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The Fergusonia File

Wednesday, November 29, 2006. Frances Burney, The Witlings (1778-80). 1778-1780) opens in a milliner's shop (see photo), a fact which is notable in itself. The other plays we've looked at generally open in someone's dressing or drawing room, which is a cue to the upper or middle class milieu of the ensuing drama. I thought that opening. The play, like others we've seen, centres on a young woman who is independently wealthy (see Cavendish's. The Convent of Pleasure. That said, the characterization is good...

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The Fergusonia File | thefergusoniafile.blogspot.com Reviews
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Wednesday, November 29, 2006. Frances Burney, The Witlings (1778-80). 1778-1780) opens in a milliner's shop (see photo), a fact which is notable in itself. The other plays we've looked at generally open in someone's dressing or drawing room, which is a cue to the upper or middle class milieu of the ensuing drama. I thought that opening. The play, like others we've seen, centres on a young woman who is independently wealthy (see Cavendish's. The Convent of Pleasure. That said, the characterization is good...
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1 the fergusonia file
2 frances burney's
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5 lyrical ballads
6 the tryal
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9 the belle's stratagem
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The Fergusonia File | thefergusoniafile.blogspot.com Reviews

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Wednesday, November 29, 2006. Frances Burney, The Witlings (1778-80). 1778-1780) opens in a milliner's shop (see photo), a fact which is notable in itself. The other plays we've looked at generally open in someone's dressing or drawing room, which is a cue to the upper or middle class milieu of the ensuing drama. I thought that opening. The play, like others we've seen, centres on a young woman who is independently wealthy (see Cavendish's. The Convent of Pleasure. That said, the characterization is good...

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The Fergusonia File: A Wife to Be Lett

http://thefergusoniafile.blogspot.com/2006/11/wife-to-be-lett.html

Thursday, November 02, 2006. A Wife to Be Lett. Eliza Haywood’s 1724 comedy,. A Wife to be Lett. The fact that Amadea is in drag makes the situation more complicated. Would Susanna have heeded the warnings if the censurer appeared in her true gender? Does the fact that no male is actually present suggest that there is room for exclusive female community even within patriarchy? The tyranny of husbands is clearly devalued in the play, but where are we left at the end? Posted by Bard of Cornwall @ 6:55 AM.

2

The Fergusonia File: Mary Pix, The Innocent Mistress (1697)

http://thefergusoniafile.blogspot.com/2006/10/mary-pix-innocent-mistress-1697.html

Sunday, October 15, 2006. Mary Pix, The Innocent Mistress (1697). Mary Pix's 1697 play,. Is unremarkable in terms of plot construction and characterization. As with many contemporary comedies, it employs stock devices: disguise, misplaced billet-doux, the conversion of rakes, etc. Posted by Bard of Cornwall @ 10:14 AM. Keep in mind that the comedy could get pretty broad in this period. Which does not negate your reading - which I like. A Blog to be Let. Literature, musings, and tabby cats.

3

The Fergusonia File: 'Bout Time for Elizabeth Griffith's The Times, 1779

http://thefergusoniafile.blogspot.com/2006/11/bout-time-for-elizabeth-griffiths.html

Sunday, November 12, 2006. Bout Time for Elizabeth Griffith's The Times, 1779. 1779) doesn’t employ many of the stock-comedy conventions that we’ve come to expect. There are no cross-dressing scenes, no misplaced letters (unless you count Forward’s reading of the business document in 1.1), and the plot complications don’t largely result from the bumbling of a clown/fool figure. In our class discussion (last time? All this is to say, I was paradoxically bored by the absence of stock devices that should bo...

4

The Fergusonia File: Susanna Centlivre's The Busybody, 1709

http://thefergusoniafile.blogspot.com/2006/10/susanna-centlivres-busybody-1709.html

Sunday, October 29, 2006. Susanna Centlivre's The Busybody, 1709. I can see why Centlivre's. Posted by Bard of Cornwall @ 11:44 AM. I'm intrigued by your discussion of the violence in the play, Jesse, mostly because I'm surprised that I didn't really notice it. Yes, there are duels and threats, but none of that registered as violent when I read the play. That's really interesting to me, and I'll have to go back over things before tomorrow so I can sort out my thoughts on it. What I find so interesting ab...

5

The Fergusonia File: October 2006

http://thefergusoniafile.blogspot.com/2006_10_01_archive.html

Sunday, October 29, 2006. Susanna Centlivre's The Busybody, 1709. I can see why Centlivre's. Posted by Bard of Cornwall @ 11:44 AM. Sunday, October 22, 2006. Editing Trotter's Biographical Entry. The extant Wikipedia article for Catharine Trotter Cockburn. In terms of sensitive/opinionated material that might contravene the NPOV. Love at a Loss. My work on the entry, then, was hardly impeded by the NPOV policy. I wouldn’t have written any differently otherwise. Posted by Bard of Cornwall @ 7:02 AM. Is un...

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AncientOfDaze: You brought 'er, you Trotter

http://patricktoner.blogspot.com/2006/10/you-brought-er-you-trotter.html

Musings of an artistic, literary, political and intellectual nature. Plus I include a joke-of-the-day. Monday, October 23, 2006. You brought 'er, you Trotter. Well, Love at a Loss was kind of a loss. I actually missed the annoying gang from The Rover and as I was reading found myself wishing that Willmore would materialize and challenge Beaumine to a sword fight or dump Bonsot into the sewer or somesuch. Beaumine rejects the institution of marriage but offers no alternatives. All action takes place i...

