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The Arras – Because the Renaissance is always in the background. | thearras.wordpress.com Reviews
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This is just a short excerpt for the about page.
Found Poem – The Arras
https://thearras.wordpress.com/2015/12/04/found-poem
Because the Renaissance is always in the background. December 4, 2015. The lines of the following poem are all subheadings introducing quotes for the term ‘Love’ in an 1884 book:. The Student’s Topical Shakespeare: Thirty-Seven Plays, Analyzed and Topically Arranged for the Use of Clergymen, Lawyers, Students, Etc. Its Dart not invisible. Its Effect on Time. Its Messengers should be swift. Its Reason no Reason. Henry V A hard play to love? It’s hard to be the Bard – but why? Leave a Reply Cancel reply.
Blog – The Arras
https://thearras.wordpress.com/blog-2
Because the Renaissance is always in the background. Ten Live Tweeting Commandments: Part Two. July 8, 2016. This is going to make a lot more sense if you read Part One. I think I can only number it 1-5, but we all know it’s 6-10, right? Another historical experience live-tweeting might allow us better to imagine is the role played the early modern repertory company. Some of the pleasure of the Marathons involves … More Ten Live Tweeting Commandments: Part Two. Ten Live Tweeting Commandments: Part Two.
Fresh Meat’s Poetry Problem – The Arras
https://thearras.wordpress.com/2016/03/26/fresh-meats-poetry-problem
Because the Renaissance is always in the background. Fresh Meat’s Poetry Problem. March 26, 2016. VOD: Oggs. More poetry for you. OREGON: Right. I’ll get the wheelbarrow. Series 4, Episode 4. On Thursday night, I went to the London launch of. On the other hand, doesn’t writing in a genre as maligned and mocked as contemporary poetry bring with it the. Risk that no one gives a fuck what you have to say? I’ve been thinking recently about something Jon wrote in response to a snide, belittling article the.
Ten Live Tweeting Commandments: Part Two – The Arras
https://thearras.wordpress.com/2016/07/08/ten-live-tweeting-commandments-part-two
Because the Renaissance is always in the background. Ten Live Tweeting Commandments: Part Two. July 8, 2016. This is going to make a lot more sense if you read Part One. I think I can only number it 1-5, but. All know it’s 6-10, right? How to show your character is in disguise. #dekkerthon. Gill Othen (@gill othen) June 29, 2016. Yesterday I ruined marriages, today everyone woos me #ShirleyMarathon. Mdash; Sara Marie Westh (@WestDane) June 17, 2015. THIS SPACE INTENTIONALLY LEFT BLANK]. Beats them off, f...
Ten Live Tweeting Commandments: Part One – The Arras
https://thearras.wordpress.com/2016/07/08/ten-live-tweeting-commandments-part-one
Because the Renaissance is always in the background. Ten Live Tweeting Commandments: Part One. July 8, 2016. Last month marked the third iteration of an annual exercise in which I alienate a substantial proportion of my Twitter followers by posting a multi-day string of quotes from and riffs on the corpus of an early modern English playwright. Every year the Shakespeare Institute. Under the direction of Dr Martin Wiggins. The Bird in a Cage. The Four Prentices of London. I’m going to attempt to summarise...
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Birmingham Library report – Richard O'Brien
https://richardobrien.co.uk/2015/08/05/birmingham-library-report
August 5, 2015. August 5, 2015. This report originally ran on Deutsche Welle. When a new library opened in the UK city of Birmingham in 2013, many locals embraced it. It was hailed as a source of civic pride and an attraction for international visitors. But eighteen months on, this ambitious architecture project is in line for controversial spending cuts a prospect faced by many libraries and other public services across the UK. Whatever Happened to Verse Drama? Leave a Reply Cancel reply.
Missing the Perseids (for three years running) – Richard O'Brien
https://richardobrien.co.uk/2015/08/12/missing-the-perseids-for-three-years-running
Missing the Perseids (for three years running). August 12, 2015. August 13, 2015. It’s Perseids Week, and Slate. On how to watch the meteor shower: essentially ‘on your back, after midnight’ today seems to be the consensus. Two years ago, I stayed with my lovely friend Natasha Frost. And saw the meteors from a French farmhouse, and ended up writing this poem, which came out in. A few months later. If you’re stargazing tonight, then don’t read this, go outside! Five of us supine on the patio,. Scouring th...
Verse Drama – Richard O'Brien
https://richardobrien.co.uk/verse-drama
As well as writing verse plays, I’ve been writing about what verse plays do – how they work, how they got to be the way they are today, and what they can do that other kinds of drama can’t. My articles and interviews about this topic are collected in this section, as well as press relating to the verse play my company, Haunted House Theatre, are currently working on:. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).
