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THEATRE PERSONAL | audiences with intimacy

8220;INTIMATE THEATRE”. 8220;INTIMATE THEATRE” ethics. With BRYONY DRURY and FRAN O’DONNELL. 8220;A MOUTH TO FEED ME”. 8220;FOOTWASHING” videos. 8220;THE AUTHOR” show reports. Recently, British theatre and live art has embraced intimate, immersive and interactive forms. As the boundaries blur between arts practices and speed dating/gaming/confession/group therapy/massage/spiritual retreat/city tour/office party/private conversation, then theatre becomes personal. Facilitated by Adrian Howells. Protected:...

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THEATRE PERSONAL | audiences with intimacy | theatrepersonal.co.uk Reviews

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8220;INTIMATE THEATRE”. 8220;INTIMATE THEATRE” ethics. With BRYONY DRURY and FRAN O’DONNELL. 8220;A MOUTH TO FEED ME”. 8220;FOOTWASHING” videos. 8220;THE AUTHOR” show reports. Recently, British theatre and live art has embraced intimate, immersive and interactive forms. As the boundaries blur between arts practices and speed dating/gaming/confession/group therapy/massage/spiritual retreat/city tour/office party/private conversation, then theatre becomes personal. Facilitated by Adrian Howells. Protected:...

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1 theatre personal

2 audiences with intimacy

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4 contexts

5 a new relationship

6 workshops

7 with adrian howells

8 with rajni shah

9 conversations

10 with tim crouch

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THEATRE PERSONAL | audiences with intimacy | theatrepersonal.co.uk Reviews

https://theatrepersonal.co.uk

8220;INTIMATE THEATRE”. 8220;INTIMATE THEATRE” ethics. With BRYONY DRURY and FRAN O’DONNELL. 8220;A MOUTH TO FEED ME”. 8220;FOOTWASHING” videos. 8220;THE AUTHOR” show reports. Recently, British theatre and live art has embraced intimate, immersive and interactive forms. As the boundaries blur between arts practices and speed dating/gaming/confession/group therapy/massage/spiritual retreat/city tour/office party/private conversation, then theatre becomes personal. Facilitated by Adrian Howells. Protected:...

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theatrepersonal.co.uk

1

with RAJNI SHAH | THEATRE PERSONAL

http://theatrepersonal.co.uk/workshops/with-rajni-shah

8220;INTIMATE THEATRE”. 8220;INTIMATE THEATRE” ethics. With BRYONY DRURY and FRAN O’DONNELL. 8220;A MOUTH TO FEED ME”. 8220;FOOTWASHING” videos. 8220;THE AUTHOR” show reports. The second workshop was facilitated by Rajni Shah, whose. Give what you can, take what you need. 2008) is one of several of her works on gifts and intimacy. Workshop Theatre, School of English, University of Leeds, UK). Proudly powered by WordPress. Theme: Coraline by WordPress.com.

2

with ADRIAN HOWELLS | THEATRE PERSONAL

http://theatrepersonal.co.uk/workshops/with-adrian-howells

8220;INTIMATE THEATRE”. 8220;INTIMATE THEATRE” ethics. With BRYONY DRURY and FRAN O’DONNELL. 8220;A MOUTH TO FEED ME”. 8220;FOOTWASHING” videos. 8220;THE AUTHOR” show reports. THEATRE PERSONAL workshop: Adrian Howells. 14-16 May 2010 (Workshop Theatre, School of English, University of Leeds, UK). Foot Washing for the Sole. 2009) to Leeds to launch the first THEATRE PERSONAL workshop. Tim Crouch wrote the character of ‘Adrian’ in his play. An Audience with Adrienne. Footwashing for the Sole.

3

with ESTHER SMITH | THEATRE PERSONAL

http://theatrepersonal.co.uk/conversations/e-smith

8220;INTIMATE THEATRE”. 8220;INTIMATE THEATRE” ethics. With BRYONY DRURY and FRAN O’DONNELL. 8220;A MOUTH TO FEED ME”. 8220;FOOTWASHING” videos. 8220;THE AUTHOR” show reports. Transcript from conversation with Esther Smith (who played ‘Esther’ in. Esther Smith, in conversation with Helen Iball, about playing Esther in the Royal Court premiere of Tim Crouch’s play. Newcastle, 7 October 2010. Conversation transcript: edited extracts. HI: Had you expected the audience to react that way? You as an actor must...

4

“A MOUTH TO FEED ME” | THEATRE PERSONAL

http://theatrepersonal.co.uk/support-materials/a-mouth-to-feed-me

8220;INTIMATE THEATRE”. 8220;INTIMATE THEATRE” ethics. With BRYONY DRURY and FRAN O’DONNELL. 8220;A MOUTH TO FEED ME”. 8220;FOOTWASHING” videos. 8220;THE AUTHOR” show reports. 8220;A MOUTH TO FEED ME”. A Mouth to Feed Me: Reflections inspired by the poster for Tim Crouch’s. Material to supplement the article is available in THEATRE PERSONAL RESOURCES. Such as the CONVERSATIONS. Links are included, below, to ONLINE RESOURCES. Referred to in the article:. Proudly powered by WordPress.

5

Transcript of notes from session 4 worksheets | THEATRE PERSONAL

http://theatrepersonal.co.uk/transcript-of-notes-from-session-4-worksheets

8220;INTIMATE THEATRE”. 8220;INTIMATE THEATRE” ethics. With BRYONY DRURY and FRAN O’DONNELL. 8220;A MOUTH TO FEED ME”. 8220;FOOTWASHING” videos. 8220;THE AUTHOR” show reports. Session 3: collaborative blueprints. Protected: Transcript of notes from session 4 worksheets. March 10, 2014. Enter your password to view comments. This content is password protected. To view it please enter your password below:. This entry was posted in compassionate imagination. Session 3: collaborative blueprints.

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THEATRE PERSONAL | audiences with intimacy

8220;INTIMATE THEATRE”. 8220;INTIMATE THEATRE” ethics. With BRYONY DRURY and FRAN O’DONNELL. 8220;A MOUTH TO FEED ME”. 8220;FOOTWASHING” videos. 8220;THE AUTHOR” show reports. Recently, British theatre and live art has embraced intimate, immersive and interactive forms. As the boundaries blur between arts practices and speed dating/gaming/confession/group therapy/massage/spiritual retreat/city tour/office party/private conversation, then theatre becomes personal. Facilitated by Adrian Howells. Protected:...

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