/Yes, It’s Cinema. Formes et espaces de l’image en mouvement/Forms and Spaces of the Moving Image. Pasian di Prato: Campanotto Editore, 2009), 7. Lastra, What Cinema Is. In a paper presente...
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The End of Cinema – A Medium in Crisis in the Digital Age
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The End of Cinema – A Medium in Crisis in the Digital Age. A Medium in Crisis. In the Digital Age. Directives for quoting this work. 56n 32. Note that the English translator of Morin’s book (. The Cinema, or the Imaginary Man. Trans Lorraine Mortimer [2005 (1956)]) has chosen to use the terms. Thereby risking confusion with quite different contemporary meanings, in the latter two cases, and with the Lumière Cinématographe alone in the other. By choosing to use. François Valleiry, La nouvelle pellicule,.
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The End of Cinema – A Medium in Crisis in the Digital Age
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The End of Cinema – A Medium in Crisis in the Digital Age. A Medium in Crisis. In the Digital Age. Directives for quoting this work. Le cinéma est mort. Vive le cinéma! When we discuss the device invented by the Lumière brothers, we will refer to it by name, the Cinématographe. To refer to the moving picture camera in general, and more specifically to the culture that appeared with it, or to the entire period of film history before cinema was institutionalized, we will use the term kinematograph. See als...
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The End of Cinema – A Medium in Crisis in the Digital Age
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The End of Cinema – A Medium in Crisis in the Digital Age. A Medium in Crisis. In the Digital Age. Directives for quoting this work. Will Self, Cut! That’s All, Folks,. London), August 28, 2010, 2. Our emphasis. On the forms of attraction in cinema, see André Gaudreault, Film and Attraction: From Kinematography to Cinema. Trans Timothy Barnard (2011 [2008]). See also the work of Tom Gunning of the University of Chicago and the collective volume edited by Wanda Strauven, The Cinema of Attractions Reloaded.
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The End of Cinema – A Medium in Crisis in the Digital Age
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The End of Cinema – A Medium in Crisis in the Digital Age. A Medium in Crisis. In the Digital Age. Directives for quoting this work. Taken from the article Supernova in the French-language online encyclopedia Wikipédia. The article is accessible at the following address: https:/ fr.wikipedia.org/wiki/Supernova. La querelle des dispositifs. Que reste-t-il du cinéma? Philippe Dubois, Présentation, in Elena Biserna, Philippe Dubois, and Frédéric Monvoisin, eds.,. Extended Cinema/Le cinéma gagne du terrain.
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The End of Cinema – A Medium in Crisis in the Digital Age
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The End of Cinema – A Medium in Crisis in the Digital Age. A Medium in Crisis. In the Digital Age. Directives for quoting this work. Jérôme Garcin, ed.,. See in particular Patrice Flichy,. 1995) and, more recently,. Musso, La ‘révolution numérique,’ 13. This at least is how InnoviSCOP interprets the work of Michael L. Tushman and Philip Anderson, Technological Discontinuities and Organizational Environments, Administrative Science Quarterly. 31, no. 3 (September 1986): 439 65. May 2006, p. 123. The artic...
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