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AncientOfDaze: September 2006

http://patricktoner.blogspot.com/2006_09_01_archive.html

Musings of an artistic, literary, political and intellectual nature. Plus I include a joke-of-the-day. Sunday, September 24, 2006. Then all in haste I to the Presse it sent". Posted by Ancient of Daze @ 8:46 PM. I approached the readings of this course in a bass-ackwards fashion. I read Cavendish and Behn before reading The Female Wits. I was, therefore, surprised to see that marriage and romance weren’t major considerations in this play as they are in the others. Nonetheless, the satire of the play also...

patricktoner.blogspot.com patricktoner.blogspot.com

AncientOfDaze: Tryal Size

http://patricktoner.blogspot.com/2006/11/tryal-size.html

Musings of an artistic, literary, political and intellectual nature. Plus I include a joke-of-the-day. Sunday, November 26, 2006. I found Baillie's "Introductory Discourse" more interesting than her play. From the first scene, I felt it would have worked better as a novel, which became a successful literary form because it explored the interior of a character, whereas drama relies on inter-character interaction and conflict, something Baillie does awkwardly in. Women's subterfuge, good or bad? Starts to ...

patricktoner.blogspot.com patricktoner.blogspot.com

AncientOfDaze:

http://patricktoner.blogspot.com/2006/11/dont-have-cow-ley-man.html

Don't have a Cow-ley, man! Musings of an artistic, literary, political and intellectual nature. Plus I include a joke-of-the-day. Sunday, November 19, 2006. Don't have a Cow-ley, man! Well, I hope that not too many people have been too impatient about my posting this week. Sorry it's as late as it is. To tell the truth, I don't quite know what to post since whatever I have to say about Hannah Cowley (there's definitely enough to fill most of class time - be warned! 1 'Til Travel Do Us Part. So my questio...

patricktoner.blogspot.com patricktoner.blogspot.com

AncientOfDaze: Criticizing the Critics

http://patricktoner.blogspot.com/2006/11/criticizing-critics.html

Musings of an artistic, literary, political and intellectual nature. Plus I include a joke-of-the-day. Sunday, November 12, 2006. Betty Rizzo’s point that Griffith was a journeyman playwright whose success was based on learning from her mistakes and not getting audiences too upset by sticking to uncontroversial material seems to jibe with what we see in. Posted by Ancient of Daze @ 5:53 PM. Yes, I can see some nice applications to Cowley. New Brunswick, Canada. View my complete profile.

patricktoner.blogspot.com patricktoner.blogspot.com

AncientOfDaze: November 2006

http://patricktoner.blogspot.com/2006_11_01_archive.html

Musings of an artistic, literary, political and intellectual nature. Plus I include a joke-of-the-day. Sunday, November 26, 2006. I found Baillie's "Introductory Discourse" more interesting than her play. From the first scene, I felt it would have worked better as a novel, which became a successful literary form because it explored the interior of a character, whereas drama relies on inter-character interaction and conflict, something Baillie does awkwardly in. Women's subterfuge, good or bad? Starts to ...

patricktoner.blogspot.com patricktoner.blogspot.com

AncientOfDaze: Two thumbs up for "Wife"

http://patricktoner.blogspot.com/2006/11/two-thumbs-up-for-wife.html

Musings of an artistic, literary, political and intellectual nature. Plus I include a joke-of-the-day. Monday, November 06, 2006. Two thumbs up for "Wife". A Wife to be Lett. Stands as my favourite play so far, bringing together in a more successful way the many issues we’ve been looking for but not finding positive examples of thus far. To start off, we have in. A Wife to be Lett. Posted by Ancient of Daze @ 9:11 AM. The commercial language is. New Brunswick, Canada. View my complete profile. Thalia's D...

patricktoner.blogspot.com patricktoner.blogspot.com

AncientOfDaze: The Busybody: Cent Livres of Fun!

http://patricktoner.blogspot.com/2006/10/busybody-cent-livres-of-fun.html

Musings of an artistic, literary, political and intellectual nature. Plus I include a joke-of-the-day. Sunday, October 29, 2006. The Busybody: Cent Livres of Fun! I don’t know if it is a good sign or not that I now find I read the play, make some notes and then read the assigned readings and discover that they mention many of the same things I made notes about. This is written after I read the Fushnell article and of course after reading Centlivre’s. Unlike Fushnell, I was surprised at how much. Last wee...

patricktoner.blogspot.com patricktoner.blogspot.com

AncientOfDaze: Bluestockings Again!

http://patricktoner.blogspot.com/2006/12/bluestockings-again.html

Musings of an artistic, literary, political and intellectual nature. Plus I include a joke-of-the-day. Monday, December 04, 2006. This week’s plays bring again to mind. The play we began this course with. We seem to have come full circle with Frances Burney’s. The latter as defined by Joyce/Sophia:. Interesting to ponder how many of the male characters we have seen in this course might fit that description, and also how what we in the 21st century would call woman hating doesn’t match this definition.

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Wednesday, November 29, 2006. Frances Burney, The Witlings (1778-80). 1778-1780) opens in a milliner's shop (see photo), a fact which is notable in itself. The other plays we've looked at generally open in someone's dressing or drawing room, which is a cue to the upper or middle class milieu of the ensuing drama. I thought that opening. The play, like others we've seen, centres on a young woman who is independently wealthy (see Cavendish's. The Convent of Pleasure. That said, the characterization is good...

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