Articles and Interviews – Richard O'Brien
https://richardobrien.co.uk/category/articles-and-interviews
Category: Articles and Interviews. Fresh Meat’s Poetry Problem. March 26, 2016. VOD: Oggs. More poetry for you. OREGON: Right. I’ll get the wheelbarrow. Fresh Meat. Series 4, Episode 4. On Thursday night, I went to the London launch of Magma, a poetry magazine with a rotating editorship which devotes each issue to a chosen theme. The theme of Issue 64 was ‘Risk’, and guest editors Jon … More Fresh Meat’s Poetry Problem. Fresh Meat’s Poetry Problem. It’s hard to be the Bard – but why? December 15, 2015.
Articles – Richard O'Brien
https://richardobrien.co.uk/category/articles
I’ve written articles and reviews for various places, including The Missing Slate, Poetry London, and the Times Literary Supplement. You can find some of them here, along with information for those not online. Ten Live Tweeting Commandments: Part Two. July 8, 2016. This is going to make a lot more sense if you read Part One. I think I can only number it 1-5, but we all know it’s 6-10, right? Ten Live Tweeting Commandments: Part Two. Ten Live Tweeting Commandments: Part One. July 8, 2016. March 26, 2016.
Radio – Richard O'Brien
https://richardobrien.co.uk/category/radio
I’ve worked as a presenter for EURadioNantes, and a reporter for Deutsche Welle’s ‘Inside Europe’. Here are some samples of my work. August 5, 2015. Building a bird reserve from London earth. August 28, 2013. Building a bird reserve from London earth. Of Latin and labyrinths – two reports from Helsinki. May 26, 2013. I spent the last week of March in Helsinki, and put together two reports about the city for ‘Inside Europe‘, a magazine show put together by the German radio station Deutsche Wel...These are...
Whatever Happened to Verse Drama? – Richard O'Brien
https://richardobrien.co.uk/2015/08/05/whatever-happened-to-verse-drama
Whatever Happened to Verse Drama? August 5, 2015. This article originally appeared on. There was a time when poetry and drama were indissoluble. That time was most of literary history. In any broad-brush summary, the history of verse drama in English since Shakespeare is a story of decline. Today, most new plays in verse are greeted by a Greek chorus of critical loathing. I have a database on my computer which might as well be called Mean Things The. That play was Mike Bartlett’s ‘. Two of those words se...
‘Did You Miss Me?’: The Secret of Mystery Show – Richard O'Brien
https://richardobrien.co.uk/2015/08/05/did-you-miss-me-the-secret-of-mystery-show
8216;Did You Miss Me? 8217;: The Secret of Mystery Show. August 5, 2015. This article originally appeared at The Timbre. A journal dedicated to podcasting. DID YOU MISS ME? THE SECRET OF MYSTERY SHOW. Starlee Kine investigates the cold cases of everyday life. Each episode sees. When I listen to the third episode of. You don’t care about any of this, because you don’t know me. And neither does Starlee Kine, but here’s the thing: when I listen to. But as so often in detective stories, the scenes of the lea...
Poetry – Richard O'Brien
https://richardobrien.co.uk/poetry
In 2006 and 2007 I was one of 15 winners of the Foyle Young Poets. Of the Year Award. Since then, my work has featured in Poetry London, The Salt Book of Younger Poets, The Morning Star. And a number of anthologies published by the Emma Press. My. Latest pamphlets are A Bloody Mess. Dead Ink/Valley Press) and. The Emma Press). I run a blog,. Which is devoted to the close-reading of contemporary poetry. In 2013 I read for BBC Radio 3’s. Leave a Reply Cancel reply. Enter your comment here. Join 54 other fo...
Publications – Richard O'Brien
https://richardobrien.co.uk/publications
This is a list of the places my poetry has appeared, as far as I can currently remember:. 8216;Table Talk’ in Magma. 8216;Discipline’ in Oxford Poetry. 8216;Pont Désert’ on Ink Sweat and Tears. Published by Dead Ink/Valley Press. I trade futures contracts on my couch’ on. New Boots and Pantisocracies. On The Morning Star. 8216;Well Versed’ blog. 8216;Plea for Future Philanthropists’ in. The Emma Press anthology of political poems. As a ‘poetry book every child must read’. The Emma Press Anthology of Dance.
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Self Catering Properties for Rent on Arran. The Arran Team
Arran’s local self catering holiday letting agency. Find your perfect property. The Arran Team …. where memories are made. If you are looking to rent a beautiful self catering property on the Isle of Arran, then look no further. Maybe your looking to holiday in the busier parts of Arran such as Brodick, Lamlash and Whiting Bay where you can enjoy seaviews and are close to all amenities. You could also enjoy the beautiful sunsets of the west coast by staying in Pirnmill and Blackwaterfoot. Brodick is the ...
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The Arras – Because the Renaissance is always in the background.
Because the Renaissance is always in the background. I’m a PhD researcher at the University of Birmingham’s Shakespeare Institute. Funded by the Midlands3Cities. Doctoral Training Partnership. Before that, I was a member of the first cohort of the Institute’s MA in Shakespeare and Creativity. And the poet Dr Luke Kennard. I have a formal academic profile here. In 2015 I was the Chair of BritGrad. The British Graduate Shakespeare Conference, the largest postgraduate event of its kind. I was also invol...
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